A story of today's explosive racial and cultural divide, of strong-minded characters unwilling to compromise that becomes a metaphor for America today. The story reveals that we're all fallen souls but capable of compromise and redemption.

"Whack-a-mole. It's an arcade game. ... Watching moles pop up, the child with the hammer seeks to hit the exposed mole before it retreats back into the safety of its hole. Whack-a-mole is also a metaphor for modern life. ... It's how we set expectations of each other, how we respond when our fellow human being makes a mistake. Whack-a-mole."--Prologue, p. [1].

The idea that there once existed a language which perfectly and unambiguously expressed the essence of all possible things and concepts has occupied the minds of philosophers, theologians, mystics and others for at least two millennia. This is an investigation into the history of that idea and of its profound influence on European thought, culture and history. From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was just such a language, and that all current languages were its decadent descendants from the catastrophe of the Fall and at Babel. The recovery of that language would, for theologians, express the nature of divinity, for cabbalists allow access to hidden knowledge and power, and for philosophers reveal the nature of truth. Versions of these ideas remained current in the Enlightenment, and have recently received fresh impetus in attempts to create a natural language for artificial intelligence. The story that Umberto Eco tells ranges widely from the writings of Augustine, Dante, Descartes and Rousseau, arcane treatises on cabbalism and magic, to the history of the study of language and its origins. He demonstrates the initimate relation between language and identity and describes, for example, how and why the Irish, English, Germans and Swedes - one of whom presented God talking in Swedish to Adam, who replied in Danish, while the serpent tempted Eve in French - have variously claimed their language as closest to the original. He also shows how the late eighteenth-century discovery of a proto-language (Indo-European) for the Aryan peoples was perverted to support notions of racial superiority. To this subtle exposition of a history of extraordinary complexity, Umberto Eco links the associated history of the manner in which the sounds of language and concepts have been written and symbolized. Lucidly and wittily written, the book is, in sum, a tour de force of scholarly detection and cultural interpretation, providing a series of original perspectives on two thousand years of European History. The paperback edition of this book is not available through Blackwell outside of North America.

INTERNATIONAL BESTSELLER • Inspired by her popular TED Talk, the founder and CEO of Girls Who Code urges women to embrace imperfection and live a bolder, more authentic life. “A timely message for women of all ages: Perfection isn’t just impossible but, worse, insidious.”—Angela Duckworth, bestselling author of Grit Imagine if you lived without the fear of not being good enough. If you didn’t care how your life looked on Instagram. If you could let go of the guilt and stop beating yourself up for making human mistakes. Imagine if, in every decision you faced, you took the bolder path? As women, too many of us feel crushed under the weight of our own expectations. We run ourselves ragged trying to please everyone, pass up opportunities that scare us, and avoid rejection at all costs. There’s a reason we act this way, Saujani says. As girls, we were taught to play it safe. Well-meaning parents and teachers praised us for being quiet and polite, urged us to be careful so we didn’t get hurt, and steered us to activities at which we could shine. As a result, we grew up to be women who are afraid to fail. It’s time to stop letting our fears drown out our dreams and narrow our world, along with our chance at happiness. By choosing bravery over perfection, we can find the power to claim our voice, to leave behind what makes us unhappy, and to go for the things we genuinely, passionately want. Perfection may set us on a path that feels safe, but bravery leads us to the one we’re authentically meant to follow. In Brave, Not Perfect,Saujani shares powerful insights and practices to help us let go of our need for perfection and make bravery a lifelong habit. By being brave, not perfect, we can all become the authors of our best and most joyful life.

THE GRIPPING THRILLER THAT INSPIRED THE MAJOR NEW NETFLIX SERIES ******** 'A sizzling summer read fans won't want to miss' - Bustle 'Sink into this book like a hot, scented bath . . . a delicious, relaxing pleasure. And a clever whodunit at the same time' - Kirkus 'Hilderbrand's books keep getting better and better' - Bookreporter ******** Every couple has their secrets . . . It's wedding season, and tensions are brewing. When one lavish wedding ends in disaster before it can even begin - with the maid of honour discovered dead in Nantucket Harbor just hours before the ceremony - everyone in the wedding party is suddenly a suspect. As Chief of Police Ed Kapenash digs into the best man, the bride, the groom's famous mystery novelist mother, and even a member of his own family, the chief discovers that every wedding is a minefield - and that no couple is perfect. ************ Praise for Elin Hilderbrand 'Hilderbrand throws enough curveballs to keep readers guessing, but not too many, maintaining the breezy pace her novels are known for' - Booklist 'Queen of the summer novel' - People '[Elin Hilderbrand] signifies the start of summer to readers' - The Book Reporter 'Perfect holiday reading' - Candis 'The queen regent of the easy-breezy summer novel' - New York Post

2017 Reprint of 1930 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition software. Influenced by the rise of the science of psychology and the turmoil of the early 20th century, The Hoax [also translated as A Perfect Hoax] is an ironic and affectionate story of illusion, self-deception, and impracticality in a practical world. Mario Samigli is in his seventies; he has all but given up his cherished aspirations as a writer and smiles at the world through his one remaining literary outlet--fables. When a travelling salesman with a taste for practical jokes persuades him that a Viennese publishing company wants to translate his early failed novel, Mario is caught in a fantasy of success and fame, and neglects his beloved invalid brother. The Hoax follows the elaborate prank as it escalates, forcing Mario blindly down a road that can only lead to disappointment.

Soon to be a Netflix movie starring Gabrielle Union! Will a forty-year-old woman with everything on the line – her high-stakes career, ticking biological clock, bank account – risk it all for a secret romance with the one person who could destroy her comeback, for good? Jenna Jones, former It-girl fashion editor, is forty, broke and desperate for a second chance. When she’s dumped by her longtime fiancé and fired from Darling magazine, she begs for a job from her arch nemesis, Darcy Vale. Darcy, the beyond-bitchy publisher of StyleZine.com, agrees to hire her rival – only because her fashion site needs a jolt from Jenna’s old school cred. But Jenna soon realizes she’s in over her head. Jenna’s working with digital-savvy millennials half her age, has never even “Twittered,” and pretends to still be a Fashion Somebody while living a style lie (she sold her designer wardrobe to afford her sketched-out studio, and now quietly wears Walmart’s finest). What’s worse is that the twenty-two-year-old videographer assigned to shoot her web series is driving her crazy. Wildly sexy with a smile Jenna feels in her thighs, Eric Combs is way off-limits – but almost too delicious to resist.