Written by one who began as a practitioner of journalism in the private sector and later worked in some of the official media, and who also taught comparative journalism as Professor at the Indian Institute of Mass Communication, the work takes note of all significant developments up to mid-1994 including the debate on globalisation. It is notable for: Establishing Rammohun Roy rather than James claimant of the title of father of the India press Bringing out the role of the revolutionaries, on the one hand and on the other the Liberals who by doubling as journalists contributed to the promotion of nationalist consciousness and social awareness as much as the Congress under Mahatma Gandhi and Jawaharlal Nehru. Telling the fascinating story of K.C. Roy, pioneer of news journalism in India Content analysis, by subject matter and source of news of a typical English -language Indian newspaper over the 1905-1945 period. Comparative analysis of the finding and recommendations of Press Commissions of India and of the United Kingdom A chapter, for the first time, on the cartoon and cartoonists, copiously illustrated Excepted from the Indian Hansard of the 1975-76 Emergency period , censored at the time and not published hitherto Discussion of the little noticed report by the George Verghese panel of the Press Council of Indian on media coverage of terrorism in Punjab and Kashimr. Acuteness of analysis, informed by a humanism free of political or other dogma, enhances the value of the extensively researched information that is packed into this volume. It will be found valuable equally by students of journalism interested in its. Know-why, teachers of the history and role of newspapers in India and other countries; and all those involved in the making and execution of policy in relation to the information media.

Shortlisted for the 2022 George A. and Jeanne S. DeLong Book History Book Prize presented by the Society for the History of Authorship, Reading and Publishing Winner of the 2021 Robert and Vineta Colby Scholarly Book Prize presented by the Research Society for Victorian Periodicals In Empire News, Priti Joshi examines the neglected archive of English-language newspapers from India to unpack the maintenance and tensions of empire. Focusing on the period between 1845 and 1860, she analyzes circulation—of newspapers and news, of peoples and ideas—and newspapers' coverage and management of crises. The book explores three moments of colonial crisis. The sensational trial of East India Company vs. Jyoti Prasad in Agra in 1851 as the Kohinoor diamond is exhibited in London's Hyde Park is a case lost but for colonial newspapers. In these accounts, the trial raises the specter of Warren Hastings and the costs of empire. The Uprising of 1857 was a geopolitical crisis, but for the Indian news media it was a story simultaneously of circulation and blockage, of contraction and expansion, of colonial media confronting its limits and innovating. Finally, Joshi traces circuits of exchange between Britain and India and across media platforms, including Dickens's Household Words, where the empire's mofussil (margin) appears in an unrecognized guise during and after the Uprising. By attending to these fascinating accounts in the Anglo-Indian press, Joshi illuminates the circulation and reproduction of colonial narratives and informs our understanding of the functioning of empire.

A place of astonishing contrasts, India is home to some of the world’s most ancient architectures as well as some of its most modern. It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947. Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.

This book is the first analysis of the dynamics of British press reporting of India and the attempts made by the British Government to manipulate press coverage as part of a strategy of imperial control. The press was an important forum for debate over the future of India and was used by significant groups within the political elite to advance their agendas. Focuses on a period which represented a critical transitional phase in the history of the Raj, witnessing the impact of the First World War, major constitutional reform initiatives, the tragedy of the Amritsar massacre, and the launching of Gandhi’s mass movement. Asserts that the War was a watershed in official media manipulation and in the aftermath of the conflict the Government’s previously informal and ad hoc attempts to shape press reporting were placed on a more formal basis.

Danna Agmon's gripping microhistory is a vivid guide to the "Nayiniyappa Affair" in the French colony of Pondicherry, India. The surprising and shifting fates of Nayiniyappa and his family form the basis of this story of global mobilization, which is replete with merchants, missionaries, local brokers, government administrators, and even the French royal family. Agmon's compelling account draws readers into the social, economic, religious, and political interactions that defined the European colonial experience in India and elsewhere. Her portrayal of imperial sovereignty in France's colonies as it played out in the life of one beleaguered family allows readers to witness interactions between colonial officials and locals. Thanks to generous funding from Virginia Tech and its participation in TOME, the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.

Praise for previous editions: “To all of us who delightedly and sometimes repetitively call ourselves Old India hands, Stanley Wolpert is the acknowledged authority. This book tells why. Indian history, art, culture, and contemporary politics are here in accurate, wide-ranging, and lucid prose."—John Kenneth Galbraith “Wolpert understands India. . . . . Fluent, wide-ranging and often wise, this volume is a useful addition to a shelf of books on India.”—Washington Post Book World “A superb distillation of a lifetime's learning by UCLA's great historian of India. Refreshingly concrete and detailed, [and] vibrantly written, Wolpert's overview repeatedly succeeds at explaining a culture that gave us little things like the decimal system, chess, cotton cloth, meditation, and two religions called Buddhism and Hinduism.”—Philadelphia Inquirer “If one were to read a single book about India in a lifetime, this should be it.”—Library Journal