What does press freedom mean in a digital age? Do we have to live with fake news, hate speech and surveillance? Can we deal with these threats without bringing about the end of an open society? In a fast-moving narrative, Heawood moves from the birth of print to the rise of social media. He shows how the core ideas of press freedom emerged out of the upheavals of the seventeenth century, and argues that these ideas have outlived their sell-by date. Heawood draws on his unique experience as a journalist, campaigner and the founder of the UK's first independent press regulator. He describes his own crisis of faith as his commitment to absolute press freedom was rocked – first by phone hacking at the News of the World, and then by the rise of social media. Nonetheless, he argues powerfully against censorship, and instead sets out the five roles that democratic states should play to ensure that people get the best out of the media and mitigate the worst.

In the battles over religion and politics in America, both liberals and conservatives often appeal to history. Liberals claim that the Founders separated church and state. But for much of American history, David Sehat writes, Protestant Christianity was intimately intertwined with the state. Yet the past was not the Christian utopia that conservatives imagine either. Instead, a Protestant moral establishment prevailed, using government power to punish free thinkers and religious dissidents. In The Myth of American Religious Freedom, Sehat provides an eye-opening history of religion in public life, overturning our most cherished myths. Originally, the First Amendment applied only to the federal government, which had limited authority. The Protestant moral establishment ruled on the state level. Using moral laws to uphold religious power, religious partisans enforced a moral and religious orthodoxy against Catholics, Jews, Mormons, agnostics, and others. Not until 1940 did the U.S. Supreme Court extend the First Amendment to the states. As the Supreme Court began to dismantle the connections between religion and government, Sehat argues, religious conservatives mobilized to maintain their power and began the culture wars of the last fifty years. To trace the rise and fall of this Protestant establishment, Sehat focuses on a series of dissenters--abolitionist William Lloyd Garrison, suffragist Elizabeth Cady Stanton, socialist Eugene V. Debs, and many others. Shattering myths held by both the left and right, David Sehat forces us to rethink some of our most deeply held beliefs. By showing the bad history used on both sides, he denies partisans a safe refuge with the Founders.

A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry. The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.

This Palgrave Pivot offers a history of and proof against claims of "buying power" and the impact this myth has had on understanding media, race, class and economics in the United States. For generations Black people have been told they have what is now said to be more than one trillion dollars of "buying power," and this book argues that commentators have misused this claim largely to blame Black communities for their own poverty based on squandered economic opportunity. This book exposes the claim as both a marketing strategy and myth, while also showing how that myth functions simultaneously as a case study for propaganda and commercial media coverage of economics. In sum, while “buying power” is indeed an economic and marketing phrase applied to any number of racial, ethnic, religious, gender, age or group of consumers, it has a specific application to Black America.

For some, automation will usher in a labor-free utopia; for others, it signals a disastrous age-to-come. Yet whether seen as dream or nightmare, automation, argues Munn, is ultimately a fable that rests on a set of triple fictions. There is the myth of full autonomy, claiming that machines will take over production and supplant humans. But far from being self-acting, technical solutions are piecemeal; their support and maintenance reveals the immense human labor behind "autonomous" processes. There is the myth of universal automation, with technologies framed as a desituated force sweeping the globe. But this fiction ignores the social, cultural, and geographical forces that shape technologies at a local level. And, there is the myth of automating everyone, the generic figure of "the human" at the heart of automation claims. But labor is socially stratified and so automation's fallout will be highly uneven, falling heavier on some (immigrants, people of color, women) than others. Munn moves from machine minders in China to warehouse pickers in the United States to explore the ways that new technologies do (and don't) reconfigure labor. Combining this rich array of human stories with insights from media and cultural studies, Munn points to a more nuanced, localized, and racialized understanding of the "future of work."

Matthew Hindman reveals here that, contrary to popular belief, the Internet has done little to broaden political discourse in the United States, but rather that it empowers a small set of elites - some new, but most familiar.

This book examines literary examples concerning William Wallace against the background of various historical sources and evaluates the construction, the changes, and the relevance of this Scottish national myth.For over 700 years, William Wallace has been fascinating people. What he achieved for his country is almost unbelievable. Already during his lifetime, Wallace's reputation must have been legendary. Over the centuries, a powerful myth has been created around his person, which was fostered by diverse writers, and even by Hollywood. There have been several periods throughout Scottish history when the interest in William Wallace intensified enormously, resulting in an increase of literary publications on the freedom fighter. These climaxes appeared whenever the Scots were dissatisfied with the English rule and brought the old animosity between England and Scotland to new life. These tensions caused many writers to revive memories of Wallace and his ideals by projecting the medieval story into their own time. Thus, more and more bits and pieces were added to the myth whose message seems to have had tremendous effects on the Scots. Wallace's unfulfilled quest of freeing Scotland even became an issue in several programs of political parties.With the release of the film "Braveheart" in the mid-1990s, the Wallace cult was reborn once more. Was it the prevailing political situation that stimulated such an overwhelming enthusiasm for William Wallace again? Did the Wallace myth influence the Devolution Movement? Is Wallace's spirit still alive today? Do the Scots still cherish what he fought for, and will they finally achieve his goal of a fully independent Scottish Nation? With regard to the current political situation, the author finds interesting answers to these questions and discusses the chances for a possible Scottish independence.