Penned by a South African who observed and absorbed the culture of African Americans.

Offers a selection of African poetry arranged by country

Keorapetse Kgositsile, South Africa's second poet laureate, was a political activist, teacher, and poet. He lived, wrote, and taught in the United States for a significant part of his life and collaborated with many influential and highly regarded writers, including Gwendolyn Brooks, Sterling Plumpp, Dudley Randall, and George Kent. This comprehensive collection of Kgositsile's new and collected works spans almost fifty years. During his lifetime, Kgositsile dedicated the majority of his poems to people or movements, documenting the struggle against racism, Western imperialism, and racial capitalism, and celebrating human creativity, particularly music, as an inherent and essential aspect of the global liberation struggle. This collection demonstrates the commitment to equality, justice, and egalitarianism fostered by cultural workers within the mass liberation movement. As the introduction notes, Kgositsile had an "undisputed ability to honor the truth in all its complexity, with a musicality that draws on the repository of memory and history, rebuilt through the rhythms and cadences of jazz." Addressing themes of Black solidarity, displacement, and anticolonialism, Kgositsile's prose is fiery, witty, and filled with conviction. This collection showcases a voice that wanted to change the world--and did.

Early in her powerful, affecting debut, Desautels writes: “I always mention gratitude because/people like that ending.” Unflinching in its candor, this is the story of a woman with two swellings in her belly: a nascent baby, and a cancerous tumor. The poet could focus on the particulars of the medical case, using language from a traditional illness narrative. Instead she gives us the basics, then gathers up surprising and expansive material from various landscapes—the Black Hills, the prairies of Texas, the mountains, switchgrass, and, especially, the neighboring buffalo, to which she feels a profound connection. Desautels’ metaphors strike home, they are counterpoints, balm to the uncertainty and grief that make us uncomfortable. The book moves elegantly from its dark beginnings to a transcendent thankfulness. With healing lyricism, she writes: “And I imagine the white sheets as heron wings./And the whirring machines are white eggs./And the worried voices are sunlight on water.”

"Perhaps that’s the greatest reason why He calls us to dangerous places: so that we will know His astonishing, sacrificial, life-restoring love.” Why God Calls Us to Dangerous Places is about what is lost and what is gained when we follow God at any cost. Soon after 9/11, Kate McCord left the corporate world and followed God to Afghanistan—sometimes into the reach of death. Alive but not unscathed, she has suffered the loss of many things: comfort, safety, even dear friends and fellow sojourners. But Kate realizes that those who go are not the only ones who suffer. Those who love those who go also suffer. This book is for them, too. Weaving together Scripture, her story, and stories of both those who go and those who send, Kate considers why God calls us to dangerous places and what it means for all involved. It means dependence. It means loss. It means a firmer hold on hope. It can mean death, trauma, and heavy sorrow. But it can also mean joy unimaginable. Through suffering, we come closer to the heart of God. Written with the weight of glory in the shadow of loss, Why God Calls Us to Dangerous Places will inspire Christians to count the cost—and pay it.

This book brings together a variety of perspectives to explore the role of literature in the aftermath of political conflict, studying the ways in which writers approach violent conflict and the equally important subject of peace. Essays put insights from Peace and Conflict Studies into dialog with the unique ways in which literature attempts to understand the past, and to reimagine both the present and the future, exploring concepts like truth and reconciliation, post-traumatic memory, historical reckoning, therapeutic storytelling, transitional justice, archival memory, and questions about victimhood and reparation. Drawing on a range of literary texts and addressing a variety of post-conflict societies, this volume charts and explores the ways in which literature attempts to depict and make sense of this new philosophical terrain. As such, it aims to offer a self-conscious examination of literature, and the discipline of literary studies, considering the ability of both to interrogate and explore the legacies of political and civil conflict around the world. The book focuses on the experience of post-Apartheid South Africa, post-Troubles Northern Ireland, and post-dictatorship Latin America. The recent history of these regions, and in particular their acute experience of ethno-religious and civil conflict, make them highly productive contexts in which to begin examining the role of literature in the aftermath of social trauma. Rather than a definitive account of the subject, the collection defines a new field for literary studies, and opens it up to scholars working in other regional and national contexts. To this end, the book includes essays on post-1989 Germany, post-9/11 United States, the Israeli-Palestinian conflict, Sierra Leone, and narratives of asylum seeker/refugee communities. This volume’s comparative frame draws on well-established precedents for thinking about the cultural politics of these regions, making it a valuable resource for scholars of Comparative Literature, Peace and Conflicts Studies, Human Rights, Transitional Justice, and the Politics of Literature.

South Asia looms large in American foreign policy. Over the past two decades, the United States has invested billions of dollars and thousands of human lives in the region, to seemingly little effect. As Srinath Raghavan reveals in The Most Dangerous Place, this should not surprise us. Although the region is often regarded as peripheral to America's rise to global ascendancy, the United States has long been enmeshed in South Asia. For 230 years, America's engagement with India, Afghanistan and Pakistan has been characterized by short-term thinking and unintended consequences. Beginning with American traders in India in the eighteenth century, the region has become a locus for American efforts-secular and religious-to remake the world in its image. Even as South Asia has undergone tumultuous and tremendous changes from colonialism to the world wars, the Cold War and globalization, the United States has been a crucial player in regional affairs. The definitive history of US involvement in South Asia, The Most Dangerous Place presents a gripping account of America's political and strategic, economic and cultural presence in the region. By illuminating the patterns of the past, this sweeping history also throws light on the challenges of the future.