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"A secret series novella"--Page 4 of cover.

If you loved Beautiful Disaster then you're ready to discover . . . The Secret of Ella and Micha A rule-breaker with a fiery attitude, Ella always wore her heart on her sleeve. Then she left everything behind to go to college, where she transformed into someone who follows the rules, keeps everything together, and hides all her problems. Now it's summer break and she has nowhere else to go but home. But once there, Ella fears that everything she's worked so hard to bury might resurface-especially with Micha living right next door. Smart, sexy, and confident, Micha can get under Ella's skin like no one else. He knows everything about her, including her darkest secrets. If he tries to tempt the old Ella to return, he will be impossible to resist. But what Ella doesn't realize is that when she left, she took a piece of Micha's heart with her. Now he's determined to win back the girl he lost, no matter what it takes.

From number one New York Times bestselling author of The Secret of Ella and Micha and The Coincidence of Callie and Kayden comes a story of change, hope, and unbreakable vows. The day Ella has waited for is just around the corner. It's the day she'll marry Micha, the love of her life, the light that guided her out of the darkness. It looks like it will be the perfect Christmas, until an unexpected package arrives with a harsh reminder of Ella's past. Suddenly Ella doesn't feel as confident about her future. Can she really have a 'happily-ever-after' if she's never even seen one? Micha will stand by Ella no matter what she's going through, though he worries that she might leave him standing at the altar again. When he's offered a once-in-a-lifetime chance to tour with his favourite bands for three months, Micha knows he can't leave Ella behind. But can he ask her to uproot her life to join him on the road? Now Ella and Micha must find a way to balance their fears, their dreams, and their love . . . if they ever want to hear wedding bells.

THE NUMBER ONE NEW YORK TIMES BESTSELLING AUTHOR Ella's best friend Lila has always been a good girl who likes pretty clothes and preppy boys. But ever since the first day she met Micha's best friend Ethan, she hasn't been able to stop thinking about him. Girls have always flocked to Ethan -- but never princesses like Lila. And until Lila came into his life he never wanted them to. From the outside the two couldn't seem more different, but somehow they have a connection deeper and more intense than anyone could have imagined. Can two people from such dramatically different worlds really have a love that lasts?

THE NUMBER ONE NEW YORK TIMES BESTSELLING AUTHOR Ella and Micha have been through tragedy, heartbreak, and love. When they are with each other, anything seems possible. But now they are thousands of miles apart . . . Ella continues going to school and tries to deal with her past, desperate for Micha to be by her side, but she refuses to let her problems get in the way of his dreams. Micha spends his days traveling the country with the band, but being away from Ella is harder than he thought. He wants her closer to him -- needs her with him. But he won't ask her to leave college, just to be with him. The few moments they do spend together are fleeting, intense, and filled with passion. They know they want to be together, but is wanting something enough to get them to their forever?

This ISBN refers to the ebook edition of this text, available directly from the publisher. It has erroneously been listed as paperback by some online vendors. The true paperback edition is indeed available at online vendors. Paste this ISBN into the search box: 9780874217810. In this, the first collection of essays to address the development of fairy tale film as a genre, Pauline Greenhill and Sidney Eve Matrix stress, "the mirror of fairy-tale film reflects not so much what its audience members actually are but how they see themselves and their potential to develop (or, likewise, to regress)." As Jack Zipes says further in the foreword, “Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles, and in our dreams and daydreams. The artistic re-creations of fairy-tale plots and characters in film—the parodies, the aesthetic experimentation, and the mixing of genres to engender new insights into art and life— mirror possibilities of estranging ourselves from designated roles, along with the conventional patterns of the classical tales.” Here, scholars from film, folklore, and cultural studies move discussion beyond the well-known Disney movies to the many other filmic adaptations of fairy tales and to the widespread use of fairy tale tropes, themes, and motifs in cinema.