One of the 1960s counterculture's most fascinating characters was Kerry Wendell Thornley -- a writer, philosopher, Zen dishwasher, enlightened prankster, and, possibly, an Oswald double with disturbing ties to the Kennedy assassination. A lifelong provocateur, Thornley was linked to many of the fringe elements of the time. He helped create the spoof religion called the Discordian Society and its tract, the Principia Discordia. He coined the term "paganism" to describe various nature religions. And he befriended Robert Anton Wilson, inspired the Illuminatus, and gave his anarchic support to the Bavarian Illuminati, a brilliant prank.

From Benjamin Franklin's newspaper hoax that faked the death of his rival to Abbie HoffmanOCOs attempt to levitate the Pentagon, pranksters, hoaxers, and con artists have caused confusion, disorder, and laughter in Western society for centuries. Profiling the most notorious mischief makers from the 1600s to the present day, a Pranksters aexplores how OC pranksOCO are part of a long tradition of speaking truth to power and social critique. Invoking such historical and contemporary figures as P.T. Barnum, Jonathan Swift, WITCH, The Yes Men, and Stephen Colbert, Kembrew McLeod shows how staged spectacles that balance the serious and humorous can spark important public conversations. In some instances, tricksters have incited social change (and unfortunate prank blowback) by manipulating various forms of media, from newspapers to YouTube. For example, in the 1960s, self-proclaimed OC professional hoaxerOCO Alan Abel lampooned AmericaOCOs hypocritical sexual mores by using conservative rhetoric to fool the news media into covering a satirical organization that advocated clothing naked animals. In the 1990s, Sub Pop Records then-receptionist Megan Jasper satirized the commodification of alternative music culture by pranking thea New York Times ainto reporting on her fake lexicon of OC grunge speak.OCO Throughout this book, McLeod shows how pranks interrupt the daily flow of approved information and news, using humor to underscore larger, pointed truths. Written in an accessible, story-driven style, a Pranksters areveals how mischief makers have left their shocking, entertaining, and educational mark on modern political and social life."

From Benjamin Franklin's newspaper hoax that faked the death of his rival to Abbie Hoffman’s attempt to levitate the Pentagon, pranksters, hoaxers, and con artists have caused confusion, disorder, and laughter in Western society for centuries. Profiling the most notorious mischief makers from the 1600s to the present day, Pranksters explores how “pranks” are part of a long tradition of speaking truth to power and social critique. Invoking such historical and contemporary figures as P.T. Barnum, Jonathan Swift, WITCH, The Yes Men, and Stephen Colbert, Kembrew McLeod shows how staged spectacles that balance the serious and humorous can spark important public conversations. In some instances, tricksters have incited social change (and unfortunate prank blowback) by manipulating various forms of media, from newspapers to YouTube. For example, in the 1960s, self-proclaimed “professional hoaxer” Alan Abel lampooned America’s hypocritical sexual mores by using conservative rhetoric to fool the news media into covering a satirical organization that advocated clothing naked animals. In the 1990s, Sub Pop Records then-receptionist Megan Jasper satirized the commodification of alternative music culture by pranking the New York Times into reporting on her fake lexicon of “grunge speak.” Throughout this book, McLeod shows how pranks interrupt the daily flow of approved information and news, using humor to underscore larger, pointed truths. Written in an accessible, story-driven style, Pranksters reveals how mischief makers have left their shocking, entertaining, and educational mark on modern political and social life.

Reprint. Originally published: Lincoln, Nebraska: Writers Club Press, 2001.

From Chris Rylander, author of the breakout hit Fourth Stall saga, comes an incredibly funny and clever mash-up of middle grade school story and spy adventure. There are places in the world where heroes are born. There are places where brave men and women fight a never-ending battle against evil in order to keep our country and all other countries safe. There are places where the fate of our planet is being decided, even at this very moment, the consequences of which will echo through history. None of these places is in North Dakota. Carson Fender, seventh grader and notorious prankster, knows this. He's lived in North Dakota for his entire life, going to the same boring school every day, the same boring movie theater every week, the same boring state fair every year. Nothing ever changes, and nothing ever happens. That is, until today. Because today a desperate man hands him a package with a dire set of instructions. And that package is going to lead Carson to discover that there's a secret government agency operating in his small, quiet North Dakota hometown. And that this agency needs his help.

For decades the debate has raged over if Lee Harvey Oswald was a ?LONE NUT? or a patsy for a larger conspiracy to assassinate a sitting American President. One of the more interesting and controversial figures in Kennedy Assasination was Kerry Thornley. One time friend of Lee Harvey Oswald, having served with him in the Marines at El TORO as well as in the FAR EAST. After the Marines, Thornley visits New Orleans and is believed to have visited the Oswald's, quite possibly believed to have stayed with him during this critical period of Lee Harvey Oswald's life as he moved towards the assassination. Now you can read Thornley's initial analysis of Oswald as the LONE NUT, written in a secluded apartment in Washington D.C. just days after Kennedy's assassination! A theory Thornley himself rejected in later life as he became more convinced that Oswald was a pawn in a vast CIA conspiracy. Did Thornley get his initial analysis wrong? Or did he actually get it right.....

New perspectives on the misinformation ecosystem that is the production and circulation of fake news. What is fake news? Is it an item on Breitbart, an article in The Onion, an outright falsehood disseminated via Russian bot, or a catchphrase used by a politician to discredit a story he doesn't like? This book examines the real fake news: the constant flow of purposefully crafted, sensational, emotionally charged, misleading or totally fabricated information that mimics the form of mainstream news. Rather than viewing fake news through a single lens, the book maps the various kinds of misinformation through several different disciplinary perspectives, taking into account the overlapping contexts of politics, technology, and journalism. The contributors consider topics including fake news as “disorganized” propaganda; folkloric falsehood in the “Pizzagate” conspiracy; native advertising as counterfeit news; the limitations of regulatory reform and technological solutionism; Reddit's enabling of fake news; the psychological mechanisms by which people make sense of information; and the evolution of fake news in America. A section on media hoaxes and satire features an oral history of and an interview with prankster-activists the Yes Men, famous for parodies that reveal hidden truths. Finally, contributors consider possible solutions to the complex problem of fake news—ways to mitigate its spread, to teach students to find factually accurate information, and to go beyond fact-checking. Contributors Mark Andrejevic, Benjamin Burroughs, Nicholas Bowman, Mark Brewin, Elizabeth Cohen, Colin Doty, Dan Faltesek, Johan Farkas, Cherian George, Tarleton Gillespie, Dawn R. Gilpin, Gina Giotta, Theodore Glasser, Amanda Ann Klein, Paul Levinson, Adrienne Massanari, Sophia A. McClennen, Kembrew McLeod, Panagiotis Takis Metaxas, Paul Mihailidis, Benjamin Peters, Whitney Phillips, Victor Pickard, Danielle Polage, Stephanie Ricker Schulte, Leslie-Jean Thornton, Anita Varma, Claire Wardle, Melissa Zimdars, Sheng Zou