A fascinating, heartbreaking, and ultimately uplifting tale of self-discovery from the beloved actress who earned a permanent place in the hears of millions for her role in Little House on the Prarie when she was just a child. To fans of the hugely successful television series Little House on the Prairie, Melissa Gilbert grew up in a fantasy world with a larger-than-life father, friends and family she could count on, and plenty of animals to play with. Children across the country dreamed of the Ingalls’ idyllic life—and so did Melissa. With candor and humor, the cherished actress traces her complicated journey from buck-toothed Laura "Halfpint" Ingalls to Hollywood starlet, wife, and mother. She partied with the Brat Pack, dated heartthrobs like Rob Lowe and bad boys like Billy Idol, and began a self-destructive pattern of addiction and codependence. She eventually realized that her career on television had earned her popularity, admiration, and love from everyone but herself. Through hard work, tenacity, sobriety, and the blessings of a solid marriage, Melissa has accepted her many different identities and learned to laugh, cry, and forgive in new ways. Women everywhere may have idolized her charming life on Little House on the Prairie, but Melissa’s own unexpectedly honest, imperfect, and down-to-earth story is an inspiration.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Prairie: A Tale James Fenimore Cooper W. A. Townsend, 1859

The Prairie: A Tale (1827) is an epic novel of James Fenimore Cooper, the third novel written by him featuring Natty Bumppo, his fictitious frontier hero, who is simply known as "the trapper" in it. Chronologically The Prairie is the fifth and final installment of the Leatherstocking Tales. It depicts Natty in the final year of his life still proving helpful to people in distress on the American frontier.

The Prairie: A Tale (1827) is a novel by James Fenimore Cooper, the third novel written by him featuring Natty Bumppo. His fictitious frontier hero Bumppo is never called by his name, but is instead referred to as "the trapper" or "the old man." Chronologically The Prairie is the fifth and final installment of the Leatherstocking Tales, though it was published before The Pathfinder (1840) and The Deerslayer (1841). It depicts Natty in the final year of his life still proving helpful to people in distress on the American frontier. The book frequently references characters and events from the two books previously published in the Leatherstocking Tales as well as the two which Cooper wouldn't write for more than ten years

The Prairie: A Tale (1827) is a novel by James Fenimore Cooper, the third novel . Plot--The story opens with Ishmael, his family, Ellen and Abiram slowly making their way across the virgin prairies of the Midwest looking for a homestead, just two years after the Louisiana Purchase, and during the time of the Lewis and Clark Expedition. They meet the trapper (Natty Bumppo), who has left his home in New York state to find a place where he cannot hear the sound of people cutting down the forests. In the years between his other adventures and this novel, he tells us only that he has walked all the way to the Pacific Ocean and seen all the land between the coasts[citation needed] (a heroic feat, considering Lewis and Clark hadn't yet completed the same trek). That night, a band of Teton warriors steal all of Ishmael's animals, stranding the immigrants. The doctor returns the next morning along with his donkey. The trapper helps the family relocate their wagons, including one with mysterious contents, to a nearby butte where they will be safer when the Tetons return. Middleton joins the group when he stumbles upon the trapper and Paul. Before they return to the butte, Ishmael and his family go looking for his eldest son, Asa, whom they find murdered. The trapper, Paul, and Middleton return to camp, find Inez whom Abiram and Ishmael had been keeping captive, and flee with her and Ellen. Ishmael chases them until the Tetons capture the Trapper and his crew. They escape the Tetons, and then Ishmael forms an alliance with the Indians. The Indians attempt to recapture the trapper by surrounding them with a prairie fire, but the trapper lights a backfire and saves everyone. They meet up with Hard-heart, a Pawnee Indian who survived the fire wrapped in a buffalo skin, and attempt to escape to his village. The Tetons capture them. Ishmael demands the trapper, Inez, and Ellen for helping the Tetons but is denied and turned away. Mahtoree intends to take Inez and Ellen for his new wives. Le Balafre attempts to spare Hard-heart's life by making Hard-heart his son. Hard-heart refuses, kills Weucha, and flees the village. When Hard-heart's Pawnee warriors attack the Teton village, the trapper and his friends escape, only to be captured by Ishmael. The trapper is accused of Asa's death until Abiram's guilt is discovered. Abiram is executed, and Ishmael's family returns east without Inez, Ellen, or the doctor. Middleton, Inez, Paul and Ellen travel back to Louisiana and Kentucky, respectively, while the trapper joins a Pawnee village located on a tributary of the Missouri River. Middleton and Paul return just in time to witness the trapper's noble death and bury him.Treatment of Indians As with The Last of the Mohicans, one of Cooper's major themes in The Prairie is the idea of a noble savage. The book contrasts Hard-heart and the Pawnee tribe-who were at peace with the white settlers-to the warlike Tetons. The Tetons are categorically described as cunning, crafty, deceitful, loathsome and dirty. Hard-heart is brave, fierce, and fights to protect his honor. He refuses to abandon his tribe, even if he loses his life for it. In contrast, Le Balafre once abandoned his tribe to become a Teton, thus saving his own life. In the end, Hard-heart is alive while Weucha and Mahtoree are dead. The doctor, horrified at the possibility of being forced to marry an Indian wife, refers to them as a different species, not homo sapiens. The Tetons are frequently referred to as looking like snakes or with other snake symbolism, such as having "forked tongues." Although Cooper's Indians are frequently stereotypical, so are his white characters. Despite sometimes referring prejudicially to Indians as subhuman, he still presents them in a complex light, a mixture of human and devilish characteristics. Amidst what Cooper describes as primitive or dirty, he lauds their honor, hospitality, laws, etc. ...