Early American Furniture is a complete and thorough field guide. In addition to the discussion of period and style and the numerous illustrations found in most books on period furniture, this book covers other topics that are equally important to the collector: understanding the furniture trade, evaluating quality, investment potential, identifying period workmanship, the ins and outs of dealers, shows, and auctions, care and conservation, repair and restoration, documentation, insurance, problems of inheritance, and coping with the misrepresentation so often encountered in the market. This is a very practical book full of information needed by the collector, particularly by the collector of average means who does not buy from the larger dealers or attend the major auctions. Written by a collector for other collectors, it deals with the many problems in building a collection. The 400 black and white illustrations are finely detailed line drawings made from authentic pieces of furniture featured in the catalogs of some of the leading auction houses. The beginning or occasional collector or anyone curious about some old family furniture will adore this handy, easy-to-use guide.

Over 1700 of Skibinski's line drawings present a visual approach to the identification of antique furnishings. The book is arranged in chronological sequences (17th century through the early 20th century) by type of furniture, from tables and settees to desks and bookcases. Butler and Johnson have included some important information for the novice and the experienced collector: the sources of furniture used as models for the illustrations; lists of museums, art galleries, and special displays of outstanding collections of furniture; a selected bibliography and a glossary; the anatomy of a piece of furniture; and a brief history of the periods of furniture and furniture makers. Highly recommended for public libraries and other subject collections.

Among the countless flea markets in America, there are those that deserve to be called legendary. Scattered around the country, these are the markets with hundreds—sometimes thousands—of dealers and whose spectacular settings, covetable offerings, and colorful histories make each an unforgettable experience and a unique adventure. Pamela Keech—a museum curator who shops professionally at flea markets—profiles her top twenty choices, the flea markets that can be counted on to surprise and delight at every turn. Tackling these mammoth events, however, is not for the faint of heart. For starters, the size and scope of each market can be overwhelming—no, are overwhelming. They cover acres and acres and miles and miles. (To give you an idea of their scope, there is one that stretches from Maryland to Missouri and another from Michigan to Alabama.) The Best Flea, Antique, Vintage, and New-Style Markets in America is an essential guide for shoppers who want to get the most out of each venue. All the practical details are covered: how far ahead of time to make reservations, how to avoid wasting precious time in traffic jams, how to navigate the miles of aisles, how to determine the best paths through the markets, how much territory can be covered in a day, how to find out where the must-see dealers set up their tables, what to take to be comfortable, and more. Other essential information includes smart negotiating, shipping options, and—because the thrill of the chase can be utterly exhausting—great local places to eat and where to find a soft bed at the end of the day. One of the many charms of the book is its focus on regional style. Each of the markets profiled has an unmistakable sense of place, evident in the merchandise that fills the booths. Canton, Texas started 150 years ago as a trading market for cattle and livestock; this is where you’ll find vintage cowboy boots, railroad and ranch memorabilia, and primitives. At the Rose Bowl Flea Market, the proximity to Hollywood casts a sparkle over everything; don’t be surprised to find yourself browsing elbow to elbow with movie stars at tables filled with memorabilia from the silver screen and glamorous costume jewelry. At Shipshewana, in the heartland of the Indiana Amish, you’ll find more than the usual number of pie safes, kitchen implements, and quilts. Keech highlights these differences with bits of cultural and decorative history and lots and lots of photographs that will make even armchair travelers feel like part of the action.

American Weathervanes: The Art of the Winds, published to coincide with an exhibition at the American Folk Art Museum, reveals the beauty, historical significance, and technical virtuosity of American vanes fashioned between the late seventeenth and early twentieth centuries. This American art form has long been an enduring part of the country's skylines. Early church steeples were graced with weathercocks, following a European tradition that dates to the MiddleAges. America's first documented vane maker, metalsmith Shem Drowne of Boston, crafted a number of surviving vanes, including the iconic golden grasshopper that has topped the city's Faneuil Hall since 1742. Farmers, blacksmiths, and other craftsmen proudly fashioned roosters, cows, horses, and other forms for country barns, and as the tradition and public demand expanded over the course of the nineteenth century, so did the diversity of forms, which grew to fill the mail order catalogs of commercial manufacturers in Boston, New York, and other cities. Today, weathervanes hold a well-established place in the canon of American folk art and American Weathervanes celebrates this artistry in the most up-to-date and authoritative work on the subject. Lavishly illustrated with masterworks from prominent private and public collections, this is a book to be treasured by anyone who collects or simply admires American vernacular art and sculpture.

Prepares the average antiquer to be a detective at antiques shops and sales, offering simple, practical techniques for examining furniture to discern the fake, repaired, and genuine antique