We are a product of nature. Every single cell of our body is made of, and depends, on nature. Our inner soul is heavily influenced by nature. We feel sad if the sun is not shining for a few days, and feel pleasure when drawn to the wonder of flowers and uplifted by the song of birds. We came from nature; we are part of nature. In short, we are nature. Nature has been an intimate part of the human experience from the earliest times. Different religions and cultures, from all corners of the world, have honoured and worshipped nature in art, ritual and literature in their own unique ways. This book shows how we learn about our own human nature, our own sense of identity and how we fit into the larger scheme of life and spirit when we come to better understand how our human ancestors, through art, symbol and myth, expressed their relationship with the natural world.

What is the future of religion given the responses of young people? What impact do existing religious forms have on youth? What kind of spirituality and religion are young people creating for themselves? Religion and Youth presents an accessible guide to the key issues in the study of youth and religion, including methodological perspectives. It provides a key teaching text in these areas for undergraduates, and a book of rigorous scholarship for postgraduates, academics and practitioners. Offering the first comprehensive international perspective on the sociology of youth and religion, this book reveals key geographical and organisational variables as well as the complexities of the engagement between youth and religion. The book is divided into six parts organised around central themes: Generation X and their legacy; The Big Picture – surveys of belief and practice in the USA, UK and Australia; Expression – how young people construct and live out their religion and spirituality; Identity – the role of religion in shaping young people's sense of self and social belonging; Transmission – passing on the faith (or not); Researching Youth Religion – debates, issues and techniques in researching young people's religion and spirituality. James A. Beckford writes the Foreword and Linda Woodhead the Epilogue.

Throughout history, symbols have formed and shaped our mental and emotional states, and influenced our behavior. Robert Adkinson's compendium of religious, philosophical, and cultural emblems from a variety of contexts reveals the universal power of these elemental images, bridging the gap between languages and civilizations all over the world. With illuminating commentary, Adkinson positions each image within its cultural context, from the early societies of the Egyptians, the Celts and the Maya, who used visual metaphors to explain natural phenomena and illustrate concepts of good and evil, to the iconography of Buddhism, Taoism, and Christianity as found in art and architecture, concluding with the complex spiritual puzzles of the mandala, sacred sex, and the Tarot.

"Nicholas Cabasilas' Commentary on the Divine Liturgy is a remarkable product of Byzantium's last great flowering of theology. The work has long been essential reading for specialists in the fields of comparative liturgy and history of liturgy, since Cabasilas comments in detail on the Byzantine rite of his day and is able to draw comparisons with the Roman liturgy as well. The work is also invaluable for all those who wish to understand more about the theory and practice of worship in the Orthodox Church. In this edition the text of the Commentary, translated by J. M. Hussey and P. A. McNulty, has been supplemented by a brief foreword which places Cabasilas' work in its historical context. A helpful introduction by R. M. French describes the celebration of the liturgy in the Orthodox Church."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved