This volume focuses on the ways discourse is used in ritual performances as an important medium of power, enabling speakers/actors to construct, redefine and transform interpersonal relationships, cultural concepts and worldviews. The various case studies gathered here, from South Asia, South East Asia, Africa and South America, show that recent developments in linguistic anthropology, ritual theory and performance studies provide new conceptual tools to take a fresh look at these issues. Foregrounding pragmatic approaches to language and discourse, they explore the social dynamics of rhetorical discourse, text and context, normativity and creativity, the poetics of dialogue and speech, as well as the manifold interactions of speakers, addressees and audience. The volume thus embraces both the micro-level of speech activities as well as the macro-level of social and political relationships and brings out the subtle workings of control, authority, and power in situations marked as ritual. The contributions, all based on extensive fieldwork, include many concrete samples of speech and discourse which give an authentic impression of the different voices and make for vivid reading.

Ritual has been long viewed as an undisputed and indisputable part of (especially religious) tradition, performed over and over in the same ways: stable in form, meaningless, preconcieved, and with the aim of creating harmony and enabling a tradition's survival. The authors represented in this collection argue, however, that this view can be seriously challenged and that ritual's embeddedness in negotiation processes is one of its central features.

The thousand-year-old Sanskrit classic the Bhagavatapurana, or 'Stories of the Lord', is the foundational source of narratives concerning the beloved Hindu deity Krishna. For centuries pious individuals, families, and community groups have engaged specialist scholar-orators to give week-long oral performances based on this text. In recent years, these events have grown in number, scale, and popularity, filling vast public arenas, such as sports stadiums, and attracting live audiences in the tens of thousands while being simulcast around the world. In Seven Days of Nectar, McComas Taylor uncovers the factors that contribute to the explosive growth of this tradition.

In this third edition, Peter McLaren engages with some of the latest anthropological thinking and presents the reader with a powerful manifesto for critical ethnography in the 21st century.

"Discourse in Ritual Studies" offers an introduction into the study of public worship from the perspective of ritual studies.The contributing authors confront an action-oriented and empirical approach of ritual studies with perennial and normative questions that characterize the study of liturgy.

Among the Weyewa of the eastern Indonesian island of Sumba, spokesmen seek to inscribe their traditions and sacred obligations through ritual speaking performances. In a series of lively poetic dialogues, performers use a distinctive couplet style to pursue the trail of their ancestors.

Ritual theatre is a powerful healing system that has been practised since ancient times by early societies and in tribal communities. It has the ability to effect deep transformation in its participants, support growth and development, and resolve personal issues. This book considers the relevance of ritual theatre in contemporary life and describes how it is being used as a highly cathartic therapeutic process. With contributions from leading experts in the field of dramatherapy, the book brings together a broad spectrum of approaches to ritual theatre as a healing system. It explores the anthropological and tribal roots of dramatic ritual and proposes that ritual theatre finds its most potent expression in personal development work. The practical application of ritual theatre in various clinical settings is discussed and the final chapters explore the possibilities of ritual theatre as performance. Offering a comprehensive discourse on the theory, application and potential of ritual theatre, this book will be an essential text for all students and practitioners of dramatherapy, arts therapists, psychotherapists, psychologists, counsellors and theatre professionals.