This Southwest-set tale about a hunt for a precious relic offers a “nice mix of comedy and mystery” from an award-winning author (Booklist). A dealer in traditional Native American pottery, Hubie Schuze scours New Mexico in search of ancient treasures. The Bureau of Land Management calls him a criminal, but Hubie knows that the real injustice would be to leave the legacies of prehistoric craftspeople buried in the dirt. In all his travels across the state, there is one place that Hubie hasn’t been able to access: Trinity Site at the White Sands Missile Range, where the first atomic bomb was detonated. Deep within the range are ruins once occupied by the Tompiro people, whose distinctive pottery is incredibly rare and valuable. When an old associate claims to have a buyer interested in spending big money on a Tompiro pot, Hubie resolves to finally find a way into the heavily guarded military installation. But Hubie has more on his mind than just outwitting the army’s most sophisticated security measures. He’s in love with a beautiful woman who has a few secrets of her own—and his best friend, Susannah, may have just unearthed a lost Georgia O’Keeffe painting. It’s a lot for a mild-mannered pot thief to handle, and when his associate is murdered and Tompiro pots start replicating like Russian nesting dolls, Hubie suddenly realizes he’s caught up in the most complex and dangerous mystery he’s ever faced. The Pot Thief Who Studied Georgia O’Keeffe is the 7th book in the Pot Thief Mysteries, but you may enjoy reading the series in any order.

A New Mexico pottery dealer cracks a perplexing mystery in this “winning blend of humor and character development” (Publishers Weekly). Hubert Schuze is an adjunct professor at the University of New Mexico in Albuquerque, and he has a fairly lucrative side gig digging up ancient relics and selling them. He also seems to have a talent for finding killers. When Hubie discovers a body outside his pottery shop, it appears the victim was stabbed in the back with something resembling a screwdriver. But the story gets a lot more mysterious when a video turns up showing the man collapsing with no one else nearby. Furthermore, a slip of paper is found in his pocket, with Hubie’s name and address on it, suggesting there may be a connection between the two men—though Hubie has no idea what it could be. Now, the professor and pottery expert must put his sleuthing skills to work—while simultaneously managing his new role running the university’s art department—to piece together the shards of a baffling crime in this “breezy” novel from a winner of the Left Award for Best Humorous Mystery starring a “witty” amateur detective (Albuquerque Journal). “[A] winning series.” —Susan Wittig Albert, New York Times–bestselling author of the China Bayles Herbal Mysteries

First in the lively, laugh-filled series featuring a New Mexico pottery dealer with a side job as an amateur sleuth. A dealer of ancient Native American pottery, Hubert Schuze has spent years combing the public lands of New Mexico, digging for artwork that would otherwise remain buried. According to the US government, Hubie is a thief—but no act of Congress could stop him from doing what he loves. For decades, Hubie has worn the title of pot thief proudly. Outright burglary, though, is another story. But an offer of $25,000 to lift a rare pot from a local museum proves too tempting for Hubie to refuse. When he sees how tightly the relic is guarded, he changes his mind, but the pot goes missing anyway. Soon a federal agent suspects that Hubie is the culprit. After things take a turn for the serious, Hubie knows he must find the real thief quickly, or risk cracking something more fragile than any pot—his skull. The Pot Thief Who Studied Pythagoras is the 1st book in the Pot Thief Mysteries, but you may enjoy reading the series in any order.

The pot thief is going back to school, but someone on campus is trying for a different kind of degree—murder in the first—in this “smartly funny series” (Anne Hillerman). Before making a somewhat notorious name for himself as a salvager of antiquated pottery and other desert artifacts, Hubie Schuze was an eager student at the University of New Mexico—right up until they booted him out. Now, he’s back at UNM as a pottery teacher. It should be a breeze, but campus life has changed dramatically in the past twenty-five years. From cell phones to trigger warnings to sensitivity workshops, Hubie has to get up to speed fast or risk losing control of his class. But his dismay at the state of modern academia takes a back seat when a young beauty working as a life model is murdered—and Hubie becomes a suspect. Taking the investigation into his own hands, he soon uncovers a wide palette of sketchy suspects that includes both the self-involved student body and the quarrelsome art school faculty. But what he doesn’t know is that the murderer has a new artistic project in the works: a headstone for the grave of Hubie Schuze . . . The Pot Thief Who Studied Edward Abbey is the 8th book in the Pot Thief Mysteries, but you may enjoy reading the series in any order.

An Albuquerque pottery dealer looking for artifacts finds murder and intrigue in this “smartly funny” series (Anne Hillerman, author of Spider Woman’s Daughter). A dealer in ancient Native American pottery, Hubert Schuze has spent years searching the public lands of New Mexico for artwork that would otherwise remain buried. According to the US government, he’s a thief, but Hubie knows the real crime would be to allow age-old traditions to die. He honors prehistoric craftspeople by resurrecting their handiwork, and nothing—not even foul play—will stop him in these three installments of the Lefty Award–winning mystery series. The Pot Thief Who Studied Pythagoras: Hubie accepts a $25,000 offer to lift a rare pot from a local museum but changes his mind when he discovers how tightly the exhibit is being guarded. When the pot goes missing anyway, Hubie’s sent on the hunt for the real thief—and on the run from a killer. The Pot Thief Who Studied Ptolemy: Hubie goes on a mission to recover stolen relics from a high-rise apartment building. Unfortunately, his perfect plan falls apart when he’s arrested for murder. That’s what happens when you get caught with blood on your hands and a dead body in the room. Now, Hubie must stay one step ahead of the law as he pursues a beautiful mystery woman in this fast-paced thriller that “hook[s] the reader from the get-go” (Albuquerque Journal). The Pot Thief Who Studied Einstein: After Hubie appraises a collection of Anasazi pots for an eccentric, reclusive collector, his $2,500 payment disappears. He suspects the man ripped him off, but soon stumbles into a bigger crime when the collector is murdered. Determined not to end up in handcuffs, Hubie sets out to solve the mystery—and finds himself pulled deeper and deeper into the dead man’s shadowy, dangerous life.

The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the precious year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 20 of the J. Paul Getty Museum Journal contains an index to volumes 1 to 20 and includes articles by John Walsh, Carl Brandon Strehlke, Barbara Bohen, Kelly Pask, Suzanne Lewis, Elizabeth Pilliod, Anne Ratzki-Kraatz, Sharon K. Shore, Linda A. Strauss, Brian Considine, Arie Wallert, Richard Rand, And Jacky De Veer-Langezaal.

This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.