Together is somewhere they long to be. Ash Gupta has a life full of possibility. His senior year is going exactly as he’s always wanted-- he's admired by his peers, enjoying his classes and getting the kind of grades that his wealthy, immigrant parents expect. There's only one obstacle in Ash's path: Eden Moore—the senior most likely to become class valedictorian. How could this unpopular, sharp-tongued girl from the wrong side of the tracks stand in his way? All Eden's ever wanted was a way out. Her perfect GPA should be enough to guarantee her a free ride to college -- and an exit from her trailer-park existence for good. The last thing she needs is a bitter rivalry with Ash, who wants a prized scholarship for his own selfish reasons. Or so she thinks. . .When Eden ends up working with Ash on a class project, she discovers that the two have more in common than either of them could have imagined. They’re both in pursuit of a dream -- one that feels within reach thanks to their new connection. But what does the future hold for two passionate souls from totally different worlds?

Structured like a sonata, this heartbreaking debut novel hits all the right notes. Dominique is a high school junior from gritty Trenton, barely getting by. Ben is a musical prodigy from the Upper East Side, a rising star at a top conservatory. When Dom’s class is taken to hear a concert at Carnegie Hall, she spots Ben in the front row, playing violin like his life depends on it — and she is transfixed. Posing as an NYU student, Dom sneaks back to New York City to track him down. Soon, the two are desperately in love, each seeing something in the other to complete them. But Ben’s genius, which Dominique so admires, conceals his struggle with mental illness — and the challenges of her own life may make it impossible for her to save him from himself.

An esteemed memoirist and one of the great editors in British publishing examines aging with the grace of Elegy for Iris and the wry irreverence of I Feel Bad About My Neck.

Thirty essays originally published in Preservation magazine where writers describe a place that is significant to them.

A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself. In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy. With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry. The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.

With his widely acclaimed debut, 28-year-old William Kowalski emerged as one of the most exciting and distinctive new American writers in years. In his hew book, Kowalski once again proves himself an extraordinarily gifted writer as he follows his hero Billy Mann on his search for the mother who deserted him as a baby. Now 20 years old, Billy travels atop his beloved motorcycle to the last known address he has for her ot a side street named Santa Fe, New Mexico. It is a journey that will teach him many things about family, friends, love - and death. Filled with wondrous imagery and lyricism, Somewhere South of Here has a lightness of touch that belies how very much it has to say about life's greatest themes of all.

Two girls: Best friends Hattie and Delores feel that life in their small New Hampshire town is a dead end. One horse: Old and about to be put down, Speed gets a reprieve when Hattie and Delores decide to save him. A road trip: Determined to set Speed free, Hattie and Delores drive him west in search of rangeland. But the road takes some unexpected turns as the girls get their own taste of freedom—and as they confront the reasons they left home.