Cold War Liberation examines the African revolutionaries who led armed struggles in three Portuguese colonies—Angola, Mozambique, and Guinea-Bissau—and their liaisons in Moscow, Prague, East Berlin, and Sofia. By reconstructing a multidimensional story that focuses on both the impact of the Soviet Union on the end of the Portuguese Empire in Africa and the effect of the anticolonial struggles on the Soviet Union, Natalia Telepneva bridges the gap between the narratives of individual anticolonial movements and those of superpower rivalry in sub-Saharan Africa during the Cold War. Drawing on newly available archival sources from Russia and Eastern Europe and interviews with key participants, Telepneva emphasizes the agency of African liberation leaders who enlisted the superpower into their movements via their relationships with middle-ranking members of the Soviet bureaucracy. These administrators had considerable scope to shape policies in the Portuguese colonies which in turn increased the Soviet commitment to decolonization in the wider region. An innovative reinterpretation of the relationships forged between African revolutionaries and the countries of the Warsaw Pact, Cold War Liberation is a bold addition to debates about policy-making in the Global South during the Cold War. We are proud to offer this book in our usual print and ebook formats, plus as an open-access edition available through the Sustainable History Monograph Project.

Nominated for the NYMAS Arthur Goodzeit Book Award 2013 Portugal's three wars in Africa in Angola, Mozambique and Portuguese Guinea (Guiné-Bissau today) lasted almost 13 years - longer than the United States Army fought in Vietnam. Yet they are among the most underreported conflicts of the modern era. Commonly referred to as Lisbon's Overseas War (Guerra do Ultramar) or in the former colonies, the War of Liberation (Guerra de Libertação), these struggles played a seminal role in ending white rule in Southern Africa. Though hardly on the scale of hostilities being fought in South East Asia, the casualty count by the time a military coup d'état took place in Lisbon in April 1974 was significant. It was certainly enough to cause Portugal to call a halt to violence and pull all its troops back to the Metropolis. Ultimately, Lisbon was to move out of Africa altogether, when hundreds of thousands of Portuguese nationals returned to Europe, the majority having left everything they owned behind. Independence for all th Indeed, on a recent visit to Central Mozambique in 2013, a youthful member of the American Peace Corps told this author that despite have former colonies, including the Atlantic islands, followed soon afterwards. Lisbon ruled its African territories for more than five centuries, not always undisputed by its black and mestizo subjects, but effectively enough to create a lasting Lusitanian tradition. That imprint is indelible and remains engraved in language, social mores and cultural traditions that sometimes have more in common with Europe than with Africa. Today, most of the newspapers in Luanda, Maputo - formerly Lourenco Marques - and Bissau are in Portuguese, as is the language taught in their schools and used by their respective representatives in international bodies to which they all subscribe. ing been embroiled in conflict with the Portuguese for many years in the 1960s and 1970s, he found the local people with whom he came into contact inordinately fond of their erstwhile 'colonial overlords'. As a foreign correspondent, Al Venter covered all three wars over more than a decade, spending lengthy periods in the territories while going on operations with the Portuguese army, marines and air force. In the process, he wrote several books on these conflicts, including a report on the conflict in Portuguese Guinea for the Munger Africana Library of the California Institute of Technology. Portugal's Guerrilla Wars in Africa represents an amalgam of these efforts. At the same time, this book is not an official history, but rather a journalist's perspective of military events as viewed by somebody who has made a career of reporting on overseas wars, Africa's especially. Venter's camera was always at hand; most of the images used between these covers are his. His approach is both intrusive and personal and he would like to believe that he has managed to record for posterity a tiny but vital segment of African history.

Cover -- Contents -- List of Figures -- Acknowledgements -- Foreword (Lúcia Nagib) -- Colonial Reflections, Post-Colonial Refractions: Film and the Moving Image in the Portuguese (Post- )Colonial Situation (Maria do Carmo Piçarra and Teresa Castro) -- Part I The Birth [through Images] of African Nations -- 1"Ruy Duarte: A Cinema of the Word Aspiring to Imagine Angolanness (Maria do Carmo Piçarra) -- 2"Between the Visible and the Invisible: Mueda, Memória e Massacre by Ruy Guerra and the Cultural Forms of the Makonde Plateau (Raquel Schefer) -- 3"Clear Lines on an Internationalist Map: Foreign Filmmakers in Angola at Independence (Ros Gray) -- 4"The Many Returns to Wiriyamu: Audiovisual Testimony and the Negotiation of Colonial Violence (Robert Stock) -- Part II The Fall of the Portuguese Empire: Foreign Gazes during the Cold War -- 5 'Rarely penetrated by camera or film': NBC's Angola:Journey to a War (1961) (Afonso Ramos) -- 6"The US and Portuguese Colonialism as Imagined through Television Drama (Rui Lopes) -- 7"African Independence and the Socialist Republic of Romania's Photographic Archive (Iolanda Vasile) -- Part III Moving Images, Post-Colonial Representations and the Archive -- 8"Colonial Collection of the Portuguese Film Archive: Shot, Reverse Shot, Off-Screen (José Manuel Costa) -- 9"A Decolonizing Impulse: Artists in the Colonial and Post-Colonial Archive, Or the Boxes of Departing Settlers between Maputo, Luanda and Lisbon (Ana Balona de Oliveira) -- 10"In-Between Memory and History: Artists' Films and the Portuguese Colonial Archive (Teresa Castro) -- Part IV Rethinking (Post- )Colonial Narratives: Artistic Takes -- 11 Drawing and Undrawing my Genealogy (Daniel Barroca) -- 12"A Grin without Marker (Filipa César) -- 13"Hotel Globo (Mónica de Miranda) -- Notes on Contributors -- Index

"Revolutions are relatively new, rare and extraordinary events in history, which is perhaps one reason why historians and social scientists alike continue to be surprised and fascinated by them. Although this interest goes back to at least the early modern revolutions in England (1640-1660) and the Netherlands (1568-1648)"--

The Portuguese Colonial War and the African Liberation Struggles: Memory, Politics and Uses of the Past presents a critical and comparative analysis on the memory of the colonial and liberation wars that led to a regime change in Portugal and to the independence of five new African countries: Angola, Mozambique, Guinea-Bissau, Cape Verde, and São Tomé and Príncipe. Covering more than six decades and based on original archival research and critical analysis of sources and interviews, the book offers the first plural account of the public memorialisation of this contested past in Portugal and in former colonised territories in Africa, focussing on diachronic and synchronic processes of mnemonic production. This innovative exercise highlights the changing and crossed nature of political memories and social representations through time, emphasizing three modes of mnemonic intersections: the intersection of distinct historical times, the intersection between multiple products and practices of memory and the intersection connecting the different countries and national histories. The Portuguese Colonial War and the African Liberation Struggles: Memory, Politics and Uses of the Past a major output of the research developed by CROME – Crossed Memories, Politics of Silence, a project funded by a Starting Grant (715593) from the European Research Council (ERC). The book advances current knowledge on Portugal and Lusophone Africa and deepens ongoing conceptual and epistemological discussions regarding the relationship between social and individual memories, the dialectics between memory, power, and silence, and the uses and representations of the past in postcolonial states and societies. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons [Attribution-NonCommercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Amílcar Cabral was an agronomist who led an armed struggle that ended Portuguese colonialism in Guinea-Bissau and Cabo Verde. The uprising contributed significantly to the collapse of a fascist regime in Lisbon and the dismantlement of Portugal’s empire in Africa. Assassinated by a close associate with the deep complicity of the Portuguese colonial authorities, Cabral not only led one of Africa’s most successful liberation movements, but was the voice and face of the anticolonial wars against Portugal. A brilliant military strategist and astute diplomat, Cabral was an original thinker who wrote innovative and inspirational essays that still resonate today. His charismatic and visionary leadership, his active pan-Africanist solidarity and internationalist commitment to “every just cause in the world,” remain relevant to contemporary struggles for emancipation and self-determination. Peter Karibe Mendy’s compact and accessible biography is an ideal introduction to his life and legacy.

The book focuses on an area called Maúa, not because I believe Maúa represents the whole of Mozambique as such, but because highlighting a specific area and people helps to understand the Mozambican history more deeply and comprehensively. In any case, it would be impossible to study the experience of all Mozambicans. I am not attempting to write a history textbook of Mozambique, or a glorious history of the liberation struggle, but rather trying to fill a gap in the descriptions of contemporary Mozambican history by delving into matters that have not been written about before.