Dive into MacDonald's captivating tales set in the Scottish Highlands. Blending love, mystery, and elements of fantasy, this collection offers a rich tapestry of stories that highlight the author's deep understanding of human nature and his mastery over classic English literature. MacDonald's storytelling prowess shines through, making each tale a timeless classic.

Contents The portent -- The cruel painter -- The castle -- The wow o' rivven -- The broken swords -- The gray wolf -- Uncle Cornelius his story.

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My father belonged to the widespread family of the Campbells, and possessed a small landed property in the north of Argyll. But although of long descent and high connection, he was no richer than many a farmer of a few hundred acres. For, with the exception of a narrow belt of arable land at its foot, a bare hill formed almost the whole of his possessions. The sheep ate over it, and no doubt found it good; I bounded and climbed all over it, and thought it a kingdom. From my very childhood, I had rejoiced in being alone. The sense of room about me had been one of my greatest delights. Hence, when my thoughts go back to those old years, it is not the house, nor the family room, nor that in which I slept, that first of all rises before my inward vision, but that desolate hill, the top of which was only a wide expanse of moorland, rugged with height and hollow, and dangerous with deep, dark pools, but in many portions purple with large-belled heather, and crowded with cranberry and blaeberry plants. Most of all, I loved it in the still autumn morning, outstretched in stillness, high uplifted towards the heaven. On every stalk hung the dew in tiny drops, which, while the rising sun was low, sparkled and burned with the hues of all the gems. Here and there a bird gave a cry; no other sound awoke the silence. I never see the statue of the Roman youth, praying with outstretched arms, and open, empty, level palms, as waiting to receive and hold the blessing of the gods, but that outstretched barren heath rises before me, as if it meant the same thing as the statue—or were, at least, the fit room in the middle space of which to set the praying and expectant youth.

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