In this profound and disturbing exploration of the nature of guilt and vengeance and the power of evil, Israeli Nazi-hunters, 30 years after the end of World War II, find a silent old man deep in the Amazon jungle who turns out to be Adolf Hitler.

An extraordinary expedition into the war zone of Hitler theories.

The first book of criticism from the acclaimed author of After Babel—a “provocative and probing” look at Russian literature’s most influential writers (The New York Times). “Literary criticism,” writes Steiner, “should arise out of a debt of love.” Abiding by his own rule, Tolstoy or Dostoevsky is an impassioned work, inspired by Steiner’s conviction that the legacies of these two Russian masters loom over Western literature. By explaining how Leo Tolstoy and Fyodor Dostoevsky differ from each other, Steiner demonstrates that when taken together, their work offers the most complete portrayal of life and the tension between the thirst for knowledge on one hand and the longing for mystery on the other. An instant classic for scholars of Russian literature and casual readers alike, Tolstoy or Dostoevsky explores two powerful writers and their opposing modes of approaching the world, and the enduring legacies wrought by their works.

An education in a portmanteau: George Steiner at The New Yorker collects his best work from his more than 150 pieces for the magazine. Between 1967 and 1997, George Steiner wrote more than 130 pieces on a great range of topics for The New Yorker, making new books, difficult ideas, and unfamiliar subjects seem compelling not only to intellectuals but to “the common reader.” He possesses a famously dazzling mind: paganism, the Dutch Renaissance, children’s games, war-time Britain, Hitler’s bunker, and chivalry attract his interest as much as Levi-Strauss, Cellini, Bernhard, Chardin, Mandelstam, Kafka, Cardinal Newman, Verdi, Gogol, Borges, Brecht, Wittgenstein, Chomsky, and art historian/spy Anthony Blunt. Steiner makes an ideal guide from the Risorgimento in Italy to the literature of the Gulag, from the history of chess to the enduring importance of George Orwell. Again and again everything Steiner looks at in his New Yorker essays is made to bristle with some genuine prospect of turning out to be freshly thrilling or surprising.

DIVA rich and evocative study of one of modern history’s most compelling and controversial philosophers by a literary and critical grand master In Martin Heidegger, George Steiner delves into the life and work of the prolific German philosopher. His deft analysis lays bare the intricacies of Heidegger’s work and his influence on modern society, offering a clear and accessible analysis of the philosopher’s more difficult ideas, from the human condition and language to being and the meaning of time. Written with Steiner’s trademark eloquence and precision, Martin Heidegger is the seminal look at the man and his groundbreaking ideas—the perfect study for scholars, Heidegger fanatics, and curious readers alike. /div

Imagine, thirty years after the end of World War II, Israeli Nazi-hunters, some of whom lost relatives in the gas chambers of Nazi Germany, find a silent old man deep in the Amazon jungle. He is Adolph Hitler. The narrative that follows is a profound and disturbing exploration of the nature of guilt, vengeance, language, and the power of evil—each undiminished over time. George Steiner's stunning novel, now with a new afterword, will continue to provoke our thinking about Nazi Germany's unforgettable past. "Two readings have convinced me that this is a fiction of extraordinary power and thoughtfulness. . . . [A] remarkable novel."—Bernard Bergonzi, Times Literary Supplement "In this tour de force Mr. Steiner makes his reader re-examine, to whatever conclusions each may choose, a history from which we would prefer to avert our eyes."—Edmund Fuller, Wall Street Journal "Portage largely avoids both the satisfactions of the traditional novel and the horrifying details of Holocaust literature. Instead, Steiner has taken as his model the political imaginings of an Orwell or Koestler. . . . He has produced a philosophic fantasy of remarkable intensity."—Otto Friedrich, Time