“In the heart of this world, the Lord of life, who loves us so much, is always present. He does not abandon us, he does not leave us alone, for he has united himself definitively to our earth, and his love constantly impels us to find new ways forward. Praise be to him!” – Pope Francis, Laudato Si’ In his second encyclical, Laudato Si’: On the Care of Our Common Home, Pope Francis draws all Christians into a dialogue with every person on the planet about our common home. We as human beings are united by the concern for our planet, and every living thing that dwells on it, especially the poorest and most vulnerable. Pope Francis’ letter joins the body of the Church’s social and moral teaching, draws on the best scientific research, providing the foundation for “the ethical and spiritual itinerary that follows.” Laudato Si’ outlines: The current state of our “common home” The Gospel message as seen through creation The human causes of the ecological crisis Ecology and the common good Pope Francis’ call to action for each of us Our Sunday Visitor has included discussion questions, making it perfect for individual or group study, leading all Catholics and Christians into a deeper understanding of the importance of this teaching.

This book is an attempt to bring together all the available information regarding the sovereignty of the British Seas. The author aimed to trace the development of territorial waters during his time, i.e., the early 1900s. The book is split into two sections, the first containing a historical account of the claims made to the authority of the sea; the second dealing with the relic of such claims. Thomas Wemyss Fulton originally undertook this work to deal only with the subjects related to the sea fisheries. It soon became apparent that restricting the scope would lead to multiple disadvantages and present only a partial picture. This brilliant work laid the foundation on which all future research concerning the history of the British Sea Fisheries is based.

THE STORY BEHIND THE SCREENPLAY OF THE TWO POPES, THE MAJOR MOTION PICTURE STARRING ANTHONY HOPKINS AND JONATHAN PRYCE (PREVIOUSLY PUBLISHED AS THE POPE). From the Academy Award-nominated screenwriter of The Theory of Everything and Darkest Hour comes the fascinating and revealing tale of an unprecedented transfer of power, and of two very different men - who both happen to live in the Vatican. In February 2013, the arch-conservative Pope Benedict XVI made a startling announcement: he would resign, making him the first pope to willingly vacate his office in over 700 years. Reeling from the news, the College of Cardinals rushed to Rome to congregate in the Sistine Chapel to pick his successor. Their unlikely choice? Francis, the first non-European pope in 1,200 years, a one time tango club bouncer, a passionate soccer fan, a man with the common touch. Why did Benedict walk away at the height of power, knowing his successor might be someone whose views might undo his legacy? How did Francis - who used to ride the bus to work back in his native Buenos Aires - adjust to life as leader to a billion followers? If, as the Church teaches, the pope is infallible, how can two living popes who disagree on almost everything both be right? Having immersed himself in these men's lives to write the screenplay for The Two Popes, Anthony McCarten masterfully weaves their stories into one gripping narrative. From Benedict and Francis's formative experiences in war-torn Germany and Argentina to the sexual abuse scandal that continues to rock the Church to its foundations, to the intrigue and the occasional comedy of life in the Vatican, The Two Pope glitters with the darker and the lighter details of one of the world's most opaque but significant institutions.

This timely collection brings together twelve original essays on the cultural meaning of the sea in British literature and history, from early modern times to the present. Interdisciplinary in conception, it charts metaphorical and material links between the idea of the sea in the cultural imagination and its significance for the social and political history of Britain, offering a fresh analysis of the impact of the ocean on the formation of British cultural identities. Among the cultural and literary artifacts considered are early modern legal treatises on marine boundaries, Renaissance and Romantic poetry, 19th- and 20th-century novels, popular sea songs, recent Hollywood films, as well as a diverse range of historical and critical writings. Writers discussed include Shakespeare, Milton, Coleridge, Scott, Conrad, du Maurier, Unsworth, O'Brian, and others. All these cultural and literary 'fictions of the sea' are set in relation to wider issues relevant to maritime history and the historical experience of seafaring: problems of navigation and orientation, piracy, empire, colonialism, slavery, multi-ethnic shipboard communities, masculinity, gender relations. By combining the interests of three related but distinct areas of study-the analysis of sea fiction, critical maritime history, and cultural studies-in a focus upon the historical meaning of the sea in relation to its textual and cultural representation, Fictions of the Sea offers an original contribution to the practice of existing disciplines.

From Florida’s king of mayhem—"compulsively irreverent and shockingly funny" (Boston Globe) New York Times bestselling author Tim Dorsey—comes a diabolically madcap adventure featuring the indomitable Serge A. Storms. No one worships the Sunshine State as much as Serge A. Storms. Perpetually hunting Floridian arcana and lore, he and his permanently baked sidekick, Coleman, are on the road again. This time they’re on a frenzied literary pilgrimage that leads them back to Riviera Beach, the cozy seaside town where the boys spent their formative years. Growing up, Serge was enthralled by the Legend of Riviera Beach, aka Darby, a welder at the port who surfed the local waves long before the hot spots were hot. A god on the water, the big-hearted surfer was a friend to everyone—the younger surfers, cops, politicians, wealthy businessmen and ordinary Joes—a generosity of spirit that earned him the admiration of all. Meanwhile, there was a much murkier legend that made the rounds of the schoolyards from Serge’s youth—that of the crazy hermit living in a makeshift jungle compound farther up the mysterious Loxahatchee River than anyone dared to venture. Then Serge moved away. But never forgot. Now he’s back, with those legends looming larger than ever in the rearview mirror of his memory. As his literary odyssey moves north from Key West, closer and closer to his old stomping grounds, Serge digs into the past as only Serge can. Along the way, he unintentionally disturbs some long-forgotten ground, attracting the attention of a cast of villains that only Florida can produce. As the body count grows, so does the list of questions: Why are the guys in the hard hats worried about the monkeys? When do you hack a motel air-conditioner? How does Coleman get high with cat toys? Who is expecting the dildo? And will book tours ever be the same after Serge decides to check one out? Told in alternating flashbacks between Serge and Coleman’s childhoods and the present day, The Pope of Palm Beach is a witty and deliciously violent delight from the twisted imagination of Tim Dorsey.