An old miller who did not have a family of his own wanted to retire and leave his mill to one of his three apprentices. All he wanted from them was to bring him the finest horse ever to be seen. Hans, one of the apprentices, found a cat which promised to find him the most beautiful horse only if he served her for seven years. Hans did not have that much to lose so he agreed. The seven years passed. He returned to the mill. Everyone made laugh of him but then a beautiful princess came riding the most magnificent horse. Who inherited the mill and what happened with the cat? Find out in "The Poor Miller’s Boy and the Cat". Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 200 fairytales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.

Why do cats cry to come in and then cry to go out again? Why do they chatter silently at the window? Why can't they be trained to fetch your slippers? Where are the most unusual places they've been employed as mousers? Why are there so many cat superstitions? This cat compendium educates and entertains with facts about everything from wild cat ancestry and cat physiology to cat worship and cat movie stars. We'll investigate how cats experience the world and what they think of their human companions and explore why cats have inspired both reverence and fear throughout history. Drawing on the vast body of knowledge belonging to the world's most famous dogs and cats home, the book contains numerous snippets that readers can dip into as well as longer essays and stories that can be enjoyed at leisure. Attractively designed, with charming illustrations, and beautifully packaged as a hardback gift book, this is the ideal present for every cat lover.

Maria Scott's study of the operation of irony in Baudelaire's Le Spleen de Paris contends that the principal target of the collection's spleen is its own readership. Baudelaire, as one of the most perceptive cultural commentators of the nineteenth century, was naturally very keenly aware of the growing dominance of the bourgeoisie in France, not least as a market for art and literature. Despite being dependent on this market for his own writing, the poet was highly critical of bourgeois values and attitudes. Scott builds on existing criticism of the collection to argue that these are indirectly mocked in Le Spleen de Paris, often in the person of the poet's supposed textual alter ego. The contention is that the prose poems betray the trust of readers by way of an apparent transparency of meaning that functions to blind us to their embedded irony. Though focused on Le Spleen de Paris, Scott's study engages with the full range of Baudelaire's writings, including his art and literary criticism. Her book will be of interest not only to Baudelaire scholars but also to those engaged more generally with nineteenth-century French culture.