This book is a collection of seminal essays on major aspects of Jewish culture: Yiddish and Hebrew literature, Europe, America and Israel, transformations of Jewish history, the Holocaust, and the formal traditions of Hebrew verse.

This book is a coat of many colors. It is a collection of essays written in English by the distinguished Israeli literary and cultural critic, Benjamin Harshav, covering the whole span of Jewish culture. The essays combine a wide historical scope with meticulously detailed close analyses of the art of poetry. They discuss general aspects of Jewish history, such as the demographic situation of the Jews in Eastern Europe and the phenomenon of exuberant multilingualism, Nobel laureate S.Y. Agnon's Only Yesterday, the religious/secular nexus in modern Israel, and Herman Kruk's diaries of the last days of the Jerusalem of Lithuania. We find here condensed yet subtle interpretations of modern Hebrew poems and a comprehensive essay on American poetry in the Yiddish language. Of special importance is the study of the changing formal systems of Hebrew verse from the Bible to the present. This book is a companion volume to Harshav's Explorations in Poetics, representing his contributions to Israeli literary theory.

Minority populations are often regarded as being ‘hard to reach’ and evading state expectations of health protection. This ethnographic and archival study analyses how devout Jews in Britain negotiate healthcare services to preserve the reproduction of culture and continuity. This book demonstrates how the transformative and transgressive possibilities of technology reveal multiple pursuits of protection between this religious minority and the state. Making Bodies Kosher advances theoretical perspectives of immunity, and sits at the intersection of medical anthropology, social history and the study of religions.

A leading cultural historian explores the complex interactions of Jewish and American cultures.

In this landmark of musical scholarship, the leading 20th-century authority on Jewish music describes and analyzes its elements and characteristics, and chronicles its development from the earliest appearance of Semitic song 2000 years ago to the early 20th century. Liberally illustrating every type of music discussed, the book examines the music as a tonal expression of Judaism, Jewish life and the spiritual aspects of Jewish culture.

WITH MORE THAN 100 BLACK-AND-WHITE ILLUSTRATIONS THROUGHOUT Who are “the Jews”? Scattered over much of the world throughout most of their three-thousand-year-old history, are they one people or many? How do they resemble and how do they differ from Jews in other places and times? What have their relationships been to the cultures of their neighbors? To address these and similar questions, twenty-three of the finest scholars of our day—archaeologists, cultural historians, literary critics, art historians , folklorists, and historians of relation, all affiliated with major academic institutions in the United States, Israel, and France—have contributed their insight to Cultures of the Jews. The premise of their endeavor is that although Jews have always had their own autonomous traditions, Jewish identity cannot be considered immutable, the fixed product of either ancient ethnic or religious origins. Rather, it has shifted and assumed new forms in response to the cultural environment in which the Jews have lived. Building their essays on specific cultural artifacts—a poem, a letter, a traveler’s account, a physical object of everyday or ritual use—that were made in the period and locale they study, the contributors describe the cultural interactions among different Jews—from rabbis and scholars to non-elite groups, including women—as well as between Jews and the surrounding non-Jewish world. Part One, “Mediterranean Origins,” describes the concept of the “People” or “Nation” of Israel that emerges in the Hebrew Bible and the culture of the Israelites in relation to that of the Canaanite groups. It goes on to discuss Jewish cultures in the Greco-Roman world, Palestine during the Byzantine period, Babylonia, and Arabia during the formative years of Islam. Part Two, “Diversities of Diaspora,” illuminates Judeo-Arabic culture in the Golden Age of Islam, Sephardic culture as it bloomed first if the Iberian Peninsula and later in Amsterdam, the Jewish-Christian symbiosis in Ashkenazic Europe and in the Polish-Lithuanian Commonwealth, the culture of the Italian Jews of the Renaissance period, and the many strands of folklore, magic, and material culture that run through diaspora Jewish history. Part Three, “Modern Encounters,” examines communities, ways of life, and both high and fold culture in Western, Central, and Eastern Europe, the Ladino Diaspora, North Africa and the Middle East, Ethiopia, Zionist Palestine and the State of Israel, and, finally, the United States. Cultures of the Jews is a landmark, representing the fruits of the present generation of scholars in Jewish studies and offering a new foundation upon which all future research into Jewish history will be based. Its unprecedented interdisciplinary approach will resonate widely among general readers and the scholarly community, both Jewish and non-Jewish, and it will change the terms of the never-ending debate over what constitutes Jewish identity.

A global history of Jewish music from the biblical era to the present day, with chapters by leading international scholars.