Cherri Mason has three wealthy husbands and high end antique shops in London, New York and Los Angeles. She is a woman of action, not words. Lately, her husbands and those little shops have become a bit of a strain. Maybe, it's time to take the money and run. The only way to do that is to kill her husbands and sell the antique shops. The trick is to get away with it. Does she? Well, yes and no. She has some wild times along the way with some unusual friends. Some of those friends aren't what they seem.

E-artnow presents to you this unique collection of the greatest classics of thriller and mystery every fan of the genre should experience at least once in their life: The Murder of Roger Ackroyd (Agatha Christie) The Mysterious Affair at Styles (Agatha Christie) The Secret Adversary (Agatha Christie) The Murders in the Rue Morgue (Edgar Allan Poe) The Masque of the Red Death (Edgar Allan Poe) The Purloined Letter (Edgar Allan Poe) A Study in Scarlet (Arthur Conan Doyle) The Sign of Four (Arthur Conan Doyle) The Adventures of Sherlock Holmes (Arthur Conan Doyle) The Memoirs of Sherlock Holmes (Arthur Conan Doyle) The Innocence of Father Brown (G. K. Chesterton) The Abbey Court Murder (Annie Haynes) The Man Who Knew Too Much (G. K. Chesterton) The Woman in White (Wilkie Collins) Bleak House (Charles Dickens) Jane Eyre (Charlotte Brontë) Tess of the D'Urbervilles (Thomas Hardy) Heart of Darkness (Joseph Conrad) Strange Case of Dr Jekyll and Mr Hyde (Robert Louis Stevenson) Twenty Thousand Leagues Under the Sea (Jules Verne) The Adventures of Tom Sawyer (Mark Twain) Tom Sawyer, Detective (Mark Twain) The Turn of the Screw (Henry James) Crime and Punishment (Fyodor Dostoyevsky) The Shooting Party (Anton Chekhov) Guy Mannering (Walter Scott) The Picture of Dorian Gray (Oscar Wilde) The Invisible Man (H. G. Wells) The Four Just Men (Edgar Wallace) The Red Thumb Mark (R. Austin Freeman) The Leavenworth Case (Anna Katharine Green) The Circular Staircase (Mary Roberts Rinehart) Bulldog Drummond (Sapper) Martin Hewitt Investigator (Arthur Morrison) The Lodger (Marie Belloc Lowndes) Whose Body? (Dorothy L. Sayers) The Thirty-Nine Steps (John Buchan) The Count of Monte Cristo (Alexandre Dumas) Arsène Lupin (Maurice Leblanc) The Phantom of the Opera (Gaston Leroux) The Widow Lerouge (Émile Gaboriau) Fantômas (Marcel Allain) Dracula (Bram Stoker) Uncle Silas (Sheridan Le Fanu) The Call of Cthulhu (H. P. Lovecraft) The House on the Borderland (William Hope Hodgson) The Willows (Algernon Blackwood) The Legend of Sleepy Hollow (Washington Irving) The Mystery of Edwin Drood (Charles Dickens)

"From Man to Man" is a feminist novel by the first South African-born novelist Olive Schreiner. The story tells of two white women, Rebekah and Bertie. They are sisters born into the racist and sexist society of mid-nineteenth-century South Africa. One of them remains in the Cape, marries, and has children. The other becomes a kept woman and a prostitute in London's East End. The novel's main question is, how far are marriage and prostitution apart in a world where women are valued mainly for their bodies?

Anti-Semitism and British Gothic Literature examines the Gothic's engagement with the Jewish Question and British national identity over the course of a century. Beginning with an exploration of Jewish demonology from the Middle Ages to the Enlightenment, Davison interprets the changing significance of the trans-national Wandering Jew in classic Gothic fiction who later migrates into Victorian realism. What emerges is the elucidation of an anti-Semitic 'spectropoetics' that convey how the spectres of Jewish difference and Jewish assimilation haunt British literature.

Winner of the 1997 International Association of the Fantastic in the Arts Best Non-fiction Book In 1897, Archibald Constable & Company published a novel by the unheralded Bram Stoker. That novel, Dracula, has gone on to become perhaps the most influential novel of all time. To commemorate the centennial of that great novel, Carol Margaret Davison has brought together this collection of essays by some of the world's leading scholars. The essays analyze Stoker's original novel and celebrate its legacy in popular culture. The continuing presence of Dracula and vampire fiction and films provides proof that, as Davison writes, Dracula is "alive and sucking." "Dracula is a Gothic mandala, a vast design in which multiple reflections of the elements of the genre are configured in elegant sets of symmetries. It is also a sort of lens, bringing focus and compression to diverse Gothic motifs, including not only vampirism but madness, the night, spoiled innocence, disorder in nature, sacrilege, cannibalism, necrophilia, psychic projection, the succubus, the incubus, the ruin, and the tomb. Gathering up and unifying all that came before it, and casting its great shadow over all that came and continues to come after, its influence on twentieth-century Gothic fiction and film is unique and irresistible." -from the Preface by Patrick McGrath

Stuart's study approaches the subject primarily from the viewpoint of literary criticism but also includes production history, providing the reader with a useful look at theatre practices. Additionally, insight is provided into the popular taste and imagination of different periods and cultures, as reflected in changing representations of the vampire, from the relative innocence of the Romantics to the evolving patterns of sadism, misogyny, and xenophobia of the end of the century. Annotation copyright by Book News, Inc., Portland, OR