Utopia has long been banished from political theory, framed as an impossible—and possibly dangerous—political ideal, a flawed social blueprint, or a thought experiment without any practical import. Even the "realistic utopias" of liberal theory strike many as wishful thinking. Can politics think utopia otherwise? Can utopian thinking contribute to the renewal of politics? In Political Uses of Utopia, an international cast of leading and emerging theorists agree that the uses of utopia for politics are multiple and nuanced and lie somewhere between—or, better yet, beyond—the mainstream caution against it and the conviction that another, better world ought to be possible. Representing a range of perspectives on the grand tradition of Western utopianism, which extends back half a millennium and perhaps as far as Plato, these essays are united in their interest in the relevance of utopianism to specific historical and contemporary political contexts. Featuring contributions from Miguel Abensour, Étienne Balibar, Raymond Geuss, and Jacques Rancière, among others, Political Uses of Utopia reopens the question of whether and how utopianism can inform political thinking and action today.

This book provides both an introduction to utopianism and a general perspective on radical political thought. Vigorously disputing the widespread conviction that utopianism is a fantasy with no relevance to modern political life and thought, the authors argue that it is a concept whose special virtue lies in its capacity to transcend the limitations of present circumstances, to inspire alternative thinking and to open up new directions for political action. This book develops an approach which relates social causes to political theory and practice. The first part discusses utopianism as a form of political theory with unique characteristics and the ability to transcend the present. The second part considers utopianism as an expression of fundamental social impulses and as an ingredient of modern political movements. The third part offers a defence of utopianism as both theory and practice, and argues for its use to counteract the pragmatism and narrow empiricism which often passes for political «realism» in modern societies. This reissue of a popular and well-received landmark text contains a new preface.

The 500th anniversary of Thomas More’s Utopia has directed attention toward the importance of utopianism. This book investigates the possibilities of cooperation between the humanities and the social sciences in the analysis of 20th century and contemporary utopian phenomena. The papers deal with major problems of interpreting utopias, the relationship of utopia and ideology, and the highly problematic issue as to whether utopia necessarily leads to dystopia. Besides reflecting the interdisciplinary nature of contemporary utopian investigations, the eleven essays effectively represent the constructive attitudes of utopian thought, a feature that not only defines late 20th- and 21st-century utopianism, but is one of the primary reasons behind the rising importance of the topic. The volume’s originality and value lies not only in the innovative theoretical approaches proposed, but also in the practical application of the concept of utopia to a variety of phenomena which have been neglected in the utopian studies paradigm, especially to the rarely discussed Central European texts and ideologies.

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.

Bastards of Utopia, the companion to a feature documentary film of the same name, explores the experiences and political imagination of young radical activists in the former Yugoslavia, participants in what they call alterglobalization or "globalization from below." Ethnographer Maple Razsa follows individual activists from the transnational protests against globalization of the early 2000s through the Occupy encampments. His portrayal of activism is both empathetic and unflinching—an engaged, elegant meditation on the struggle to re-imagine leftist politics and the power of a country's youth. More information on the film can be found at www.der.org/films/bastards-of-utopia.html.

In the context of global problems such as the economic downturn, escalating inequality, terrorism, resource depletion and climate change, cynicism prevails in contemporary politics, which need not be the case. Utopian Politics confronts a world intensely aware of the problems that we face and sadly lacking in solutions, positing a utopian articulation of citizenship focused on community participation at a grassroots level. By re-examining central concepts and thinkers in political theory, this book re-casts the concepts of utopia and citizenship both as part of the classical philosophical tradition and simultaneously as part of the cutting edge of radical alternatives. This book includes never-before published ethnographic research, interviews and photographs from a range of autonomous UK communities, to show how the boundaries of politics and citizenship can be questioned and proposes an innovative methodology inspired by classical and post-structural anarchism. By considering ideas and practices that are generally considered to be marginal to mainstream political theory and practice, the book encourages readers to think about longstanding and central political debates in an entirely new, and creative way. Utopian Politics will be of interest to students and scholars of political theory, ethics and citizenship.

Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences. In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited.