What happens to politics in the postmodern condition? The Politics of Postmodernity is a political tour de force that addresses this key contemporary question. Politics in postmodernity is carefully contextualized by relating its specific sphere - the polity - to those of the economic, social, technological and cultural. The authors confront globalization and the notion of postmodernity as disorganized capitalism. They analyze the role of the mass media, the changing ways in which politics is used, the role of the state and the progressive potential of politics in postmodern times. Closing with a postscript on the future of the discipline of political science, this book offers a profound yet highly accessible account of how politics is undergoing a shift from the modern to the postmodern.

Richard McCormick examines the concepts of postmodernity and postmodernism as they apply to West Germany, discussing them against the background of cultural and political upheaval in that country since the 1960s, rather than exclusively in the more familiar setting of intellectual history. Considering six literary and cinematic texts that are marked by a preoccupation with the self and subjectivity, he underscores the crucial influence of feminism on writers and filmmakers--and on the "postmodern." In a broad international context he describes the conflicting forces that affected the West German student movementthe rationalistic tradition of the Weimar Left and more "irrational" influences such as French existentialism and surrealism (as well as the American "Beat" movement and rock & roll)--and shows how these forces played themselves out so that dogmatic Marxist Leninism was repudiated in favor of a "New Subjectivity.". At the center of the discussion are the novels Lenz by Peter Schneider, Class Love (Klassenliebe) by Karin Struck, and Devotion by Botho Strauss, and the films Wrong Move written by Peter Handke and directed by Wim Wenders, Germany, Pale Mother by Helma Sanders-Brahms, and The Subjective Factor by Helke Sander. The author shows how ongoing attempts to attack the separation of emotion from reason, life from art, the private from the public, and the personal from the political brought about changes in outlook, from the 1960s to the early 1980s, that are related to the rise of new political movements--ecology, nuclear disarmament, and feminism. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Working through the issue of representation, in art forms from fiction to photography, Linda Hutcheon sets out postmodernism's highly political challenge to the dominant ideologies of the western world.

According to Olav Bryant Smith, Kant's "critical philosophy," precisely his defense of necessary knowledge, inadvertantly opened the door to discussions of interpretive philosophy and ultimately postmodernity. This unique opening to a discussion of postmodern thought framesMyths of the Self: Narrative Identity and Postmodern Metaphysics. Author Olav Smith uses process philosophy, specifically the constructive postmodern metaphysics of Alfred North Whitehead, to move away from the skepticism of modernity. This maneuver, along with an invigorating discussion of not often paired philosophers: Kant, Heidegger, Whitehead, and Ricoeur, leads readers into a discussion of the self that is a synthesis of a narrative theory of identity and a constructive "postmodern" metaphysics. Smith's original approach to Kant'sCritique of Reason, his unique pairing of Heidegger and Whitehead as well as Whitehead and Ricoeur makes this book essential reading for philisophers working in the Continental and especially the Analytic American tradition.

Explores the politic of representation, focusing on both mass media and high art forms.