"Justice Arthur presents a wealth of intriguing material, an impressive thick description of the conflict and a thorough analysis of the many, very complex factors that contribute to the conflict. His work on the multiple dimensions of the conflict is knowledgeable, comprehensive and plausible and it clearly shows that the so-called religious conflicts are never about `religion' only." - Prof. Dr. Eva Spies (University of Bayreuth, Germany). "Justice A. Arthur has laid out a multidisciplinary, multi-perspective and long-term analysis of the clashes on the noise ban in Accra. The chapters are convincingly set up in order to manage the complexity of approaches, covering religious studies, theology, mission studies as well as anthropology, legal and political studies." - Prof. Andreas Heuser (University of Basel, Switzerland).

How does the state separate music from noise? How can such filtering apparatus shape the content and form of sound production in the city? As a marker of co-presence to the hearing body, sound is always open to (or rather opens up) the politics of shared existence. In the throes of the post-dictatorship period, Brazil's legislative and executive branches implemented a series of sweeping measures to address quality of life concerns, including environmental pollution and urban inequality. In São Paulo, noise control became a recurrent controversy, growing in size and scale between the 1990s and 2010s. Together with the much-debated fear of crime and the socioeconomic and cultural tensions between the rich urban center and the poor peripheries, such ecological agendas against noise as a harmful pollutant have reconfigured the presence of environmental sounds in the city. In this book, Cardoso argues that the framing of specific sounds as unavoidable, unnecessary, or as harmful "noise" has been an effective strategy to organize spaces and administer group behavior in this rapidly expanding city. He focuses on two interrelated processes. First, the series of institutional regulatory mechanisms that turn sounds into the all-embracing "noise" susceptible to state intervention. Second, the constant attempts of interested groups in either attaching or detaching specific sounds (musical events, industrial noise, traffic noise, religious sounds, etc.) from regulatory scrutiny. Sound-politics is the dynamics that emerges from both processes - the channels through which sounds enter (and leave) the sphere of state regulation.

In contemporary Turkey, a plethora of Muslim NGOs, spanning the sectarian divide between Sunni and Alevi Muslims, has called into question statist sovereignty over Islam. Muslim Civil Society and the Politics of Religious Freedom in Turkey is an ethnographic study of these institutions and their distinctive, nongovernmental politics of religious freedom.

NEW YORK TIMES BESTSELLER • The acclaimed social psychologist challenges conventional thinking about morality, politics, and religion in a way that speaks to conservatives and liberals alike—a “landmark contribution to humanity’s understanding of itself” (The New York Times Book Review). Drawing on his twenty-five years of groundbreaking research on moral psychology, Jonathan Haidt shows how moral judgments arise not from reason but from gut feelings. He shows why liberals, conservatives, and libertarians have such different intuitions about right and wrong, and he shows why each side is actually right about many of its central concerns. In this subtle yet accessible book, Haidt gives you the key to understanding the miracle of human cooperation, as well as the curse of our eternal divisions and conflicts. If you’re ready to trade in anger for understanding, read The Righteous Mind.

Why is religion still around in the twenty-first century? Why do so many still believe? And how do various traditions still shape the way people experience everything from sexuality to politics, whether they are religious or not? In Why Religion? Elaine Pagels looks to her own life to help address these questions. These questions took on a new urgency for Pagels when dealing with unimaginable loss—the death of her young son, followed a year later by the shocking loss of her husband. Here she interweaves a personal story with the work that she loves, illuminating how, for better and worse, religious traditions have shaped how we understand ourselves; how we relate to one another; and, most importantly, how to get through the most difficult challenges we face. Drawing upon the perspectives of neurologists, anthropologists, and historians, as well as her own research, Pagels opens unexpected ways of understanding persistent religious aspects of our culture. A provocative and deeply moving account from one of the most compelling religious thinkers at work today, Why Religion? explores the spiritual dimension of human experience.

In this culmination of his widely read and highly acclaimed Cultural Liturgies project, James K. A. Smith examines politics through the lens of liturgy. What if, he asks, citizens are not only thinkers or believers but also lovers? Smith explores how our analysis of political institutions would look different if we viewed them as incubators of love-shaping practices--not merely governing us but forming what we love. How would our political engagement change if we weren't simply looking for permission to express our "views" in the political sphere but actually hoped to shape the ethos of a nation, a state, or a municipality to foster a way of life that bends toward shalom? This book offers a well-rounded public theology as an alternative to contemporary debates about politics. Smith explores the religious nature of politics and the political nature of Christian worship, sketching how the worship of the church propels us to be invested in forging the common good. This book creatively merges theological and philosophical reflection with illustrations from film, novels, and music and includes helpful exposition and contemporary commentary on key figures in political theology.

The prevailing narrative of human history, given to us as children and reinforced constantly through our culture, is the plot of progress. As the narrative goes, we progressed from tyranny to freedom, from superstition to science, from poverty to wealth, from darkness to enlightenment. This is modernity’s origin myth. Out of it, a consensus has emerged: part of human progress is the overcoming of religion, in particular Christianity, and that the world itself is fundamentally secular. In The Two Cities: A History of Christian Politics, Andrew Willard Jones rewrites the political history of the West with a new plot, a plot in which Christianity is true, in which human history is Church history. The Two Cities moves through the rise and fall of empires; cycles of corruption and reform; the rise and fall of Christendom; the emergence of new political forms, such as the modern state, and new political ideologies, such as liberalism and socialism; through the horrible destruction of modern warfare; and on to the plight of contemporary Christians. These movements of history are all considered in light of their orientation toward or away from God. The Two Cities advances a theory of Christian politics that is both an explanation of secular politics and a proposal for Christians seeking to navigate today’s most urgent political questions.