Whitney Strub illustrates the crucial function of pornography in constructing the New Right agenda, which emphasized social issues over racial & economic inequality. He situates the fight over obscenity within the politics of 1950s pop culture & the pivotal events that followed, including the sexual revolution & feminist activism.

When Trump became president, much of the country was repelled by what they saw as the vulgar spectacle of his ascent, a perversion of the highest office in the land. In his bold, innovative book, Political Perversion, rhetorician Joshua Gunn argues that this “mean-spirited turn” in American politics (of which Trump is the paragon) is best understood as a structural perversion in our common culture, on a continuum with infantile and “gotcha” forms of entertainment meant to engender provocation and sadistic enjoyment. Drawing on insights from critical theory, media ecology, and psychoanalysis, Gunn argues that perverse rhetorics dominate not only the political sphere but also our daily interactions with others, in person and online. From sexting to campaign rhetoric, Gunn advances a new way to interpret our contemporary political context that explains why so many of us have difficulty deciphering the appeal of aberrant public figures. In this book, Trump is only the tip of a sinister, rapidly growing iceberg, one to which we ourselves unwittingly contribute on a daily basis.

Exploring the fields of architecture, philosophy, and queer theory, Grosz shows how feminism and cultural analysis have conceptually stripped bodies of their specificity, their corporeality, and the vestigal traces of their production as bodies. She investigates the work of Michel Foucault, Teresa de Lauretis, Gilles Deleuze, Judith Butler and Alphonso Lingi, considering their work by examining the ways in which the functioning of bodies transforms understandings of space and time, knowledge and desire. Grosz moves toward a radical consideration of bodies and their relationship to transgression and perversity.

In The Sublime Perversion of Capital Gavin Walker examines the Japanese debate about capitalism between the 1920s and 1950s, using it as a "prehistory" to consider current discussions of uneven development and contemporary topics in Marxist theory and historiography. Walker locates the debate's culmination in the work of Uno Kōzō, whose investigations into the development of capitalism and the commodification of labor power are essential for rethinking the national question in Marxist theory. Walker's analysis of Uno and the Japanese debate strips Marxist historiography of its Eurocentric focus, showing how Marxist thought was globalized from the start. In analyzing the little-heralded tradition of Japanese Marxist theory alongside Marx himself, Walker not only offers new insights into the transition to capitalism, the rise of globalization, and the relation between capital and the formation of the nation-state; he provides new ways to break Marxist theory's impasse with postcolonial studies and critical theory.

In this critical work on the political thought of Leo Strauss, Sean Noah Walsh addresses Leo Strauss's claims about esotericism in the philosophic texts of Plato. He challenges Strauss's understanding of esoteric writing as an attempt by Plato to secretly encode the highest truths "exclusively between the lines" in order to avoid persecution. Indeed, through the character of Socrates, the speaker with whom Plato is inextricably associated, Walsh asserts that Plato's exoteric writings were sufficiently incendiary and provocative to demonstrate that a fear of persecution was not his highest priority. The politics that follow from Strauss's thought depend on the interpretation of these Platonic philosophical bases and by analyzing how the problem of fear has been confronted in the works of Plato and Leo Strauss, Walsh offers a direct and thorough account of the politics that emerge from Strauss's esoteric reading of political philosophy. Applying Lacanian psychoanalysis, Walsh investigates the discourse of Straussian esotericism. and examines Plato's writing for examples of exoteric risk, subjecting both Plato and Strauss's writings to Lacan's psychoanalytic technique for interpreting the function of desire in discourse. Given the continuing influence of Strauss's ideas on contemporary politics, particularly within American foreign policy, Walsh's examination of this Straussian esotericism for these effects will prove an interesting read for political theorists, international relations scholars, and philosophers alike.

Why is it that western nations stand idly by as their weakest, their children, are being abducted, sexually abused, and brutally killed by the thousands? What if civilization is not society's victory over the "law of the strongest?" This hard-won victory is based on discipline, moral restraint, and on the principle of reason over passion. When reason is supplanted by passion, all that is needed to control the people is to control their passions. This volume argues that those who believe sexual liberation equates to human progress have been misled by social engineers intent on destroying families, society, and civilization. Is it a coincidence that high level clerics and politicians everywhere deny the existence of pedophile and satanic networks? Why is the UN advocating for the legalization of pedophilia by lowering the age of consent? Once human sexuality has been mechanized, severed from affection and biology, the world's gates will be wide open for eugenics, transhumanism, and technocratic rule.

Winner of the MLA's 2016 Alan Bray Prize for Best Book in GLBTQ Studies How BDSM can be used as a metaphor for black female sexuality. The Color of Kink explores black women's representations and performances within American pornography and BDSM (bondage and discipline, domination and submission, and sadism and masochism) from the 1930s to the present, revealing the ways in which they illustrate a complex and contradictory negotiation of pain, pleasure, and power for black women. Based on personal interviews conducted with pornography performers, producers, and professional dominatrices, visual and textual analysis, and extensive archival research, Ariane Cruz reveals BDSM and pornography as critical sites from which to rethink the formative links between Black female sexuality and violence. She explores how violence becomes not just a vehicle of pleasure but also a mode of accessing and contesting power. Drawing on feminist and queer theory, critical race theory, and media studies, Cruz argues that BDSM is a productive space from which to consider the complexity and diverseness of black women's sexual practice and the mutability of black female sexuality. Illuminating the cross-pollination of black sexuality and BDSM, The Color of Kink makes a unique contribution to the growing scholarship on racialized sexuality.