The Politics of Love in Myanmar offers an intimate ethnographic account of a group of LGBT activists before, during, and after Myanmar's post-2011 political transition. Lynette J. Chua explores how these activists devoted themselves to, and fell in love with, the practice of human rights and how they were able to empower queer Burmese to accept themselves, gain social belonging, and reform discriminatory legislation and law enforcement. Informed by interviews with activists from all walks of life—city dwellers, villagers, political dissidents, children of military families, wage laborers, shopkeepers, beauticians, spirit mediums, lawyers, students—Chua details the vivid particulars of the LGBT activist experience founding a movement first among exiles and migrants and then in Myanmar's cities, towns, and countryside. A distinct political and emotional culture of activism took shape, fusing shared emotions and cultural bearings with legal and political ideas about human rights. For this network of activists, human rights moved hearts and minds and crafted a transformative web of friendship, fellowship, and affection among queer Burmese. Chua's investigation provides crucial insights into the intersection of emotions and interpersonal relationships with law, rights, and social movements.

“Craig wields powerful and vivid prose to illuminate a country and a family trapped not only by war and revolution, but also by desire and loss.” —Viet Thanh Nguyen, Pulitzer Prize–winning author Miss Burma tells the story of modern-day Burma through the eyes of Benny and Khin, husband and wife, and their daughter Louisa. After attending school in Calcutta, Benny settles in Rangoon, then part of the British Empire, and falls in love with Khin, a woman who is part of a long-persecuted ethnic minority group, the Karen. World War II comes to Southeast Asia, and Benny and Khin must go into hiding in the eastern part of the country during the Japanese occupation, beginning a journey that will lead them to change the country’s history. Years later, Benny and Khin’s eldest child, Louisa, has a danger-filled, tempestuous childhood and reaches prominence as Burma’s first beauty queen soon before the country falls to dictatorship. As Louisa navigates her newfound fame, she is forced to reckon with her family’s past, the West’s ongoing covert dealings in her country, and her own loyalty to the cause of the Karen people. Based on the story of the author’s mother and grandparents, Miss Burma is a captivating portrait of how modern Burma came to be and of the ordinary people swept up in the struggle for self-determination and freedom. “At once beautiful and heartbreaking . . . An incredible family saga.” —Refinery29 “Miss Burma charts both a political history and a deeply personal one—and of those incendiary moments when private and public motivations overlap.” —Los Angeles Times

The political regime in Myanmar used to be a seemingly monopolistic structure where power was exclusively in the Army’s hands. A marginal external influence was exercised by businessmen with close ties to the regime while the country is also exposed to the influence of powerful regional states. Since the General Elections in November 2010, the establishment of the Republic of the Union of Myanmar with a parliamentary democracy (which remains under some control of the Army, but with notable civilian representation) is the most noticeable change in Myanmar politics for decades as it may shift the state away from the Army monopoly, although concrete changes remain to be demonstrated.

This account focuses on the Dobama Movement, the radical group led by Burmese intellectuals who struggled for their country's unity and independence. Khin Yi focuses on the years 1930 to 1938 and recounts the movement's founding by Thakin Ba Thoung, its phenomenal growth, and its sudden division in 1938 (known as "The Year of Strife"). Though ultimately unsuccessful, the Dobama Movement produced such leaders as the father of Burmese independence, Aung San.

The Burmese army took political power in Burma in 1962 and has ruled the country ever since. The persistence of this government--even in the face of long-term nonviolent opposition led by activist Aung San Suu Kyi, who was awarded the Nobel Peace Prize in 1991--has puzzled scholars. In a book relevant to current debates about democratization, Mary P. Callahan seeks to explain the extraordinary durability of the Burmese military regime. In her view, the origins of army rule are to be found in the relationship between war and state formation.Burma's colonial past had seen a large imbalance between the military and civil sectors. That imbalance was accentuated soon after formal independence by one of the earliest and most persistent covert Cold War conflicts, involving CIA-funded Kuomintang incursions across the Burmese border into the People's Republic of China. Because this raised concerns in Rangoon about the possibility of a showdown with Communist China, the Burmese Army received even more autonomy and funding to protect the integrity of the new nation-state.The military transformed itself during the late 1940s and the 1950s from a group of anticolonial guerrilla bands into the professional force that seized power in 1962. The army edged out all other state and social institutions in the competition for national power. Making Enemies draws upon Callahan's interviews with former military officers and her archival work in Burmese libraries and halls of power. Callahan's unparalleled access allows her to correct existing explanations of Burmese authoritarianism and to supply new information about the coups of 1958 and 1962.

The Karen, one of Burma's many minority peoples, have been waging an increasingly desperate war for autonomy against the Burmese government since 1949. Karen society in Burma has been little studied since the 1920s, and recent writers have been forced (by Burma's "closed door" policies) to concentrate on Karen refugee communities in Thailand. This book is a portrait of an ancient culture remolded to the purposes of ethnic rebellion. The picture is enriched with historical comparisons and is based on portraits of individual Karen as they struggle to defend their way of life and to preserve their belief in their own independence. There are chapters on music, food, love, the patterns of the rebels' forest and river life, on the Karen military hierarchy and its weaponry, on women and on mercenaries, on the language and the symbols of rebel nationalism. Jonathan Falla has led a diverse life. He attended the University of Cambridge and is the founder of the Cambridge Poetry Society. He has worked in Indonesia and Uganda and has written several plays, being named one of Britain's Most Promising Playwrights in 1983. Falla spent an illegal year in Burma living with the Karen rebels. Currently, he lives in Scotland and works as a nurse.

A well-documented and extremely engaging account of the Burmese Communist Party that details the development of the Party and the events and forces that led to the 1989 Mutiny and subsequent fall of the CPB. This study explores the ethnic tensions that influenced the attitudes of the rank-and-file members, the support and influence of the Chinese Communist Party, the Party's involvement in the drug trade, and the complex, antagonistic relationship between the CPB and the military regime of Burma.