Also by this author: Essays on Time and Space Infinity and the Supermen The New Politics And other works Productions partially completed: The New Sovereignty The New Metaphysics Productions completed: Berengere contra Nietzsche: Four Scenes from an Evangelical Naked Session Jeremiads from the Bottom of a Mousehole: Reply to Søren Kierkegaard and Other Close Encounters with the History of Theology The Relation of the Artwork to Time and Space: Notes on Aesthetics (excerpted in this volume

Arguing against the presumption that the U.S. has no dominant ideology, the author confronts the myths in American society that limit the perception of political reality and constrain progressive reform.

The classics of Western culture are out, not being taught, replaced by second-rate and Third World texts. White males are a victimized minority on campuses across the country, thanks to affirmative action. Speech codes have silenced anyone who won't toe the liberal line. Feminists, wielding their brand of sexual correctness, have taken over. These are among the prevalent myths about higher education that John K. Wilson explodes. The phrase "political correctness" is on everyone's lips, on radio and television, and in newspapers and magazines. The phenomenon itself, however, has been deceptively described. Wilson steps into the nation's favorite cultural fray to reveal that many of the most widely publicized anecdotes about PC are in fact more myth than reality. Based on his own experience as a student and in-depth research, he shows what's really going on beneath the hysteria and alarmism about political correctness and finds that the most disturbing examples of thought policing on campus have come from the right. The image of the college campus as a gulag of left-wing totalitarianism is false, argues Wilson, created largely through the exaggeration of deceptive stories by conservatives who hypocritically seek to silence their political opponents. Many of today's most controversial topics are here: multiculturalism, reverse discrimination, speech codes, date rape, and sexual harassment. So are the well-recognized protagonists in the debate: Dinesh D'Souza, William Bennett, and Lynne Cheney, among others. In lively fashion and in meticulous detail, Wilson compares fact to fiction and lays one myth after another to rest, revealing the double standard that allows "conservative correctness" on college campuses to go unchallenged.

In the turbulent period between 1870 and 1930, the contours on modernity were taking shape, especially the connections between technology, politics and aesthetics. The trilogy The Nihilist Order traces the genealogy of the nihilist-totalitarian syndrome. Until now, nihilism and totalitarianism were considered opposites: one an orderless state of affairs, the other a strict regimented order. On closer scrutiny, however, a surprising affinity can be found between these two concepts that dominated the history of the first half of the twentieth century. Starting with Nietzsche's philosophy, this book traces the development of an intellectual school characterised by the paradoxical dual purpose of a wish to destroy, coupled with a strong desire to create imposing structures. This explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialised in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. Friedrich Nietzsche, Georges Sorel, the Italian Futurists, led by Filippo Tommaso Marinetti, and Ernst Jünger were all well-known intellectual and cultural figures. Here they are seen and understood in a different light, as creators of a modern political mythology that became a source of inspiration for belligerent ideological camps. Among the ideas propagated by this school, and later adopted by totalitarian regimes, were historical nihilism, a revolt against the rationalistic and universalistic pretensions of the Enlightenment, an affirmation of the dynamism of modern life, and the replacement of the traditional Judeo-Christian values of good and evil by other dualities such as authenticity and decadence. Concurrently there took place affirmation of the technological era, the creation of a 'new man' and a violent order, and the birth of a new political style in place of traditional world-views. When channelled into the political sphere, these aesthetic nihilist ideas paved the way for the rise of totalitarianism.

A new translation of Marx's 1844 "Zur Kritik der Hegelschen Rechtsphilosophie" from the original manuscript. This edition includes a new introduction by the translator and reference materials including a Glossary of Philosophic and Economic Marxist Terminology, an Index of Personalities Associated with Marx and a Timeline of Marx’s Life and Works. This is Volume III in The Complete Works of Karl Marx by NL Press. In "Towards the Critique of Hegel's Philosophy of Right" Marx's argument is that Hegel's political philosophy is an abstraction that fails to take into account the concrete reality of human existence and the class struggles that shape it. He contends that in order to understand the state, civil society, and the concept of alienation, one must take into account the economic relations that underlie it and the material conditions of society. The central argument of Marx's critique is that the state is not a neutral arbiter of justice, but is rather an instrument of class warefare and exploitation. This is a mimicry of Feuerbach’s argument nearly word-for-word. Marx's critique serves to demonstrate the importance of a historical and materialist perspective in understanding the nature of human freedom and morality. It serves as a precursor to his later theories of historical materialism and dialectical materialism, which continue to be influential in the modern world. Marx's critique in this work centers around the idea that Hegel's philosophy is an abstraction that fails to take into account the concrete reality of human existence and the class struggles that shape it.

The explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialised in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. "The Nihilist Order", originally published in three hardcover volumes and now published in a consolidated paperback edition with an encompassing new Introduction, inspired excellent review endorsements, both amongst the academic and public spheres -- and has been heralded as a great achievement in European intellectual and cultural history.

This book examines key twentieth-century philosophers, theologians, and social scientists who began their careers with commitments to the political left only later to reappraise or reject them. Their reevaluation of their own previous positions reveals not only the change in their own thought but also the societal changes in the culture, economics, and politics to which they were reacting. By exploring the evolution of the political thought of these philosophers, this book draws connections among these thinkers and schools and discovers the general trajectory of twentieth-century political thinking in the West.