The Political Fiction of Ward Just: Class, Theories of Representation, and Imagining a Ruling Elite uses three theoretical frameworks of representation—literary, political, and diplomatic—to demonstrate how the upper-class status of the ruling elites in Ward Just’s political fiction influences the way they govern. He illustrates how Just’s ruling elites develop a coherent “upper class” form of consciousness that limits their ability as elected officials to adequately represent the interests of all the nation’s citizens domestically—especially the poor and working class—and their ability as diplomats to adequately represent the interests of the nation as a whole internationally. In his conclusion, the author offers suggestions for ways to make our ruling elites more representative of the interests of the working class and underprivileged groups at home and more sensitive to the cultures of the countries in which they serve abroad.

"A brilliant, ambitious, and subtle novel about Vietnam." -- David Bradley, Philadelphia Inquirer Ward Just captures the best and the brightest amid the turmoil of the sixties and its repercussions twenty years later through the lives of a good congressman, his good wife, and the good wife's love, an infantry colonel whose memories of the war, and a secret plot concocted by the Washington power brokers to win it, are more than he can bear.

This family saga from a National Book Award finalist is a “brilliantly orchestrated tale of several generations of Washington, D.C., insiders” (Booklist). In this epic and acutely observed novel, three generations of a family of Washington power brokers vie for influence over the fate of the nation. In the 1930s, Sen. Adolph Behl and his wife, Constance, buy historic mansion Echo House with the vision of transforming it into Washington’s greatest salon—an auspicious base camp from which the senator can launch his “final ascent,” and son Axel can prepare his first. Across decades of secrets, betrayals, victories, and humiliations, the Behl family will fight to remain near the center, and behind the scenes, of American political power—from the New Deal to Watergate and beyond. “A fascinating if ultimately painful fairy tale, complete with . . . a family curse . . . The decline of the Behls represents the decline of Washington from the bright dawn of the American century into the gathering shadows of an alien new millennium.” —The Washington Post “Puts the standard run-of-the-mill Washington novel to shame . . . It is Mr. Just’s intimate portrait of the city that makes his book so convincing.” —TheNew York Times “Will be read in a century’s time by anyone seeking to understand how we lived.” —Detroit Free Press “[Ward’s] stories put him in the category reserved for writers who work far beyond the fashions of the times. . . . Masterpieces of balance, focus, and hidden order.” —Chicago Tribune “He has earned a place on the shelf just below Edith Wharton and Henry James.” —Newsweek

Jack Gance is a man on the rise in American politics who takes the reader right inside the political arena, from the wards of Chicago to the Executive Office Building in Washington.

A novel about journalism and one man’s moral choices, “evoking the rhythms of Ernest Hemingway’s early fiction . . . A quietly affecting, mournful achievement” (Richmond Times-Dispatch). Ned Ayres has never wanted anything but a newspaper career. His defining moment comes early, when Ned is city editor of his hometown paper. One of his beat reporters fields a tip: William Grant, the town haberdasher, married to the bank president’s daughter and the father of two children, once served six years in Joliet. The story runs—Ned offers no resistance to his publisher’s argument that the public has a right to know. The consequences, swift and shocking, haunt him throughout a long career—until eventually, as the editor of a major newspaper in post-Kennedy Washington, DC, Ned has reason to return to the question of privacy and its many violations.

"The winter of the year my father carried a gun for his own protection was the coldest on record in Chicago." So begins Ward Just's An Unfinished Season, the winter in question a postwar moment of the 1950s when the modern world lay just over the horizon, a time of rabid anticommunism, worker unrest, and government corruption. Even the small-town family could not escape the nationwide suspicion and dread of "the enemy within." In rural Quarterday, on the margins of Chicago's North Shore, nineteen-year-old Wilson Ravan watches as his father's life unravels. Teddy Ravan -- gruff, unapproachable, secure in his knowledge of the world -- is confronting a strike and even death threats from union members who work at his printing business. Wilson, in the summer before college, finds himself straddling three worlds when he takes a job at a newspaper: the newsroom where working-class reporters find class struggle at the heart of every issue, the glittering North Shore debutante parties where he spends his nights, and the growing cold war between his parents at home. These worlds collide when he falls in love with the headstrong daughter of a renowned psychiatrist with a frightful past in World War II. Tragedy strikes her family, and the revelation of secrets calls into question everything Wilson once believed. From a distinguished chronicler of American social history and the political world, An Unfinished Season is a brilliant exploration of culture, politics, and the individual conscience.

Brian Ward is Lecturer in American History at the University of Newcastle upon Tyne .; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.