At the age of 19, Phillis Wheatley was the first black American poet to publish a book. Her elegies and odes offer fascinating glimpses of the beginnings of African-American literary traditions. Includes a selection from the Common Core State Standards Initiative.

This is the first book to collect the most important works of poetry generated by English and North American slavery. Mixing poetry by the major Anglo-American Romantic poets (Blake, Coleridge, Wordsworth, Shelley, Keats, Whittier, Longfellow, Lowell, Whitman, Melville, Dickinson) with curious, and sometimes brilliant verse by a range of now forgotten literary figures, the anthology is designed to aid students and teachers address the Anglo-American cultural inheritance of slavery.

Mirroring the structure of a quilt, this volume of poems are built in three layers, representing biblical/spiritual reference, musical reference, and references to sewing/quilting itself. These are the poems of American slavery."--

This book brings together leading scholars to examine slavery in American literature from the eighteenth century to the present day.

The prophetic poetry of slavery and its abolition During the pitched battle over slavery in the United States, Black writers—enslaved and free—allied themselves with the cause of abolition and used their art to advocate for emancipation and to envision the end of slavery as a world-historical moment of possibility. These Black writers borrowed from the European tradition of Romanticism—lyric poetry, prophetic visions--to write, speak, and sing their hopes for what freedom might mean. At the same time, they voiced anxieties about the expansion of global capital and US imperial power in the aftermath of slavery. They also focused on the ramifications of slavery's sexual violence. Authors like Frances Ellen Watkins Harper, George Moses Horton, Albery Allson Whitman, and Joshua McCarter Simpson conceived the Civil War as a revolutionary upheaval on par with Europe's stormy Age of Revolutions. The Black Romantic Revolution proposes that the Black Romantics' cultural innovations have shaped Black radical culture to this day, from the blues and hip hop to Black nationalism and Black feminism. Their expressions of love and rage, grief and determination, dreams and nightmares, still echo into our present.