A collection of some of the words of scripture spoken by Jesus the Christ to the world, put in poetry format, not as narrative as originally given.

The Hundredfold is a tapestry of hymns, monologues, and short lyrics knit together as one book-length poem in praise of Christ in all his startling humanity. Drawing from the riches of the English poetic tradition—meter, rhyme, music—the poet considers the mysterious man from Nazareth and the world he came to set on fire with splendor. Having made a career translating the Italian masters Dante and Tasso, Anthony Esolen now puts on the dusty mantle of such English craftsmen as Donne, Milton, and Hopkins in his first book of original contemplative poetry. The Hundredfold contains dramatic monologues set in first-century Greece and Palestine; lyrical meditations on creation, longing, failure, modern emptiness, and unshakeable hope; and twenty-one brand-new hymns, set to such traditional melodies as “Picardy” and “Old One-Hundred-Twenty-Fourth”. The book includes an introduction with diamond-sharp insights into English poetic form—at a time when form is so often misunderstood, if not dismissed. It provides an invaluable resource for students, teachers, and poets themselves, as well as those who simply read poetry for pleasure.

Jay Hulme is an award-winning transgender poet, performer, educator and speaker. In late 2019, his fascination with old church buildings turned into a life-changing encounter with the God he had never believed in, and he was baptised in the Anglican church. In this new poetry collection, Jay details his journey through faith and baptism during an unprecedented world-wide pandemic. As he finds God in the ruined factories and polluted canals of his home city, Jonah is heckled over etymology, angels appear in tube stations, and Jesus sits atop a multi-story car park. Cathedrals are trans, trans people are cathedrals, and amidst it all God reaches out to meet us exactly where we are. Jay’s poetry explores belief in the modern world and offers a perspective on queer faith that will appeal not only to Christians, but young members of the LGBT+ community who are interested in faith but unsure of where to start.

On 23 April 1943, Good Friday, Maria Valtorta reported hearing the voice of Jesus. From then until 1951 she produced over 15,000 handwritten pages in 122 notebooks, mostly detailing the life of Jesus as an extension of the gospels. Her handwritten notebooks containing close to 700 reputed episodes in the life of Jesus were typed on separate pages by her priest and reassembled, given that they had no temporal order, and became the basis of her 5,000-page book The Poem of the Man God.