As the last leader of the Chartist movement, Ernest Charles Jones (1819-69) is a significant historical figure, but he is just as well-known for his political verse. His prison-composed epic The New World lays claim to being the first poetic exploration of Marxist historical materialism, and his caustic short lyric ‘The Song of the Low’ appears in most modern anthologies of Victorian poetry. Despite the prominence of Jones’s verse in Labour history circles, and several major inclusions in critical discussions of working-class Victorian literature, this volume represents the first full-length study of his poetry. Through close analysis and careful contextualization, this work traces Jones’s poetic development from his early German and British Romantic influences through his radicalization, imprisonment, and years of leadership. The poetry of this complex and controversial figure is here fully mapped for the first time.

This book explores the contribution made by Chartist poetry to the struggle for fundamental democratic rights.

This early work on Papers of Psycho-Analysis is both expensive and hard to find in its first edition. The papers here collected have already appeared in print, for the most part in psychological journals that do not circulate widely among the medical proffession. They constitute a selection of the authors contributions, and are now issued in a more accessible form in the hope of arousing further interest in this overneglected and important branch of scientific investigation. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

"Bringing together Writing on the Wall, composed some ten years after H.D's stay in Vienna, and Advent, a journal she kept at the time of her analysis there, Tribute to Freud offers a rare glimpse into the consulting room of the father of psychoanalysis. It may also be the most intimate of H.D.'s works.Compelled by historical as well as personal crises, the poet worked with Freud during 1933-34. The streets of Vienna were littered with tokens dropped like confetti on the city, stating Hitler gives work. Hitler gives bread. Having endured World War I, she was now gathering her resources to face the second cataclysm she knew was approaching. In analysis, Hilda Doolittle explored her Pennsylvania childhood, her relationship with Ezra Pound (inventory of her nom de plume H.D.), Havelock Ellis, D.H. Lawrence, her ex-husband Richard Aldington, and subsequent companion Winifred Ellerman ( Bryher ), as well as her own creative processes.Freud, regarding H.D. as a student as well as a patient, wads hardly the detached presence one might imagine. Revealed here in the poet's words and in his own letters, which comprise an appendix, is the considerate friend, the charming Viennese gentleman--art collector, dog lover, wit--and the pioneer, always revising his ideas and possessed of an insight that could be terrifying in its force."--Publisher's description.

Can imaginative literature change the political and social history of a class or nation? In The Chartist Imaginary: Literary Form in Working-Class Political Theory and Practice, Margaret Loose turns to the Chartist Movement?Britain's first mass working-class movement, dating from the 1830s to the 1840s?and argues that, based on literature by members of the movement, the answer to that question is a resounding ?yes.” Chartist writing awakened workers' awareness of discord between professed ideals and reality; exercised their conceptual powers (literary and social); and sharpened their appetite for more knowledge, intellectual power, dignity, and agency in the present to fashion a utopian future. Igniting such self-respecting, politically transfigurative energy was a unique kind of agency Loose calls ?the Chartist imaginary.” In examining the Chartist movement, Loose balances the nervous projections of canonical Victorian writers against a consideration of the ways that laborers represented Chartism's aims and tactics. The Chartist Imaginary offers close readings of poems and fiction by Chartist figures from Ernest Jones and Thomas Cooper to W. J. Linton, Thomas Martin Wheeler, and Gerald Massey. It also draws on extensive archival research to examine, for the first time, working-class female Chartist poets Mary Hutton, E. L. E., and Elizabeth La Mont. Focusing on the literary form of these works, Loose strongly argues for the political power of the aesthetic in working-class literature.