Iblīs, the character in the Qur'an who refuses God's command to bow to Adam and is punished by eviction from heaven, is commonly depicted as a fiendish character no different from Satan. However, some Sufi stories describe Iblīs as the ultimate monotheist, a lover of God, but tragically rejected. This volume seeks the origins of this alternative Iblīs within the Qur'an itself, by looking at each of the seven Qur'anic versions of the Iblīs story as a unique rendering of the basic narrative. Whitney Bodman finds that the likely earliest version of the Iblīs story presents him as a tragic figure, an elder sibling of Adam unjustly displaced from God's favor. Subsequent renderings present an Iblīs more hostile to humanity, and in the last two abbreviated versions Iblīs becomes an incidental figure in the extended story of Adam. In modern Arab literature the character of Iblīs is deployed to reveal tragic dimensions of modern life. Although it is often said that there is no place for tragedy in Islam, Bodman's careful examination of the Iblīs story shows that the tragic exists even in the Qur'an and forms part of the vision of medieval Sufi mystics and modern social critics alike.

This volume makes available and accessible the writings of the crucial early period of Islamic mysticism during which Sufism developed as one of the world's major mystical traditions. The texts are accompanied by commentary on their historical, literary and philosophical context.

The Qur’an makes extensive use of older religious material, stories, and traditions that predate the origins of Islam, and there has long been a fierce debate about how this material found its way into the Qur’an. This unique book argues that this debate has largely been characterized by a failure to fully appreciate the Qur’an as a predominately oral product. Using innovative computerized linguistic analysis, this study demonstrates that the Qur’an displays many of the signs of oral composition that have been found in other traditional literature. When one then combines these computerized results with other clues to the Qur’an’s origins (such as the demonstrably oral culture that both predated and preceded the Qur’an, as well as the “folk memory” in the Islamic tradition that Muhammad was an oral performer) these multiple lines of evidence converge and point to the conclusion that large portions of the Qur’an need to be understood as being constructed live, in oral performance. Combining historical, linguistic, and statistical analysis, much of it made possible for the first time due to new computerized tools developed specifically for this book, Bannister argues that the implications of orality have long been overlooked in studies of the Qur’an. By relocating the Islamic scripture firmly back into an oral context, one gains both a fresh appreciation of the Qur’an on its own terms, as well as a fresh understanding of how Muhammad used early religious traditions, retelling old tales afresh for a new audience.

Persian Literature and Modernity recasts the history of modern literature in Iran by elucidating the bonds between the classical tradition and modernity and exploring textual, generic and discursive formations through heterodoxical investigations. This is first done through the rehabilitation of concepts embedded in tradition, including the munāzirah (debate), Ahrīman (the demonic), tajarrud (radical aloneness) and nāriz̤āyatī (discontent). Following this are broader structural and processual treatments, including the emergence of the genre of the social novel, the international dimension of Persian and Persianate canon formation, and the development of salvage ethnography and anthropological discourse in Iran. Covering literary experiments from the twelfth to the twentieth centuries, the chapters in this volume make a case for stepping outside the bounds of orthodox literary scholarship in Iranian studies with its associated political and orientalist determinants in order to provide a more nuanced conception of literary modernity in Iran. Offering an alternative reading of modernity in Persian literature, this book is an invaluable resource for scholars and students interested in the history of modern Iran and Persian Literature.

Shâmaran: The Neolithic Eternal Mother, Love and the Kurds covers one of the earliest ancient figures of Mother Earth, Shâmaran, of the Zagros Mountains, which is at the crossroads of Iran, Anatolia, and Mesopotamia, and has historically been a melting pot of diverse groups, contributing to the formation of the Kurdish nation. This unique convergence has played a pivotal role in shaping the rich history, culture, language, and the very essence of their homeland, Kurdistan.Shâmaran is the significant religiocultural symbol, serving as a poignant embodiment of this heritage. The book meticulously documents, deconstructs and interprets Shâmaran's myth and her Neolithic image, recognizing their profound significance as manifestations of the Mother Earth Goddess.The study details the philosophy and symbolism of her faith, deciphers the content in the region within the existing pre-Islamic Kurdish religions namely Alevism, Yarsanism, and Êzidism and Kurdish culture as a whole.

This expansive four-volume encyclopedia presents a broad introduction to Islam that enables learning about the fundamental role of Islam in world history and promotes greater respect for cultural diversity. One of the most popular and widespread religions in the world, Islam has attracted a great deal of attention in recent times, particularly in the Western world. With the ongoing tensions in the Middle East and a pervasive sense of hostility toward Arab Americans, there is ever increasing need to examine and understand Islam as a religion and historical force. Islam: A Worldwide Encyclopedia provides some 700 entries on Islam written by expert contributors that cover the religion from the birth of Islam to the present time. The set also includes 16 pages of color images per volume that serve to illustrate the diverse expressions of this important religious tradition. Each entry begins with a basic introduction, followed by a general discussion of the subject and a conclusion. Each entry also features a further readings list for readers. In addition to supplying a comprehensive, authoritative overview of Islam, this work also specifically addresses many controversial related issues, including jihad, violence in Islam, polygamy, and apostasy.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. There is a vast body of imaginal literature in Bengali that introduces fictional Sufi saints into the complex mythological world of Hindu gods and goddesses. Dating to the sixteenth century, the stories—pīr katha—are still widely read and performed today. The events that play out rival the fabulations of the Arabian Nights, which has led them to be dismissed as simplistic folktales, yet the work of these stories is profound: they provide fascinating insight into how Islam habituated itself into the cultural life of the Bangla-speaking world. In Witness to Marvels, Tony K. Stewart unearths the dazzling tales of Sufi saints to signal a bold new perspective on the subtle ways Islam assumed its distinctive form in Bengal.