This text introduces a major poet scarcely known to scholars outside Gujarat in India: Kavi Dayarambhai (1777-1852), and analyses the poet's place in the history of Indian literature.

"... a significant contribution to the field... great insight, learning, and clarity." -- George Hart III, University of California, Berkeley"A master's hand is behind this volume." -- Religious Studies Review"... eminently readable... artfully explains the initial spirit and modern understanding of Tamil bhakti poetry... " -- Pacific Affairs"Norman Cutler's major achievement in Songs of Experience is the new critical perspective he provides on bhakti poetry." -- The Journal of ReligionCutler reveals the link between Tamil poetry and religion. His fluent translations make the poems -- songs of the experience of God -- live for us as they did for their first audience nearly fifteen centuries ago.

"In lyric essays, a story, poems, and photographs, Smith illuminates the whirl of chance and choice that stokes a writer's imagination, recounting her fascination on the eve of a trip to Paris with Simone Weil and an evocative, accidentally discovered film about Stalin's mass deportation of Estonians. In France, a gravestone, a televised figure-skating competition, a meal, and a garden all converge in what becomes Devotion, [a] ... fairy tale about a young, displaced Estonian skater and a solitary dealer in rare objects and arms. This ... fable about creativity and obsession, possession and freedom is followed by a meditation on how a work of art is, for other artists, a call to action"--Booklist, 08/01/2017.

English devotional poets of 17c set in a wider European and Catholic context.

What are the poetics of everyday life ? What can they teach us about God? Art, music, dance, and writing can certainly be poetic, but so can such diverse pastimes as fishing, skiing, or attending sports events. Any and all activities that satisfy our fundamental need for play, for celebration, and for ritual, says William Dyrness, are inherently poetic and in Poetic Theology he demonstrates that all such activities are places where God is active in the world. All of humanity s creative efforts, Dyrness points out, testify to our intrinsic longing for joy and delight and our deep desire to connect with others, with the created order, and especially with the Creator. This desire is rooted in the presence and calling of God in and through the good creation. With extensive reflection on aesthetics in spirituality, worship, and community development, Dyrness s Poetic Theology will be useful for all who seek fresh and powerful new ways to communicate the gospel in contemporary society. William Dyrness s bold invitation to a poetic theology shaped by Scripture, tradition, and imagination one luring us toward a fuller participation in beauty than argument or concept alone allow reminds us that truth itself is beautiful to behold and poetic to the core. . . . If poetry is in its deepest reflex an intensification of life, then Dyrness s call for a poetic theology is one we ignore at our peril, reminding us that faithful living is not only about proper thinking but also and, perhaps, more properly about the texture of our living and the quality of our loving. Mark S. Burrows Andover Newton Theological School Makes a strong case for aesthetics as one of the avenues used by God to draw human beings near to him and his glory. . . . A wonderful journey through Reformed spirituality and a wake-up call for Reformed theology. Cornelius van der Kooi Free University, Amsterdam

The poetry emanating from the bhakti tradition of devotional love in India has been both a religious expression and a form of resistance to hierarchies of caste, gender, and colonialism. Some scholars have read this art form through the lens of resistance and reform, but others have responded that imposing an interpretive framework on these poems fails to appreciate their authentic expressions of devotion. This book argues that these declarations of love and piety can simultaneously represent efforts towards emancipation at the spiritual, political, and social level. This book, through a close study of Naḷini (1911), a Malayalam lyric poem, as well as other poems, authored by Mahākavi Kumāran Āśān (1873–1924), a low-caste Kerala poet, demonstrates how Āśān employed a theme of love among humans during the modern period in Kerala that was grounded in the native South Indian bhakti understanding of love of the deity. Āśān believed that personal religious freedom comes from devotion to the deity, and that love for humans must emanate from love of the deity. In showing how devotional religious expression also served as a resistance movement, this study provides new perspective on an understudied area of the colonial period. Bringing to light an under-explored medium, in both religious and artistic terms, this book will be of great interest to scholars of religious studies, Hindu studies, and religion and literature, as well as academics with an interest in Indian culture.

"What brings religious scholars Constance Furey, Sarah Hammerschlag, and Amy Hollywood together in Devotion is a shared conviction that "reading helps us live with and through the unknown." For them, the nature of reading raises questions fundamental to how we think about our political futures and modes of human relation. Each essay suggests different ways to characterize the object of devotion and the stance of the devout subject before it. Furey writes about devotion in terms of vivification, energy, and artifice; Hammerschlag in terms of commentary, mimicry, and fetishism; and Hollywood in terms of anarchy, antinomianism, and atopia. They are interested in literature not as providing models for ethical, political, or religious life, but as creating the site in which the possible-and the impossible-transport the reader, enabling new forms of thought, habits of mind, and modes of life. Ranging from German theologian Martin Luther to French-Jewish philosopher Sarah Kofman to American poet Susan Howe, this volume is not just a reflection on forms of devotion, it is also an enactment of devotion itself"--