Guided by the duende, liminal principle of creativity and death, Lorca represents New York as dystopia cum Armageddon, ultimately redeemed by the Blacks of Harlem and the telluric forces unleashed to retake the decadent, soulless civilization of North America."--BOOK JACKET.

In Poetry and Apocalypse, Franke seeks to find the premises for dialogue between cultures, especially religious fundamentalisms—including Islamic fundamentalism—and modern Western secularism. He argues that in order to be genuinely open, dialogue needs to accept possibilities such as religious apocalypse in ways that can be best understood through the experience of poetry. Franke reads Christian epic and prophetic tradition as a secularization of religious revelation that preserves an understanding of the essentially apocalyptic character of truth and its disclosure in history. The usually neglected negative theology that undergirds this apocalyptic tradition provides the key to a radically new view of apocalypse as at once religious and poetic.

"Many artists seek to attain immortality through their art, but few would expect their work to outlast the human race and live on for billions of years. As Canadian poet Christian Bök has realized, it all comes down to the durability of your materials."—The Guardian Internationally best-selling poet Christian Bök has spent more than ten years writing what promises to be the first example of "living poetry." After successfully demonstrating his concept in a colony of E. coli, Bök is on the verge of enciphering a beautiful, anomalous poem into the genome of an unkillable bacterium (Deinococcus radiodurans), which can, in turn, "read" his text, responding to it by manufacturing a viable, benign protein, whose sequence of amino acids enciphers yet another poem. The engineered organism might conceivably serve as a post-apocalyptic archive, capable of outlasting our civilization. Book I of The Xenotext constitutes a kind of "demonic grimoire," providing a scientific framework for the project with a series of poems, texts, and illustrations. A Virgilian welcome to the Inferno, Book I is the "orphic" volume in a diptych, addressing the pastoral heritage of poets, who have sought to supplant nature in both beauty and terror. The book sets the conceptual groundwork for the second volume, which will document the experiment itself. The Xenotext is experimental poetry in the truest sense of the term. Christian Bök is the author of Crystallography (1994) and Eunoia (2001), which won the Griffin Poetry Prize. He teaches at the University of Calgary in Alberta, Canada.

When the Earth becomes a maelstrom of storms and rising sea levels due to catastrophic climate change, some want to give up and call it a day for humanity. Yet there are also those heroic few who are determined to take action and dosomething about the impending apocalypse. These are the geo-engineers—men and women of creativity, knowledge and drive—who will do whatever it takes to save the planet.They will take on the challenge of bringing the planet back into balance. They will fiercely protect their work from the belligerent navies of two large nations— even if this means risking life and limb in a major sea battle. And with a new dawn of artificial intelligence on the horizon, these valiant few may make the difference between a future of human and A.I. enlightenment or a dark age of never-ending terror. At the publisher's request, this title is sold without DRM (Digital Rights Management). “Apocalypse is a wondrous science-fiction epic, written in beautiful blank verse, exploring ideas of humanity, memory, death, hope, and extraordinary scientific thought. . . . Even if you’re not a big reader of poetry, I promise this is a blazed trail you should follow.”—Fantasy Faction “Frederick Turner reveals the poetic soul of science fiction”—David Brin “A science fiction epic poem has at its command that great property of science fiction, evoking a sense of wonder in a reader. Science fiction delivers the intellectual and emotional charge of telling stories about what might happen and what people might do about it. It’s just fun to read about stuff like that. Fred Turner’s epic poem Apocalypse is all those things: cool, as memorable as your favorite song in many spots, and, most of all, entertaining. Fun.”—from the introduction

Shortlisted for the Scottish Poetry Book of the Year 2021 This first anthology of 'Apocalyptic' or neo-romantic poetry since the nineteen-forties includes over 150 poets, many well known (Dylan Thomas, W.S. Graham), and others quite forgotten (Ernest Frost, Paul Potts). Over forty of the poets are women, of whom Edith Sitwell is among the most exuberant. Much of the contents has never previously been anthologised; many poems are reprinted for the first time since the 1940s. The poetry of the Second World War appears in a new context, as do early Tomlisnon and Hill. Here readers can enjoy an overview of the visionary-modernist British and Irish poetry of the mid-century, its antecedents and its aftermath. As a period style and as a body of work, Apocalyptic poetry will come as a revelation to most readers.

The book will equip the reader with a stronger understanding of the religious and historical background to these late medieval texts. It will provide insight into the influence of the biblical Apocalypse upon the literature of the period in a systematic way. Importantly, by treating the writings of Julian of Norwich and William Langland as contemporaneous the book balances the female and male approaches to and engagement with the biblical Apocalypse.