In the winter of 1979 Nabeel Yasin, Iraq's most famous young poet, gathered together a handful of belongings and fled Iraq with his wife and son. Life in Baghdad had become intolerable. Silenced by a series of brutal beatings at the hands of the Ba'ath Party's Secret Police and declared an “enemy of the state,” he faced certain death if he stayed. Nabeel had grown up in the late 1950s and early '60s in a large and loving family, amid the domestic drama typical of Iraq's new middle class, with his mother Sabria working as a seamstress to send all of her seven children to college. As his story unfolds, Nabeel meets his future wife and finds his poetic voice while he is a student. But Saddam's rise to power ushers in a new era of repression, imprisonment and betrayal from which few families will escape intact. In this new climate of intimidation and random violence Iraqis live in fear and silence; yet Nabeel’s mother tells him “It is your duty to write.” His poetry, a blend of myth and history, attacks the regime determined to silence him. As Nabeel’s fame and influence as a poet grows, he is forced into hiding when the Party begins to dismantle the city’s infrastructure and impose power cuts and food rationing. Two of his brothers are already in prison and a third is used as a human minesweeper on the frontline of the Iran-Iraq war. After six months in hiding, Nabeel escapes with his wife and young son to Beirut, Paris, Prague, Budapest, and finally England. Written by Jo Tatchell, a journalist who has spent many years in the Middle East and who is a close friend of Nabeel Yasin’s, Nabeel's Song is the gripping story of a family and its fateful encounter with history. From a warm, lighthearted look at the Yasin family before the Saddam dictatorship, to the tale of Nabeel’s persecution and daring flight, and the suspense-filled account of his family’s rebellion against Saddam's regime, Nabeel's Song is an intimate, illuminating, deeply human chronicle of a country and a culture devastated by political repression and war.

Baghdad: The City in Verse captures the essence of life lived in one of the world's great enduring metropolises. In this unusual anthology, Reuven Snir offers original translations of more than 170 Arabic poems--most of them appearing for the first time in English--which represent a cross-section of genres and styles from the time of Baghdad's founding in the eighth century to the present day. The diversity of the fabled city is reflected in the Bedouin, Muslim, Christian, Kurdish, and Jewish poets featured here, including writers of great renown and others whose work has survived but whose names are lost to history. Through the prism of these poems, readers glimpse many different Baghdads: the city built on ancient Sumerian ruins, the epicenter of Arab culture and Islam's Golden Age under the enlightened rule of Harun al-Rashid, the bombed-out capital of Saddam Hussein's fallen regime, the American occupation, and life in a new but unstable Iraq. With poets as our guides, we visit bazaars, gardens, wine parties, love scenes (worldly and mystical), brothels, prisons, and palaces. Startling contrasts emerge as the day-to-day cacophony of urban life is juxtaposed with eternal cycles of the Tigris, and hellish winds, mosquitoes, rain, floods, snow, and earthquakes are accompanied by somber reflections on invasions and other catastrophes. Documenting the city's 1,250-year history, Baghdad: The City in Verse shows why poetry has been aptly called the public register of the Arabs.

Iraqi poet Salah Al Hamdani has lived a remarkable life. The author of some forty books in French and Arabic, he began life as a child laborer, with little or no education. As a political prisoner under Saddam Hussein, he learned to read and write Arabic; once he was released form prison, he continued to work against the regime, ultimately, at age twenty-one, choosing exile in Paris. He now writes in French, but he remains a poet of exile, of memory, wounded by the loss of his homeland and those dear to him. This landmark collection gathers thirty-five years of his writings, from his first volume in Arabic, Memory of Embers, to his latest collection, written originally in French, For You I Dream. It offers English-language readers their first substantial overview of Al Hamdani's work, fired by the fight against injustice and shot through with longing for the home to which he can never return.

A stunning new collection by one of Iraq’s brightest poetic voices The Iraqi Nights is the third collection by the acclaimed Iraqi poet Dunya Mikhail. Taking The One Thousand and One Nights as her central theme, Mikhail personifies the role of Scheherazade the storyteller, saving herself through her tales. The nights are endless, seemingly as dark as war in this haunting collection, seemingly as endless as war. Yet the poet cannot stop dreaming of a future beyond the violence of a place where “every moment / something ordinary / will happen under the sun.” Unlike Scheherazade, however, Mikhail is writing, not to escape death, but to summon the strength to endure. Inhabiting the emotive spaces between Iraq and the U.S., Mikhail infuses those harsh realms with a deep poetic intimacy. The author’s vivid illustrations — inspired by Sumerian tablets — are threaded throughout this powerful book.

This amalgam of essay, literary criticism, and memoir blends into a tribute to the world of books. Chicago...

Sinan Antoon returns to the Iraq war in a poetic and provocative tribute to reclaiming memory Widely-celebrated author Sinan Antoon’s fourth and most sophisticated novel follows Nameer, a young Iraqi scholar earning his doctorate at Harvard, who is hired by filmmakers to help document the devastation of the 2003 invasion of Iraq. During the excursion, Nameer ventures to al-Mutanabbi street in Baghdad, famed for its bookshops, and encounters Wadood, an eccentric bookseller who is trying to catalogue everything destroyed by war, from objects, buildings, books and manuscripts, flora and fauna, to humans. Entrusted with the catalogue and obsessed with Wadood’s project, Nameer finds life in New York movingly intertwined with fragments from his homeland’s past and its present—destroyed letters, verses, epigraphs, and anecdotes—in this stylistically ambitious panorama of the wreckage of war and the power of memory.

"Iraq's poets have suffered imprisonment, exile, and death for the truths they have dared to tell. Poetry is not a luxury in Iraq, but a vital part of the struggle for the nation's future. This is poetry that is feared by tyrants and would-be tyrants. You will find joy here as well as struggle. Arabic poetry has a long and rich tradition of ecstatic love, whimsical humor, and philosophic insight. Remarkably, charm and lightness of touch abound. Even the war invites you to a picnic from which you will not return untouched. Many of these poems were written in response to the American invasion of Iraq in 2003. "Tomorrow the War Will Have a Picnic," for instance, was composed on the eve of the "shock and awe" campaign against Baghdad. We see here, through Iraqi eyes, the fall of Saddam's statue, his trial, the ongoing sectarian violence, and the foreign invaders on both sides of the struggle."--BOOK JACKET.