This is the first comprehensive study of the theological significance of Paul Claudel, a poet frequently cited by literary-minded theologians in Europe and theologically-minded poets (such as von Balthasar, de Lubac and Eliot). His writing combines cosmology and history, Bible and metaphysics, liturgy and the drama of human personality. Aidan Nichols' study demonstrates how Claudel's oeuvre, which is not only poetry but theatre and prose including biblical commentaries, constitutes a rich resource for constructive doctrine, liturgical preaching, and theological reflection.

This is the first comprehensive study of the theological significance of Paul Claudel, a poet frequently cited by literary-minded theologians in Europe and theologically-minded poets (such as von Balthasar, de Lubac and Eliot). His writing combines cosmology and history, Bible and metaphysics, liturgy and the drama of human personality. His work, which continues to arouse discussion in France, was acclaimed in his lifetime as the 'summa poetica' of a new Dante. Aidan Nichols' study demonstrates how Claudel's oeuvre, which is not only poetry but theatre and prose including biblical commentaries, constitutes a rich resource for constructive doctrine, liturgical preaching, and theological reflection. As the comparable example of Geoffrey Hill, Professor of Poetry at Oxford suggests, Aidan Nichols illuminates how Claudel's synthesis of many dimensions remains an important way of practising poetry in the Christian tradition today.

A passionate meditation on the consolations and disappointments of religion and poetry

In the nineteenth century there was a definite divide between those who read Coleridge as a religious thinker and those who read him as a poet. Even now, readers and critics find it hard not to consider one aspect of his work to the exclusion of the other. Here David Jasper considers Coleridge as a poet, literary critic, theologian and philosopher, seeing him as occupying a representative place in European and English Romantic thought on poetry, religion and the role of the artist. His earliest writings are closely linked to his mature religious and critical thought, and his greatest poems, ‘Kubla Khan’, ‘The Rime of the Ancient Mariner’ and the ‘Dejection’ Ode, are a necessary prelude to the prose writings of the middle period of Coleridge’s life. Self-reflection upon the processes of creating poetry and art, particularly in the Biographia Literaria, is an important development in Coleridge’s sense of the relation of the finite to the infinite through the inspiration of the poet. Attention to the nature of inspiration, imagination and irony in creative writing leads directly to his later discussions of man’s need of a divine redeemer and the nature of divine revelation. In the later poetry, attention is given to the theme of self-reflection in which spiritual growth is part and parcel of poetic development, each balancing the other. The final part of the book considers Coleridge’s later prose, linking his reflections upon poetry with an epistemology, which he learnt principally from Kant and Fichtee in a discussion of revelation and radical evil. In conclusion, Coleridge’s religious position is summed up through the late, and still unpublished notebooks, and the fragmentary remains of the long-projected Opus Maximum. The last chapter links Coleridge with a more recent debate on the nature of inspiration, poetic and divine, which arises out of Austin Farrer’s Bampton Lectures The Glass of Vision.

Aaron Zeitlin was a living cruse of sacred oil saved from the Holocaust. Wracked by guilt and despair for having survived by chance, Aaron Zeitlin, a Yiddish poet of religious intensity, reconfirmed his faith while memorializing Polish Jewry and his lost family. In Poems of the Holocaust and Poems of Faith, Morris Faierstein succeeds in bringing the reader closer to the unique vision and verse of Zeitlin's afflicted existence. He masterfully illuminates the images and allusions, whether Talmudic, kabalistic or hasidic, that inform and enrich the poetry of Aaron Zeitlin. Faierstein chose the texts he translates with esthetic sensibility and brings across their delicate nuances of insight and emotional challenges. This volume throws open a wholly new area of Jewish poetry, a distinct spiritual perspective and a shared human expression of both the faith and grief of someone faced with the obliteration of his home, family and people. Seth L. Wolitz Gale Chair of Jewish Studies Professor of Comparative Literature University of Texas at Austin This edition of Aaron Zeitlin's Poems of the Holocaust and Poems of Faith introduces the English reader to the work of this remarkable author who embodies the broad culture of Polish Jewry that was virtually annihilated during the Holocaust. Morris Faierstein has done an admirable job in rendering Zeitlin's rich poetry into moving and powerful English, supplemented with annotations to the rich palette of mystical, biblical and religious allusions that illuminate Zeitlin's writing. This is a worthy introduction to the works of a prolific author who collaborated with his younger contemporary, Isaac Bashevis Singer. Prof. Robert Moses Shapiro Judaic Studies Department Brooklyn College of the City University of New York

Poetry was a powerful tool to help poet, Dr. Felicia Vaughn, realign her body, mind and spirit while experiencing a period of burnout which impacted her health and well-being. Her inspirational, compelling and heartfelt collection of poems conveys her journey to be well and reconciled with the LOVER of her soul. As you read each poem, the hope is for you to realize you are not alone in your desire to see yourself and those you love be well in relationships, career, body, emotions, spirituality, and personal growth. Words have the power to encourage, uplift, inspire and heal. May each poem remind you to throw off your busyness so you can reset, reflect and remember what is truly important...LOVE!