Jungian psychology based on a little known treatise he authored in his earlier years.

Christianity, according to Paul Carus, is the "grandchild of ancient paganism," its character predetermined by everything that came before it, growing naturally from preceding ages to become "the fulfilment of the times, the pleroma of the ages." Arguing that Christianity was derived not from Judaism but was the legitimate result of "the religious development of mankind," the author presents his case, in this work first published in 1909, for the "gentile character" of Christianity. While his interpretation may be provocative, his explorations into paganism, Gnostic movements, kindred sects, and the origins of Judaism make this book essential reading for anyone interested in the history of religion. American philosopher and theologian PAUL CARUS (1852-1919) also wrote The Religion of Science (1893), The Gospel of Buddha (1894), and The History of the Devil (1900).

Tracing the genealogy and unfolding of Hegel's thought into his mature works, the author analyzes the violent transformations which Hegel's philosophy has uncovered and caused in the structure of philosophical terms and in the terms under which philosophy is possible.

Archival documents and new writings on Texas-based composer, performer, and visual and video artist, Jerry Hunt. Jerry Hunt (1943-1993) was among the most eccentric figures in the word of late 20th century new music, sometimes described as a shamanic figure with the look of a "Central Texas meat inspector." His works combined video synthesis, early computers, and custom-made sensors with rough hewn sculptures, scores drawn from celestial alphabets, and homemade electronics activated by his signature wands and impassioned gestures. Hunt lived his entire in Texas, between Dallas, Waco, Houston, and Austin, eventually settling in a house he built himself ("an interactive environment") on a ranch in Canton, but his pataphysical, abrasive, and humorous performances took him all over North America and Europe, where he amassed a small but dedicated following. This volume represents the first ever book-length collection devoted to the underknown composer's life and work, and includes an introductory essay by Tyler Maxin and Lawrence Kumpf, interviews with Hunt, detailed analyses of his music and video practices, and short remembrances and reflections on his work. Owing to the diversity of Hunt's practice, this book will be of great interest to scholars, practitioners, and enthusiasts in the fields of contemporary art history and criticism music and sound studies, video and media studies, and performance studies.

INASMUCH as certain men have set the truth aside, and bring in lying words and vain genealogies, which, as the apostle says, “minister questions rather than godly edifying which is in faith,” and by means of their craftily-constructed plausibilities draw away the minds of the inexperienced and take them captive, [I have felt constrained, my dear friend, to compose the following treatise in order to expose and counteract their machinations.] These men falsify the oracles of God, and prove themselves evil interpreters of the good word of revelation. They also overthrow the faith of many, by drawing them away, under a pretence of [superior] knowledge, from Him who rounded and adorned the universe; as if, forsooth, they had something more excellent and sublime to reveal, than that God who created the heaven and the earth, and all things that are therein. By means of specious and plausible words, they cunningly allure the simple-minded to inquire into their system; but they nevertheless clumsily destroy them, while they initiate them into their blasphemous and impious opinions respecting the Demiurge; and these simple ones are unable, even in such a matter, to distinguish falsehood from truth. 2. Error, indeed, is never set forth in its naked deformity, lest, being thus exposed, it should at once be detected. But it is craftily decked out in an attractive dress, so as, by its outward form, to make it appear to the inexperienced (ridiculous as the expression may seem) more true than the truth itself. One far superior to me has well said, in reference to this point, “A clever imitation in glass casts contempt, as it were, on that precious jewel the emerald (which is most highly esteemed by some), unless it come under the eye of one able to test and expose the counterfeit. Or, again, what inexperienced person can with ease detect the presence of brass when it has been mixed up with silver?” Lest, therefore, through my neglect, some should be carried off, even as sheep are by wolves, while they perceive not the true character of these men,-because they outwardly are covered with sheep’s clothing (against whom the Lord has enjoined us to be on our guard), and because their language resembles ours, while their sentiments are very different,—I have deemed it my duty (after reading some of the Commentaries, as they call them, of the disciples of Valentinus, and after making myself acquainted with their tenets through personal intercourse with some of them) to unfold to thee, my friend, these portentous and profound mysteries, which do not fall within the range of every intellect, because all have not sufficiently purged their brains. I do this, in order that thou, obtaining an acquaintance with these things, mayest in turn explain them to all those with whom thou art connected, and exhort them to avoid such an abyss of madness and of blasphemy against Christ. I intend, then, to the best of my ability, with brevity and clearness to set forth the opinions of those who are now promulgating heresy. I refer especially to the disciples of Ptolemaeus, whose school may be described as a bud from that of Valentinus. I shall also endeavour, according to my moderate ability, to furnish the means of overthrowing them, by showing how absurd and inconsistent with the truth are their statements. Not that I am practised either in composition or eloquence; but my feeling of affection prompts me to make known to thee and all thy companions those doctrines which have been kept in concealment until now, but which are at last, through the goodness of God, brought to light. “For there is nothing hidden which shall not be revealed, nor secret that shall not be made known.”

This book focuses on Irenaeus as key to the early Christian appropriation of divine simplicity as a philosophical principle, since he is the first Christian source to explain his usage in relation to God. Beyond providing limits for what a simple God can and cannot mean, he also applies this principle to God’s activity (i.e. creating), and to God’s names and powers. There is a growing interest in the early Christian appropriation of divine simplicity: Simons' study is timely as the first book to focus exclusively on the earliest explanation and application.