A history of plastic products from the late 19th century to the present, in 15 essays and 150 color and black-and-white photographs, mostly of objects in major museums around the world. The text is basically chronological, exploring such topics as industrial design and commercial art, perceptions of plastic, natural and cultural wood, and pop culture. Annotation copyright by Book News, Inc., Portland, OR

“This eloquent, elegant book thoughtfully plumbs the . . . consequences of our dependence on plastics” (The Boston Globe, A Best Nonfiction Book of 2011). From pacemakers to disposable bags, plastic built the modern world. But a century into our love affair, we’re starting to realize it’s not such a healthy relationship. As journalist Susan Freinkel points out in this eye-opening book, we’re at a crisis point. Plastics draw on dwindling fossil fuels, leach harmful chemicals, litter landscapes, and destroy marine life. We’re drowning in the stuff, and we need to start making some hard choices. Freinkel tells her story through eight familiar plastic objects: a comb, a chair, a Frisbee, an IV bag, a disposable lighter, a grocery bag, a soda bottle, and a credit card. With a blend of lively anecdotes and analysis, she sifts through scientific studies and economic data, reporting from China and across the United States to assess the real impact of plastic on our lives. Her conclusion is severe, but not without hope. Plastic points the way toward a new creative partnership with the material we love, hate, and can’t seem to live without. “When you write about something so ubiquitous as plastic, you must be prepared to write in several modes, and Freinkel rises to this task. . . . She manages to render the most dull chemical reaction into vigorous, breathless sentences.” —SF Gate “Freinkel’s smart, well-written analysis of this love-hate relationship is likely to make plastic lovers take pause, plastic haters reluctantly realize its value, and all of us understand the importance of individual action, political will, and technological innovation in weaning us off our addiction to synthetics.” —Publishers Weekly “A compulsively interesting story. Buy it (with cash).” —Bill McKibben, author of The End of Nature “What a great read—rigorous, smart, inspiring, and as seductive as plastic itself.” —Karim Rashid, designer

Plastikmüll ist überall auf unserem Planeten zu finden. Er hinterlässt einen augenscheinlichen Fußabdruck des menschlichen Konsumverhaltens und der Massenproduktion. Unser ungebremster Plastikkonsum und dessen Auswirkungen prägen die gesellschaftlichen Naturverhältnisse in einer so tiefgreifenden Weise, dass wir vom Plastikzeitalter sprechen. Um Ansätze für einen Umgang mit diesem Problem zu entwickeln, müssen wir das Phänomen umfassend verstehen: Die Autor:innen beleuchten es aus interdisziplinärer Perspektive. Sie zeigen, welche Rolle Kunststoffe in unserer Gesellschaft spielen und welche Auswirkungen sie auf die Umwelt und die menschliche Gesundheit haben. https://creativecommons.org/licenses/by-sa/4.0/deed.de

The Plastic Turn offers a novel way of looking at plastic as the defining material of our age and at the plasticity of plastic as an innovative means of understanding the arts and literature. Ranjan Ghosh terms this approach the material-aesthetic and, through this concept, traces the emergence and development of plastic polymers along the same historical trajectory as literary modernism. Plastic's growth as a product in the culture industry, its formation through multiple application and chemical syntheses, and its circulation via oceanic movements, Ghosh argues, correspond with, and offers novel insights into, developments in modernist literature and critical theory. Through innovative readings of canonical modernist texts, analyses of art works, and accounts of plastic's devastating environmental impact, The Plastic Turn proposes plastic's unique properties and destructive ubiquity as a "theory machine" to explain literature and life in the Anthropocene. Introducing several new concepts (like plastic literature, plastic literary, etc.) into critical-humanist discourse, Ghosh enmeshes literature and theory, materiality and philosophy, history and ecology, to explore why plastic as a substance and as an idea intrigues, disturbs, and haunts us.

"(Meikle) traces the course of plastics from 19th-century celluloid and the first wholly synthetic bakelite, in 1907, through the proliferation of compounds (vinyls, acrylics, nylon, etc.) and recent ecological concerns".--PUBLISHERS WEEKLY. Winner of the 1996 Dexter Prize from the Society for the History of Technology and a 1996 CHOICE Oustanding Academic Book. 70 illustrations.

Since the middle of the twentieth century, the development of plastics has been one of the main factors influencing the history of medicine. This development has not only transformed most medical disciplines, it has also made possible the emergence of new medical concepts. Focusing on obstetrics, this first book about the history of medicine in relation to the plastic revolution asks vit al questions about childbirth today-and tomorrow- and demonstrates that this also a turning point in the history of humanity.

"Taking on the Plastics Crisis delivers straightforward advise for getting involved in the global movement to eliminate single-use plastics." -- Booklist, Starred Review "Brief yet inspirational, this story will galvanize youth to use their voices for change."--Kirkus Reviews "Taking on the Plastics Crisis is a sobering and inspiring read by a brilliant young change maker. Now is the time for all of us to come together to solve the plastic pollution crisis."--Ed Begley Jr. (actor and environmental activist) In this personal, moving essay, youth activist Hannah Testa shares with readers how she led a grassroots political campaign to successfully pass state legislation limiting single-use plastics and how she influenced global businesses to adopt more sustainable practices. Through her personal journey, readers can learn how they, too, can follow in Hannah's footsteps and lower their carbon footprint by simply refusing single-use plastics. Pocket Change Collective is a series of small books with big ideas from today's leading activists and artists. In this installment, youth activist Hannah Testa, the founder of Hannah4Change, chronicles both her personal and political mission to save the Earth's oceans by limiting single-use plastic products.