Meet the Plain Janes--artist activists on a mission to wake up their sleepy suburban town. This cult classic graphic novel is perfect for fans of The LumberJanes and Awkward. When artsy misfit Jane Beckles is forced to leave her beloved city life behind for the boring suburb of Kent Waters, she thinks her life is over. But then she finds where she belongs: at the reject table in the cafeteria, along with fellow misfits Brain Jayne, Theater Jane, and sporty Polly Jane. United by only two things-a shared name and frustration with the adults around them--the girls form a secret club dedicated to fighting suburban apathy with guerrilla works of art scattered around their small town. But for Main Jane, the group is more than simple teenaged rebellion; it's an act of survival. She's determined not to let fear rule her life like it does her parents' and neighbors' lives. Armed with her sketchbook and a mission of resistance, the PLAIN Janes are out to prove that passion, bravery, and a group of great friends can save anyone from the hell that is high school. With each installment printed in its own distinct color, this volume includes the original two stories--The Plain Janes and Janes in Love--plus a never-before-seen third story, Janes Attack Back. The Janes are back, and better than ever.

Move over, Charlotte Brontë. The authors of the New York Times bestselling My Lady Jane put an irreverent spin on Jane Eyre—a fantastical tale of mischief, romance, and supernatural mayhem perfect for fans of The Princess Bride or A Gentleman’s Guide to Vice and Virtue. You may think you know the story. Penniless orphan Jane Eyre begins a new life as a governess at Thornfield Hall, where she meets one dark, brooding Mr. Rochester—and, Reader, she marries him. Or does she? Prepare for an adventure of Gothic proportions, in which all is not as it seems, a certain gentleman is hiding more than skeletons in his closets, and one orphan Jane Eyre, aspiring author Charlotte Brontë, and supernatural investigator Alexander Blackwood are about to be drawn together on the most epic ghost hunt this side of Wuthering Heights.

Alternating chapters of prose and comics (illustrated by Eisner Award-winning graphic novelist Nate Powell) are interwoven in Cecil Castelucci's extraordinary YA novel about jealousy and grief, and how they cut us off from the ones we love. Every summer the trucks roll in, bringing the carnival and its infinite possibilities to town. This year Tessa and her younger sister Lulu are un-chaperoned and want to be first in line to experience the rides, the food . . . and the boys. Except this summer, jealousy will invade their relationship for the first time, setting in motion a course of events that can only end in tragedy, putting everyone's love and friendship to the test. Castellucci's deft shifting between straight prose and graphic novel visualize how Tessa processes the events of the summer, seeing herself and her friends as freaks personified by characters from Greek mythology.

"Beaten and left for dead, fourteen-year-old Tula Bane finds herself abandoned on a space station called Yertina Feray after traveling with the colonist group, Children of the Earth"--

Chase Ryder runs Cyberworx, a major company known for their charity work. Jane Dawson is just a waitress in a caf?, but her heart goes beyond panini sandwiches and fresh coffee. Her best friend’s daughter suffers from leukemia, the same disease that took her father’s life. Jane wants to organize a charity event to raise money for the young girl’s treatment, but can she talk a multimillionaire into sparing some money and time for a child he’s never met? She may be just a plain Jane, but she’ll cut right to the Chase for her little princess.

"If beauty is truth, is ugliness falsehood and deception? If all art need concern itself with is beauty, what need have we to explore in our literature the nature and consequences of ugliness?" In Plain and Ugly Janes, Charlotte Wright defines and explores the ramifications of a new character type in twentieth-century American literature, the "ugly woman," whose roots can be traced to the Old Maid/Spinster character of the nineteenth century. During the 1970s, stories began to appear in which the ugly woman is a figure of power-heroic not in the traditional old maid's way of quiet, passive acc

A Time Magazine 100 Best Young Adult Books of All Time Selection "This novel's funny first-person narrative will grab teens (and not just sci-fi fans) with its romance and the screwball special effects."– Booklist Meet Egg. Her real name is Victoria Jurgen, but she's renamed herself after the kick-ass heroine of her favorite sci-fi movie, Terminal Earth. Like her namesake, Egg dresses all in white, colors her eyebrows, and shaves her head. She always knows the right answers, she's always in control, and she's far too busy — taking photos for the school paper, meeting with the Science Fiction and Fantasy Club, and hanging out at the "creature shop" with her dad, the special-effects makeup wizard — to be bothered with friends, much less members of the opposite sex. As far as Egg is concerned, she's boy proof, and she likes it that way. But then Egg meets a boy named Max, a boy who's smart and funny and creative and cool . . . and happens to like Egg. Could this be the end of the world — at least as Egg knows it?