Juan Rulfo is one of the most important writers of twentieth-century Mexico, though he wrote only two books—the novel Pedro Páramo (1955) and the short story collection El llano en llamas (1953). First translated into English in 1967 as The Burning Plain, these starkly realistic stories create a psychologically acute portrait of poverty and dignity in the countryside at a time when Mexico was undergoing rapid industrialization following the upheavals of the Revolution. According to Ilan Stavans, the stories' "depth seems almost inexhaustible: with a few strokes, Rulfo creates a complex human landscape defined by desolation. These stories are lessons in morality. . . . They are also astonishing examples of artistic distillation." To introduce a new generation of readers to Rulfo's unsurpassable literary talents, this new translation repositions the collection as a classic of world literature. Working from the definitive Spanish edition of El llano en llamas established by the Fundación Juan Rulfo, Ilan Stavans and co-translator Harold Augenbram present fresh translations of the original fifteen stories, as well as two more stories that have not appeared in English before—"The Legacy of Matilde Arcángel" and "The Day of the Collapse." The translators have artfully preserved the author's "peasantisms," in appreciation of the distinctive voices of his characters. Such careful, elegiac rendering of the stories perfectly suits Rulfo's Mexico, in which people on the edge of despair nonetheless retain a sense of self, of integrity that will not be taken away.

A major figure in the history of post-Revolutionary literature in Mexico, Juan Rulfo received international acclaim for his brilliant short novel Pedro Páramo (1955) and his collection of short stories El llano en llamas (1953), translated as a collection here in English for the first time. In the transition of Mexican fiction from direct statements of nationalism and social protest to a concentration on cosmopolitanism, the works of Rulfo hold a unique position. These stories of a rural people caught in the play of natural forces are not simply an interior examination of the phenomena of their world; they are written for the larger purpose of showing the actions of humans in broad terms of reality.

Carl Safina has been hailed as one of the top 100 conservations of the 20th century (Audubon Magazine) and A Sea in Flames is his blistering account of the months-long manmade disaster that tormented a region and mesmerized the nation. Traveling across the Gulf to make sense of an ever-changing story and its often-nonsensical twists, Safina expertly deconstructs the series of calamitous misjudgments that caused the Deepwater Horizon blowout, zeroes in on BP’s misstatements, evasions, and denials, reassesses his own reaction to the government’s crisis handling, and reviews the consequences of the leak—and what he considers the real problems, which the press largely overlooked. Safina takes us deep inside the faulty thinking that caused the lethal explosion. We join him on aerial surveys across an oil-coated sea. We confront pelicans and other wildlife whose blue universe fades to black. Safina skewers the excuses and the silly jargon—like “junk shot” and “top kill”—that made the tragedy feel like a comedy of horrors—and highlighted Big Oil’s appalling lack of preparedness for an event that was inevitable. Based on extensive research and interviews with fishermen, coastal residents, biologists, and government officials, A Sea In Flames has some surprising answers on whether it was “Obama’s Katrina,” whether the Coast Guard was as inept in its response as BP was misleading, and whether this worst unintended release of oil in history was really America’s worst ecological disaster. Impassioned, moving, and even sharply funny, A Sea in Flames is ultimately an indictment of America’s main addiction. Safina writes: “In the end, this is a chronicle of a summer of pain—and hope. Hope that the full potential of this catastrophe would not materialize, hope that the harm done would heal faster than feared, and hope that even if we didn’t suffer the absolutely worst—we’d still learn the big lesson here. We may have gotten two out of three. That’s not good enough. Because: there’ll be a next time.”

This work presents Juan Rulfo's cinematic second novel in English for the first time ever alongside several stories never before translated.

What happened in Kirven, Texas, in May 1922 has been forgotten by the outside world. It was only a co-worker's whispered words, "Kirven is where they burned the [Negroes]," that set Monte Akers on a quest to find out what happened and, more important, why. After years of following clues found in old newspaper clippings, NAACP reports, and the memories of the few remaining witnesses who would talk, Akers here pieces together the story of a young white woman's brutal murder and the burning alive of three black men who were almost certainly innocent of it. This was followed by a month-long reign of terror as white men hunted down and killed blacks while local authorities concealed the real identity of the white probable murderers and allowed them to go free. Akers paints a vivid portrait of a community desolated by race hatred and its own refusal to face hard truths.

Her past is coming back to haunt her. His present is haunting him. Callie Pike always considered herself the plain sister—stuck in the middle between beautiful Rory and vivacious Maddie—so she still can’t believe gorgeous perennial bachelor Donny Steel has fallen in love with her. She should be the happiest woman on the planet, and she is…but her nemesis from ten years ago seems intent on destroying her newfound bliss. Donny Steel will do anything to protect his family, even sacrifice his ethics and his own happiness. As much as he loves Callie, he knows he can’t be the man she deserves—not until he solves the mysteries of his family’s past and finds out who shot his father. Though the two erupt in flames whenever they’re together, the secrets they both harbor could destroy any chance for a future together.

David Sedaris's remarkable ability to uncover the hilarious absurdity teeming just below the surface of everyday life is elevated to wilder and more entertaining heights than ever in this new book of stories. Sedaris proceeds from bizarre conundrums of daily life - the etiquette of having a lozenge fall from your mouth into the lap of a fellow passenger or how to soundproof your windows with LP covers against neurotic songbirds - to the most deeply resonant human truths. Taking in the parasitic worm that once lived in his mother-in-law's leg, an encounter with a dingo and the purchase of a human skeleton, and culminating in a brilliant account of his attempt to quit smoking - in Tokyo - David Sedaris's sixth story collection is a fresh masterpiece of comic writing.