Deep foundations are being dug on a City building site when some old brickwork is revealed. Part of it collapses, releasing a gust of air so foul that the men nearby begin to choke and retch. Finally the nauseous stench disperses, and they discover a burial crypt dating back to the Great Plague of London in 1665. But these pits should never be disturbed. When the intruders begin to show horrifying symptoms - fever, nausea, revolting swellings - all will die hideously within five days. The frightened authorities struggle to stop a national crisis. So the victims are isolated, and a cover-up is launched. But one of the men who entered the pit cannot be traced.

Between 1347 and 1350, the Black Death killed at least one third of Europe's population. Philip Ziegler's classic account traces the course of the virulent epidemic through Europe and its dramatic effect on the lives of those whom it afflicted. First published nearly forty years ago, it remains definitive. 'The clarity and restraint on every page produce a most potent cumulative effect.' Michael Foot

A politically sensitive murder is detected amid the chaos of a deadly plague in this “stellar . . . well-crafted” mystery set in Restoration London (Publishers Weekly, starred review). It’s 1665, and the Black Death has London in its hideous grip. It’s bad news for everyone . . . almost. For a mysterious killer, it presents an opportunity to hide a dead body among a city full of them. But as corpses are collected and brought to the burial pit, one of the bodies is revealed to have a knife in its back. When the victim is identified as an agent of the King’s spy network, fixer John Grey is called in to handle the situation—and, above all, locate the sensitive documents the agent had been carrying at the time of his demise. Now Grey must navigate the deadly pestilence as he uncovers a potentially explosive conspiracy.

A fascinating and counterintuitive portrait of the sordid, hidden world behind the dazzling artwork of Michelangelo, Leonardo da Vinci, Botticelli, and more Renowned as a period of cultural rebirth and artistic innovation, the Renaissance is cloaked in a unique aura of beauty and brilliance. Its very name conjures up awe-inspiring images of an age of lofty ideals in which life imitated the fantastic artworks for which it has become famous. But behind the vast explosion of new art and culture lurked a seamy, vicious world of power politics, perversity, and corruption that has more in common with the present day than anyone dares to admit. In this lively and meticulously researched portrait, Renaissance scholar Alexander Lee illuminates the dark and titillating contradictions that were hidden beneath the surface of the period’s best-known artworks. Rife with tales of scheming bankers, greedy politicians, sex-crazed priests, bloody rivalries, vicious intolerance, rampant disease, and lives of extravagance and excess, this gripping exploration of the underbelly of Renaissance Italy shows that, far from being the product of high-minded ideals, the sublime monuments of the Renaissance were created by flawed and tormented artists who lived in an ever-expanding world of inequality, dark sexuality, bigotry, and hatred. The Ugly Renaissance is a delightfully debauched journey through the surprising contradictions of Italy’s past and shows that were it not for the profusion of depravity and degradation, history’s greatest masterpieces might never have come into being.

From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is revealed as one giant grave, filled with the remains of previous eras -- pagan, Roman, medieval, Victorian. This fascinating blend of archaeology, architecture and anecdote includes such phenomena as the rise of the undertaking trade and the pageantry of state funerals; public executions and bodysnatching. Ghoulishly entertaining and full of fascinating nuggets of information, Necropolis leaves no headstone unturned in its exploration of our changing attitudes to the deceased among us. Both anecdotal history and cultural commentary, Necropolis will take its place alongside classics of the city such as Peter Ackroyd's LONDON.

The first instalment of a captivating trilogy set against the backdrop of the English Civil War.