A little over a century ago, bubonic plague--the same Black Death that decimated medieval Europe--arrived on the shores of Hawaii just as the islands were about to become a U.S. territory. In this absorbing narrative, James Mohr tells the story of that fearful visitation and its fiery climax--a vast conflagration that engulfed Honolulu's Chinatown. Mohr tells this gripping tale largely through the eyes of the people caught up in the disaster, from members of the white elite to Chinese doctors, Japanese businessmen, and Hawaiian reporters. At the heart of the narrative are three American physicians--the Honolulu Board of Health--who became virtual dictators when the government granted them absolute control over the armed forces and the treasury. The doctors soon quarantined Chinatown, where the plague was killing one or two people a day and clearly spreading. They resisted intense pressure from the white community to burn down all of Chinatown at once and instead ordered a careful, controlled burning of buildings where plague victims had died. But a freak wind whipped one of those small fires into a roaring inferno that destroyed everything in its path, consuming roughly thirty-eight acres of densely packed wooden structures in a single afternoon. Some 5000 people lost their homes and all their possessions and were marched in shock to detention camps, where they were confined under armed guard for weeks. Next to the attack on Pearl Harbor in 1941, the Chinatown fire is the worst civic disaster in Hawaiian history. A dramatic account of people struggling in the face of mounting catastrophe, Plague and Fire is a stimulating and thought-provoking read.

The theatre of early modern England was a disastrous affair. What we tend to remember of the Shakespearean stage and its history are landmark moments of dissolution. This title is a study of these catastrophes and the theory of performance they convey.

A detailed history of two disasters that befell London, England: the Great Plague of 1665 in which it is estimated that at least 70,000 died, and the Great Fire of 1666, which destroyed four-fifths of the city.

“Like Dr. Frankenstein’s invented creature, the larger-than-life, flesh-and-blood characters of London Bridge in Plague and Fireare made from pieces of the dead past that are forged in the consciousness of an historian—himself a creation of history and of David Madden’s literary magic. Struck by the lightning bolt of the co-joined imaginations of Madden and his reader, the fabricated beings rise up and walk on London Bridge, and they have the audacity to speak for themselves in completely convincing and haunting voices.” —Allen Wier, author of Tehano For more than two thousand years, Old London Bridge evolved through many fragile wooden forms until it became the first bridge built of stone since the Roman invaders. With over two hundred houses and shops built directly upon the bridge, it was a wonder of the world until it was dismantled in 1832. In this stunningly original novel, Old London Bridge is as much a living, breathing character as its architect, the priest Peter de Colechurch, who began work on it in 1176, partly to honor Archbishop Thomas à Becket, murdered in Canterbury Cathedral. In 1665, the year of the Great Plague, Peter’s history is unknown, but Daryl Braintree, a young poet living on the bridge, resurrects him through inspired flights of imagination. As Daryl chronicles the history of the bridge and composes poems about it, he reads his work to his witty mistress, who prefers making love. Among other key characters is Lucien Redd, who as a boy was sexually brutalized by both Puritans and Cavaliers during the English Civil War before being kidnapped off London Bridge onto a merchant ship. Thus traumatized, he aspires to become Lucifer’s most evil disciple. Twenty years later, young Morgan Wood is forced into seafaring service to pay off his father’s debts; and, compelled by obsessive nostalgia for his early life on the bridge, he keeps a journal. Joining Morgan aboard ship, Lucien “befriends” him—to devastating effect. The shops and houses on the bridge survive both the Great Plague and Great Fire, believed to be God’s wrath upon sinful London. Fearing that God may next destroy the bridge and its eight hundred denizens, seven of its merchant leaders revert to a pagan appeasement ritual by selecting one of their virgin daughters for sacrifice. To enact their plan, they hire Lucien, who has returned to the bridge to burn it out of pure meanness. But as Lucien discovers, the chosen victim may be more Lucifer’s favorite than he is. Like his creation Daryl Braintree, David Madden employs diverse innovative ways to tell this complex, often shocking, but also lyrical story. The author of ten novels—including The Suicide’s Wife, Bijou, and most recently, Abducted by Circumstance and Sharpshooter—Madden has, with London Bridge in Plague and Fire, given us the most ambitious and imaginative work of his distinguished career.

2020 began with firestorms raging through the country, followed by floods, and then a global pandemic that has changed how Australians think, feel and live. We all experienced this year differently, but one thing rings true for all of us: this is a year we won’t forget. This anthology brings together original work from a diverse collection of Australian voices, from writers to scientists, journalists to historians, all expressing what 2020 meant to them. They write of ash falling from the sky, fish dying on riverbanks, loved ones lost, loved ones reunited, the historical resonance of fire and plague for Indigenous Australians, geopolitical tensions, the changed nature of travel, friendships rekindled on Zoom, the urgency of the Black Lives Matter movement, the state of the arts and the media, the importance of nurturing our inner lives, communities destroyed and communities rebuilding. FIRE FLOOD PLAGUE is a vital cultural record of the resilience and humanity needed in these extraordinary times. Including original pieces from Lenore Taylor, Nyadol Nuon, Christos Tsiolkas, Melissa Lucashenko, Billy Griffiths, Jess Hill, Kim Scott, Brenda Walker, Jane Rawson, Omar Sakr, Richard McGregor, Jennifer Mills, Gabrielle Chan, John Birmingham, Tim Flannery, Rebecca Giggs, Kate Cole-Adams, George Megalogenis, James Bradley, Alison Croggon, Melanie Cheng, Kirsten Tranter, Tom Griffiths, Joëlle Gergis and Delia Falconer.

A Plague on Your Houses is a scorching indictment of the decision to close fire companies in New York in the 1970s and a frightening study of the way misguided and malevolent social policy can spark a chain reaction of enormous and unforeseen urban collapse.