Louisbourg, France's impressive fortress on Cape Breton Island's foggy Atlantic coast, dominated access to the St. Lawrence and colonial New France for forty years in the mid-eighteenth century. In 1755, Great Britain and France stumbled into the French and Indian War, part of what (to Europe) became the Seven Years' War—only for British forces to suffer successive defeats. In 1758, Britain and France, as well as Indian nations caught in the rivalry, fought for high stakes: the future of colonial America. Hugh Boscawen describes how Britain's war minister William Pitt launched four fleets in a coordinated campaign to prevent France from reinforcing Louisbourg. As the author shows, the Royal Navy outfought its opponents before General Jeffery Amherst and Brigadier James Wolfe successfully led 14,000 British regulars, including American-born redcoats, rangers, and carpenters, in a hard-fought assault landing. Together they besieged the fortress, which surrendered after forty-nine days. The victory marked a turning point in British fortunes and precipitated the end of French rule in North America. Boscawen, an experienced soldier and sailor, and a direct descendant of Admiral the Hon. Edward Boscawen, who commanded the Royal Navy fleet at Louisbourg, examines the pivotal 1758 Louisbourg campaign from both the British and French perspectives. Drawing on myriad primary sources, including previously unpublished correspondence, Boscawen also answers the question "What did the soldiers and sailors who fought there do all day?" The result is the most comprehensive history of this strategically important campaign ever written.

This book contains a series of essays on different aspects of Irish painter James Barry's monumental cycle of paintings 'The Progress of Human Knowledge', in the Great Room of the Royal Society of Arts. Barry's work is debated in the context of wider issues such as nationalism and improvement and publicity and patronage.

An international team of specialists examine the dynamic relation between women and the public sphere.

Published to accompany a major exhibition celebrating the 250th birthday of the British Museum, a portrait of London in 1753 reveals the city's life through its objects--prints and coins, paintings and trade cards, pub signs and drawings--and explores the characteristics and idiosyncracies of London in three essays by leading scholars.

In the last decade, scholarship has highlighted the significance of the Seven Years War for the destiny of Britain's Atlantic empire. This major 2001 study offers an important perspective through a vivid and scholarly account of the regular troops at the sharp end of that conflict's bloody and decisive American campaigns. Sources are employed to challenge enduring stereotypes regarding both the social composition and military prowess of the 'redcoats'. This shows how the humble soldiers who fought from Novia Scotia to Cuba developed a powerful esprit de corps that equipped them to defy savage discipline in defence of their 'rights'. It traces the evolution of Britain's 'American Army' from a feeble, conservative and discredited organisation into a tough, flexible and innovative force whose victories ultimately won the respect of colonial Americans. By providing a voice for these neglected shock-troops of empire, Redcoats adds flesh and blood to Georgian Britain's 'sinews of power'.