DigiCat Publishing presents to you this special edition of "The Picts and The Martyrs: or, Not Welcome at All" by Arthur Ransome. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Jibbooms and bobstays! Those two Blackett sisters are back at it again, and Nancy is right there in the thick of it. Their mother (doubtless suffering from exhaustion) has gone off sailing in the North Sea with Captain Flint on a rest cure, but she has allowed her two daughters to stay a fortnight at Beckfoot on the lakeshore with their trusty cook. She's also permitted their two old friends, Dick and Dorothea Callum, to come up for a visit. But when their redoubtable Great Aunt (aka G. A.) hears of their abandonment, she's horrified and off on the next train. The Amazons are dismayed; not only will their solo holiday be ruined but now they'll have to hide their two guests in the woods in an abandoned shepherd's cottage (where they'll be forced to live off the land like savages, ergo "The Picts") while they'll be required to dress up in white pinafores, practice the pianoforte, and recite reams of parlor poetry aloud (ergo "The Martyrs"). Not much stretch here; no one dares trifle with the G.A. As usual with Ransome, the fun is gentle, the action nonstop, and the instructions on everything from tickling trout to setting anchors are precise and informed. Even the formidable maiden aunt proves to have virtues, not the least of which is her ability to say she's sorry. This is the eleventh title in a beloved series that have endeared themselves to three generations of readers, books as credible today as when Ransome penned them on the shores of his beloved Lake District in the 1930s.

Roman i 12 bd. om "The swallows", fire søskende, der er opkaldt efter deres båd. Sammen oplever disse børn en masse spændende ting

This book explores the power of the map in fiction and its centrality to meaning, from Treasure Island to Winnie-the-Pooh.

In 1929, Arthur Ransome (1884-1967), a journalist and war correspondent who was on the books of MI6, turned his hand to writing adventure stories for children. The result was Swallows and Amazons and eleven more wonderful books followed, spanning inpublication the turbulent years from 1930 to 1947. They changed the course of children's literature and have never been out of print since. In them, Ransome creates a world of escape so close to reality that it is utterly believable, a world in which things always turn out right in the end. Yet Swallows, Amazons and Coots shows that, to be properly appreciated today, the novels must be read as products of their era, inextricably bound up with Ransome's life and times as he bore witness to the end of Empire and the dark days of the Second World War. In the first critical book devoted wholly to the series, Julian Lovelock explores each novel in turn, offering an erudite assessment of Ransome's creative process and narrative technique, and highlighting his contradictory politics, his defence of rural England, and his reflections on colonialism and the place of women in society. Thus Lovelock demonstrates convincingly that, despite first appearances, the novels challenge as much as reinforce the pervading attitudes of their time.Written with a lightness of touch and enlivened by Ransome's own illustrations, Swallows, Amazons and Coots is both fresh and nostalgic. It will appeal to anyone who has enjoyed the world of Swallows and Amazons, and there is plenty here to challenge both the student and the Ransome enthusiast.