More than 200 black and white photographs.

In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South--from South Carolina to Arkansas--to document the living conditions of the sharecropper. Their collaboration resulted in You Have Seen Their Faces, a graphic portrayal of America's desperately poor rural underclass. First published in 1937, it is a classic comparable to Jacob Riis's How the Other Half Lives, and James Agee and Walker Evans's Let Us Now Praise Famous Men, which it preceded by more than three years. Caldwell lets the poor speak for themselves. Supported by his commentary, they tell how the tenant system exploited whites and blacks alike and fostered animosity between them. Bourke-White, who sometimes waited hours for the right moment, captures her subjects in the shacks where they lived, the depleted fields where they plowed, and the churches where they worshipped.

This is the story of the internationally acclaimed American woman Margaret Bourke-White, who for over thirty years made photographic history: as the first photographer to see the artistic and storytelling possibilities in American industry, as the first to write social criticism with a lens, and as the most distinguished and venturesome foreign correspondent-with-a-camera to report wars, politics and social and political revolution on three continents. In this poignant autobiography, Bourke-White details her fight against Parkinson’s disease, and recounts tales of her struggles to master her art and craft, of photographing Stalin, Gandhi and many other notables, of being torpedoed off North Africa while reporting World War II, of flying combat missions, of photographing the dread murder camps of Nazi Germany, of touring Tobacco Road to produce the book You Have Seen Their Faces with Erskine Caldwell (whom she later married), of adventures—and wonderful picture-taking—in the mines of South Africa, in the frozen North, in war-torn Korea. Illustrated throughout with over 70 of Margaret Bourke-White’s fine photographs, this is the great life story of a great American, greatly yet modestly told.

The daring and passionate life of photographer Margaret Bourke-White — the first female war photojournalist in World War II and the first female photographer for Life magazine — is captured in this historical novel. Growing up, Margaret Bourke-White intended to become a herpetologist, but while she was still in college, her interest in nature changed to a fascination with photography. As her skill with a camera grew, her focus widened from landscapes architecture to shots of factories, trains, and bridges. Her artist's eye sharpened to see patterns and harsh beauty where others saw only chaos and ugliness. Totally dedicated to her work, and driven by her ambition to succeed, she eventually became a well-known and sought after photographer, traveling all over the United States and Europe. A comprehensive author's note provides additional information to round out readers' understanding of this fascinating and inspiring historical figure.

Once one of the most famous and glamorous women in America, Margaret Bourke-White was a celebrated photographer. In her long and diverse career, spanning the 1920s through the 1950s, she covered landmark events of the twentieth century. Dining with dictators, flying on bombing missions, recording the birth of new nations, she courageously took on every challenge. She loved her work, and no assignment was too difficult. This book presents a fresh look into the exciting life and career of a pioneering female photojournalist whose work rose to the level of art. Chronicling her early life, the book discusses Bourke-White's close relationship with her father -- an inventor who was also interested in photography -- and her love of nature. It then goes on to explore her college years, her use of soft-focus, her industrial photographs, and her eventual assignments for major magazines. As Bourke-White's jobs took her across the United States and around the world, she created compassionate records of the poverty in the American South, the Nazi concentration camps, the caste system in India, and racism in South Africa. Her driving ambition to succeed in a male-dominated field continually placed her in adventurous and dangerous situations, and ultimately led her to become the first female photographer for Fortune and Life, the first woman accredited as a war photographer, and the first woman to fly on a bombing mission. Drawing on first-hand research, including interviews with those who knew Bourke-White, and illustrated with more than fifty of her photographs as well as archival images of Bourke-White and her family and friends, this new biography presents a moving introduction to a legendaryphotographer whose work is as meaningful today as when it was first published.

As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White's photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.

Profiles the life of the photojournalist who was an original staff photographer for "Life" magazine and a war correspondent during World War II.