While nothing can equal or replace the adventure in reading ; Tolkienಙs masterwork, The Lord of the ; Rings, Peter Kreeft says that the journey into its ; underlying philosophy can be another exhilarating ; adventure. Thus, Kreeft takes the reader on a voyage ; of discovery into the philosophical bones of Middle earth. ; He organizes the philosophical themes in The Lord of the ; Rings into 50 categories, accompanied by over 1,000 ; references to the text of Lord.Since many of the great ; questions of philosophy are included in the 50-theme ; outline, this book can also be read as an engaging ; introduction to philosophy. For each of the philosophical ; topics in Lord, Kreeft presents tools by which they can be ; understood. Illustrated.

While nothing can equal or replace the adventure in reading Tolkien's masterwork, The Lord of the Rings, Peter Kreeft says that the journey into its underlying philosophy can be another exhilarating adventure. Thus, Kreeft takes the reader on a voyage of discovery into the philosophical bones of Middle earth. He organizes the philosophical themes in The Lord of the Rings into 50 categories, accompanied by over 1,000 references to the text of Lord.Since many of the great questions of philosophy are included in the 50-theme outline, this book can also be read as an engaging introduction to philosophy. For each of the philosophical topics in Lord, Kreeft presents tools by which they can be understood. Illustrated.

The Lord of the Rings is intended to be applicable to the real world of relationships, religion, pleasure, pain, and politics. Tolkien himself said that his grand tale of wizards, orcs, hobbits, and elves was aimed at truth and good morals in the actual world. Analysis of the popular appeal of The Lord of the Rings (on websites and elsewhere) shows that Tolkien fans are hungry for discussion of the urgent moral and cosmological issues arising out of this fantastic epic story. Can political power be wielded for good, or must it always corrupt? Does technology destroy the truly human? Is it morally wrong to give up hope? Can we find meaning in chance events? In The Lord of the Rings and Philosophy, seventeen young philosophy professors, all of them ardent Tolkien fans and most of them contributors to the four earlier volumes in the Popular Culture and Philosophy series, address some of these important issues and show how clues to their solutions may be found in the imaginary world of Middle-earth. The book is divided into five sections, concerned with Power and the Ring, the Quest for Happiness, Good and Evil in Middle-earth, Time and Mortality, and the Relevance

"Peter Kreeft takes the reader on a voyage of discovery into the philosophical bones of Middle earth. Like a good concordance, this book organizes the philosophical themes in The Lord of the Rings into 50 categories, accompanied by over 1,000 references to the text." "Since many of the great questions of philosophy are included in the 50-theme outline, this book can also be read as an introduction to philosophy. For each of the philosophical topics in The Lord of the Rings, Kreeft presents four tools by which they can be understood: an explanation of a key question; a key quotation showing Tolkien's answer; quotes from other writings of Tolkien that clarify the theme; and quotes from his close friend C. S. Lewis, which state the same philosophical points directly."--BOOK JACKET.

A philosophical exploration of J.R.R. Tolkien's beloved classic—just in time for the December 2012 release of Peter Jackson's new film adaptation, The Hobbit: An Unexpected Journey J.R.R. Tolkien's The Hobbit is one of the best-loved fantasy books of all time and the enchanting "prequel" to The Lord of the Rings. With the help of some of history's great philosophers, this book ponders a host of deep questions raised in this timeless tale, such as: Are adventures simply "nasty, disturbing, uncomfortable things" that "make you late for dinner," or are they exciting and potentially life-changing events? What duties do friends have to one another? Should mercy be extended even to those who deserve to die? Gives you new insights into The Hobbit's central characters, including Bilbo Baggins, Gandalf, Gollum, and Thorin and their exploits, from the Shire through Mirkwood to the Lonely Mountain Explores key questions about The Hobbit's story and themes, including: Was the Arkenstone really Bilbo's to give? How should Smaug's treasure have been distributed? Did Thorin leave his "beautiful golden harp" at Bag-End when he headed out into the Wild? (If so, how much could we get for that on eBay?) Draws on the insights of some of the world's deepest thinkers, from Confucius, Plato, and Aristotle to Immanuel Kant, William Blake, and contemporary American philosopher Thomas Nagel From the happy halls of Elrond's Last Homely House to Gollum's "slimy island of rock," this is a must read for longtime Tolkien fans as well as those discovering Bilbo Baggins and his adventures "there and back again" for the first time.

"Tolkien and Philosophy" is a theme that has not yet been studied with the "philological" accuracy and the textual knowledge that are required to avoid squeezing the Professor's works inside conceptual frameworks that, rather than exposing their intrinsic value, risk losing both their profound meaning and their inherent beauty. What is the relationship between Tolkien's work and Philosophy? The question, if taken seriously, is by no means trivial. For these reasons we wish this book to become, in both method and content, an essential point of reference for anyone interested in better understanding the significant elements that sometimes link, sometimes divide, the "philologist" Tolkien from proper speculative philosophy.

This book invites readers into Tolkien’s world through the lens of a variety of philosophers, all of whom owe a rich debt to the Neoplatonic philosophical tradition. It places Tolkien’s mythology against a wider backdrop of Catholic philosophy and asks serious questions about the nature of creation, the nature of God, what it means to be good, and the problem of evil. Halsall sets Tolkien alongside both his contemporaries and ancient authors, revealing his careful use of literary devices inspired by them to craft his own “mythology for England.”