This is a lively, freshly invited collection of papers by a number of well-known philosophers and other specialists who have focused very pointedly on certain central conceptual puzzles posed by the general practice of interpretation in the arts, literature, history, and the natural and human sciences. The collection gives very nearly the impression of a sustained debate.

This volume collects twenty-one original essays that discuss Michael Krausz’s distinctive and provocative contribution to the theory of interpretation. At the beginning of the book Krausz offers a synoptic review of his central claims, and he concludes with a substantive essay that replies to scholars from the United States, England, Germany, India, Japan, and Australia. Krausz’s philosophical work centers around a distinction that divides interpreters of cultural achievements into two groups. Singularists assume that for any object of interpretation only one single admissible interpretation can exist. Multiplists assume that for some objects of interpretation more than one interpretation is admissible. A central question concerns the ontological entanglements involved in interpretive activity. Domains of application include works of art and music, as well as literary, historical, legal and religious texts. Further topics include truth commissions, ethnocentrism and interpretations across cultures.

This book by one of Europe's foremost contemporary philosophers is a concise and lucidly argued account of the meaning of hermeneutics for philosophy today. Vattimo argues that hermeneutics, understood in a general sense, has had a pervasive influence on contemporary philosophy and social thought. But its very generality is also a symptom of its malaise, for it threatens to leave hermeneutics empty of significance and wedded to a shallow relativism. In response to this danger, Vattimo proposes a radicalization of the relation of hermeneutics to its own historical roots in modernity and a rethinking of the relation between hermeneutics and nihilism - which involves, in Vattimo's account, a weakening of the strong structures of being, reality, subjectivity and above all, truth. Vattimo develops a new interpretation of hermeneutics that dispenses with the traditional bias toward aesthetic experience. His radical interpretation breaks the link between hermeneutics and metaphysical humanism, challenges the traditional opposition of the natural and human sciences, and opens new perspectives on ethics, art and religion. Beyond Interpretation will be welcomed by students and researchers in philosophy and social theory.

Containing thirteen articles, this book makes the case to philosophers that popular culture is worthy of their attention. It considers popular art forms such as movies, television shows, comic books, children's stories, photographs, and rock songs.

Thanks to their heterogeneity, the nine essays in this volume offer a clear testimony of Donald Davidson's authority, and they undoubtedly show how much his work - even if it has raised many doubts and criticisms - has been, and still is, highly influential and significant in contemporary analytical philosophy for a wide range of subjects. Moreover, the various articles not only critically and carefully analyze Davidson's theses and arguments (in particular those concerning language and knowledge), but they also illustrate how such theories and ideas, despite their unavoidable difficulties, are still alive and potentially fruitful. Davidon's work is indeed an important and provocative starting point for discussing the future progress of philosophy.

Art and Interpretation is a comprehensive anthology of readings on aesthetics. Its aim is to present fundamental philosophical issues in such a way as to create a common vocabulary for those from diverse backgrounds to communicate meaningfully about aesthetic issues. To that end, the editor has provided selections from a wide variety of challenging works in aesthetic theory, both classical and modern. The approach is often cross-disciplinary. Within the discipline of philosophy it seeks to balance readings from the analytic tradition with continental European, hermeneutical postmodern (including deconstructionist), and feminist readings. The anthology is thus broadly conceived, but by grouping the readings into sections such as ‘Expression and Aesthetic object,’ ‘Psychology and Interpretation,’ ‘Marxist Theory,’ and ‘Culture, Gender, and Difference,’ it aims as well to provide depth of coverage for each topic or issue. The book opens with a historical section containing substantial selections from Plato, Aristotle, Hume, Kant, Shelley and Nietzsche; these readings introduce themes that recur and are developed in the remainder of the anthology.

Whether the interpretations made by social scientists of the thoughts, utterances and actions of other people, including those from an alien culture or a different period in history, are objectively correct, whether the forms of explanation they employ conform to those of the natural sciences, and whether values have a role in arriving at the theory that delivers the interpretations, are the main questions addressed by the contributors to this volume. Of particular importance in the discussion of the issues are developments in the philosophy of language and mind. The eight essays converge on the themes of intentionality, realism and theory choice, reflecting the amount of attention being given to these matters when this book was first published in 1980. Together they make a distinguished contribution to discussion in the area and serve to underline the importance of intellectual collaboration on such discussion between philosophy and the social sciences.