The inner circle of the philosophers of Pavi Bujdam are a close group of friends who include a renowned artist, a mathematician, musicians, dancers, theologians and an astrologer, who all live with the great philosophical question of what lies beyond the mere surrounding their almost trouble-free land. In their meetings together they are always exploring their philosophies, an exploration in which the reader is invited to share in the form of the entertainment of the story. In a setting of symbolism and literary device, through the storytelling in The Philosophers and the Mere we tacitly meet Buddhism, ancient Greek philosophy, the Hindu Puranas, Renaissance Neoplatonism, Christianity, the subject matter of great paintings by Poussin and Botticelli, and even the deep philosophical questions of modern physics, all in an original, progressively poetical setting. The tenor of The Philosophers and the Mere is outside the mould of ordinary stories of troubles and strife in personal affairs of human love and relationships. In The Philosophers and the Mere such trouble regularly appears only in the annual masquerade which takes place at the Mereage, the most beautiful part of Pavi Bujdam in which all the friends live. As the story progresses, the philosophy of the friends begins to come to life. In the language of Mythic Symbolism the very landscape of the tale itself undergoes its own metamorphosis. Its final unfolding reveals a post-contemporary myth within whose fabric is woven a message about love and human existence.

'In this witty and entertaining excursion through previously unchartered areas of the world of Pooh, John Tyerman Williams sets out to prove beyond a doubt that the whole of Western philosophy - from the cosmologists of ancient Greece to existentialism in this century - may be found in Winnie-the-Pooh and The House at Pooh Corner. This book confirms what many have long suspected: that Pooh is a Bear of Enormous Brain

In this book a team of expert academics trained in mathematics, engineering, philosophy, physical anthropology, physics, astrophysics, biology and more investigate the prospects for intelligent design. Edited by William Dembski.

It seems reasonable to believe that there might have existed things other than those that in fact exist, or have existed. But how should we understand such claims? Standard semantic theories exploit the Leibnizian metaphor of a set of all possible worlds: a proposition might or must be true if it is true in some or all possible worlds. The actualist, who believes that nothing exists except what actually exists, prefers to talk of possible states of the world, or of ways that a world might be. But even the actualist still faces the problem of explaining what we are talking about when we talk about the domains of other possible worlds. In Mere Possibilities, Robert Stalnaker develops a framework for clarifying this problem, and explores a number of actualist strategies for solving it. Some philosophers have hypothesized a realm of individual essences that stand as proxies for all merely possible beings. Others have argued that we are committed to the necessary existence of everything that does or might exist. In contrast, Mere Possibilities shows how we can make sense of ordinary beliefs about what might and must exist without making counterintuitive metaphysical commitments. The book also sheds new light on the nature of metaphysical theorizing by exploring the interaction of semantic and metaphysical issues, the connections between different metaphysical issues, and the nature of ontological commitment.

Religion within the Boundaries of Mere Reason is a key element of the system of philosophy which Kant introduced with his Critique of Pure Reason, and a work of major importance in the history of Western religious thought. It represents a great philosopher's attempt to spell out the form and content of a type of religion that would be grounded in moral reason and would meet the needs of ethical life. It includes sharply critical and boldly constructive discussions on topics not often treated by philosophers, including such traditional theological concepts as original sin and the salvation or 'justification' of a sinner, and the idea of the proper role of a church. This volume presents it and three short essays that illuminate it in new translations by Allen Wood and George di Giovanni, with an introduction by Robert Merrihew Adams that locates it in its historical and philosophical context.

This book is an invitation to read poetry. Simon Critchley argues that poetry enlarges life with a range of observation, power of expression and attention to language that eclipses any other medium. In a rich engagement with the poetry of Wallace Stevens, Critchley reveals that poetry also contains deep and important philosophical insight. Above all, he agues for a 'poetic epistemology' that enables us to think afresh the philosophical problem of the relation between mind and world, and ultimately to cast the problem away. Drawing astutely on Kant, the German and English Romantics and Heidegger, Critchley argues that through its descriptions of particular things and their stubborn plainness - whether water, guitars, trees, or cats - poetry evokes the 'mereness' of things. It is this experience, he shows, that provokes the mood of calm and releases the imaginative insight we need to press back against the pressure of reality. Critchley also argues that this calm defines the cinematic eye of Terrence Malick, whose work is discussed at the end of the book.