An action-packed, high concept, time-travelling adventure. Full of animal magic and with an epic wolf character. Linked to a website with ‘Meet the Character’ profiles, book excerpt and background stories

*Includes pictures. *Includes historic accounts that describe the Lighthouse. *Explains the debates over how the lighthouse was built and operated, and how it was destroyed. *Includes a bibliography for further reading. "At the harbor of Alexandria stands the tower called Pharos, the first wonder. It is held together by glass and lead and is 600 yards high" - Epiphanius the Monk "The Pharos today is composed of four stages. The first, of a rectangular design, is remarkably built in rectangular cut stones, of which the joints are so well concealed that the whole seems to be formed of a single block of stone, remaining insensible to the ravages of time." - Al Bakri, a medieval traveler and writer. Over 2,000 years ago, two ancient writers named Antipater of Sidon and Philo of Byzantium authored antiquity's most well known tour guides. After the two Greeks had traveled around the Mediterranean, they wrote of what they considered to be the classical world's greatest construction projects. While there is still some question as to who actually authored the text attributed to Philo and when it was authored, their lists ended up comprising the Seven Wonders of the Ancient World, igniting interest in the ones they chose and inspiring subsequent generations to identify their own era's Seven Wonders. The youngest of the Wonders also turned out to be the most practical and one of the longest-lived, surviving into the late Middle Ages. It was a lighthouse built on the northern coast of Egypt in Africa, at the Greek city founded in Alexander's name. It was the Pharos, the Great Lighthouse of Alexandria. Among antiquity's wonders, the Lighthouse of Alexandria was fairly unique both in terms of its purpose and its secular nature. While pyramids and statues served religious purposes in Egypt and Greece, and others were impressive works of art, the origins of the Lighthouse were not even as a lighthouse at all. Instead, the large formation on the island of Pharos in the harbor of Alexandria was originally meant to help sailors identify the location of the city during the day, and some speculate it was not until later that Alexandrians decided to make it a true lighthouse that would serve sailors at night. Julius Caesar himself noted the Lighthouse's other practical use in his commentaries about Rome's civil wars: "Now because of the narrowness of the strait there can be no access by ship to the harbour without the consent of those who hold the Pharos. In view of this, Caesar took the precaution of landing his troops while the enemy was preoccupied with fighting, seized the Pharos and posted a garrison there. The result was that safe access was secured for his...supplies and reinforcements." It's easy to understand Caesar's point, because while there is still debate over its height, the Lighthouse of Alexandria was unquestionably one of the tallest man-made structures in the world at the time, if not the tallest. While ancient accounts often exaggerated its height, medieval Arab sources often claimed it was somewhere around 300-350 feet tall, with an incredibly wide base, and those sources wrote at a time where it had already required repairs due to earthquake damage. Efforts to repair it kept going until the 14th century, when the damage was so extensive that it was mostly left in ruins, the last of which were taken for other building projects and/or slipped underneath the Mediterranean. Fortunately, due to descriptions of the lighthouse and archaeological remains, modern scholars are able to understand this wonder better than most, and there may even be future attempts to build a replica and bring it back to life. The Lighthouse of Alexandria covers the ancient wonder's history and the mysteries surrounding it, including the debate over how it was built, operated, and destroyed. Along with pictures and a bibliography, you will learn about the Lighthouse of Alexandria like never before.

This comprehensive and insightful book brings scientific rigor to the problems of reconstructing the Pharos Lighthouse, one of the Seven Wonders of the Ancient World, and understanding how it functioned as the archetypal lighthouse in antiquity, when it was described as a “second Sun”. Conceived by Alexander the Great and designed by Sostratus, the Pharos lighthouse stood as an iconic landmark of Alexandria for sixteen centuries until felled by a calamitous earthquake in the fourteenth century. The study of this great lighthouse has been neglected relative to other ancient Wonders such as the Great Pyramid of Giza. This book reconstructs the tower, its lustrous light, stunning statues and astounding story in diligent detail through archaeological evidence and surviving antique texts and images, providing a fresh evaluation of the Pharos, its history, and its legacy. The Roman writer Achilles Tatius termed the Pharos a “second Sun”; this expression is explained and explored here for the first time, and has dramatic implications for the nature of the Pharos’ light. The volume also explores how the creation of the Pharos was a key stimulus for Alexandrian science and astronomy in antiquity. The Pharos Lighthouse in Alexandria provides a fascinating new study of this monument of interest to students and scholars of Hellenistic art, architecture, and science, and readers seeking to learn more about one of the Seven Wonders of the Ancient World.

A short history of nearly everything classical. The foundations of the modern world were laid in Alexandria of Egypt at the turn of the first millennium. In this compulsively readable narrative, Justin Pollard and Howard Reid bring one of history's most fascinating and prolific cities to life, creating a treasure trove of our intellectual and cultural origins. Famous for its lighthouse, its library-the greatest in antiquity-and its fertile intellectual and spiritual life--it was here that Christianity and Islam came to prominence as world religions--Alexandria now takes its rightful place alongside Greece and Rome as a titan of the ancient world. Sparkling with fresh insights on science, philosophy, culture, and invention, this is an irresistible, eye- opening delight.

Michael Livingston's The Shards of Heaven reveals the hidden magic behind the history we know, and commences a war greater than any mere mortal battle Julius Caesar is dead, assassinated on the senate floor, and the glory that is Rome has been torn in two. Octavian, Caesar's ambitious great-nephew and adopted son, vies with Marc Antony and Cleopatra for control of Caesar's legacy. As civil war rages from Rome to Alexandria, and vast armies and navies battle for supremacy, a secret conflict may shape the course of history. Juba, Numidian prince and adopted brother of Octavian, has embarked on a ruthless quest for the Shards of Heaven, lost treasures said to possess the very power of the gods-or the one God. Driven by vengeance, Juba has already attained the fabled Trident of Poseidon, which may also be the staff once wielded by Moses. Now he will stop at nothing to obtain the other Shards, even if it means burning the entire world to the ground. Caught up in these cataclysmic events, and the hunt for the Shards, are a pair of exiled Roman legionnaires, a Greek librarian of uncertain loyalties, assassins, spies, slaves . . . and the ten-year-old daughter of Cleopatra herself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This masterful history of the monumental architecture of Alexandria, as well as of the rest of Egypt, encompasses an entire millennium—from the city’s founding by Alexander the Great in 331 B.C. to the years just after the Islamic conquest of A.D. 642. Long considered lost beyond recall, the architecture of ancient Alexandria has until now remained mysterious. But here Judith McKenzie shows that it is indeed possible to reconstruct the city and many of its buildings by means of meticulous exploration of archaeological remains, written sources, and an array of other fragmentary evidence. The book approaches its subject at the macro- and the micro-level: from city-planning, building types, and designs to architectural style. It addresses the interaction between the imported Greek and native Egyptian traditions; the relations between the architecture of Alexandria and the other cities and towns of Egypt as well as the wider Mediterranean world; and Alexandria’s previously unrecognized role as a major source of architectural innovation and artistic influence. Lavishly illustrated with new plans of the city in the Ptolemaic, Roman, and Byzantine periods; reconstruction drawings; and photographs, the book brings to life the ancient city and uncovers the true extent of its architectural legacy in the Mediterranean world.