The Phantom Ship (1839) is a novel by Frederick Marryat. Inspired by the legend of the Flying Dutchman, a fabled ghost ship doomed to sail the seas until the end of time, The Phantom Ship is a tale of adventure and Gothic horror from an author who served for decades in the British Royal Navy. Philip Vanderdecken had always feared this day would come. Raised by his mother in Terneuzen, he had grown accustomed to life without a father. During a voyage around the Cape of Good Hope, the elder Vanderdecken condemned himself to an eternity at the helm of the Flying Dutchman, a legendary vessel doomed to sail the seas without ever touching land. Now a young man, Philip is informed by his dying mother of the possibility of saving his father by letting his spirit rest. Terrified, he promises his mother to carry a relic of the Holy Cross across the globe until he can find the Flying Dutchman. He joins the Dutch East India Company and sets out at once on an adventure filled with romance, magic, and unimaginable horror. Poorly reviewed upon publication, The Phantom Ship has endured as a cult classic and continues to be adored by generations of loyal readers. With a beautifully designed cover and professionally typeset manuscript, this edition of Frederick Marryat's The Phantom Ship is a classic of British literature reimagined for modern readers.

Chapter I About the middle of the seventeenth century, in the outskirts of the small but fortified town of Terneuse, situated on the right bank of the Scheldt, and nearly opposite to the island of Walcheren, there was to be seen, in advance of a few other even more humble tenements, a small but neat cottage, built according to the prevailing taste of the time. The outside front had, some years back, been painted of a deep orange, the windows and shutters of a vivid green. To about three feet above the surface of the earth, it was faced alternately with blue and white tiles. A small garden, of about two rods of our measure of land, surrounded the edifice; and this little plot was flanked by a low hedge of privet, and encircled by a moat full of water, too wide to be leaped with ease. Over that part of the moat which was in front of the cottage door, was a small and narrow bridge, with ornamented iron hand-rails, for the security of the passenger. But the colours, originally so bright, with which the cottage had been decorated, had now faded; symptoms of rapid decay were evident in the window-sills, the door-jambs, and other wooden parts of the tenement, and many of the white and blue tiles had fallen down, and had not been replaced. That much care had once been bestowed upon this little tenement, was as evident as that latterly it had been equally neglected.

The Phantom Ship (1839) is a Gothic novel by Frederick Marryat which explores the legend of the Flying Dutchman and, in one chapter, features a werewolf.The plot concerns the quest of Philip Vanderdecken of Terneuzen in the Netherlands to save his father - who has been doomed to sail for eternity as the Captain of the Bewitched Phantom Ship, after he made a rash oath to heaven and slew one of the crew whilst attempting to sail round the Cape of Good Hope. Vanderdecken learns upon his mother's death that there exists a way by which his father's disturbed spirit may be laid to rest, and vows to live at sea until he has spoken with his father face to face and accomplished this purpose. Vanderdecken sails around the world in a number of ships, in the employ of the Dutch East India Company, so that he can redeem his father by presenting him with the relic of the Holy Cross he wears round his neck. His quest, however, brings him into conflict with earthly and unearthly powers as the sight of the Flying Dutchman brings doom to all who encounter her. Themes--The legend of the Flying Dutchman forms the background to the story and makes regular appearances throughout the novel, while Marryat adds many other supernatural details. He introduces as the heroine, Amine, the daughter of one Mynheer Poots, a miser. Having Arab blood in her veins, she possesses some of the secrets of Arabian magic, but her incautious use of her magic arts brings her into the dungeons of the Inquisition at Goa.Likewise, there is Schrifter, the demon pilot; and Krantz, with a tale of horrors in the Harz mountains;atrocious monks; and ghosts that will not be drowned. The reviews for the novel were generally poor. The Athenaeum thought that the work "falls sadly short of the racy marine stories by which the author won his first fame." In particular, it noted that Marryat "dashes off scenes of portent and terror with the same familiar and slip-shod style ... and the result is a feebleness of effect, not to be found in his other novels."Likewise in referring to the book, The Dublin Review thought that the "falling off in his last novel ... is very considerable," and stated that "a string of extravagant adventures, carelessly put together, and heavily told, deaden curiosity, -the Flying Dutchman makes his appearance as regularly as a packetboat, and becomes at last almost as tiresome." In recent times S.T. Joshi has called the novel "an aesthetic disaster - appallingly prolix, and written in a stiff, cumbersome style that reads like a bad translation from a foreign language."