The "phantom heroine"—in particular the fantasy of her resurrection through sex with a living man—is one of the most striking features of traditional Chinese literature. Even today the hypersexual female ghost continues to be a source of fascination in East Asian media, much like the sexually predatory vampire in American and European movies, TV, and novels. But while vampires can be of either gender, erotic Chinese ghosts are almost exclusively female. The significance of this gender asymmetry in Chinese literary history is the subject of Judith Zeitlin’s elegantly written and meticulously researched new book. Zeitlin’s study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies. The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers—that is, authors actually reputed to be spirits of the deceased. She also makes the case for the importance of lyric poetry in developing a ghostly aesthetics and image code. Most strikingly, Zeitlin shows that the representation of female ghosts, far from being a marginal preoccupation, expresses cultural concerns of central importance.

Zeitlin's study centers on the seventeenth century, one of the most interesting and creative periods of Chinese literature and politically one of the most traumatic, witnessing the overthrow of the Ming, the Manchu conquest, and the subsequent founding of the Qing. Drawing on fiction, drama, poetry, medical cases, and visual culture, the author departs from more traditional literary studies, which tend to focus on a single genre or author. Ranging widely across disciplines, she integrates detailed analyses of great literary works with insights drawn from the history of medicine, art history, comparative literature, anthropology, religion, and performance studies. The Phantom Heroine probes the complex literary and cultural roots of the Chinese ghost tradition. Zeitlin is the first to address its most remarkable feature: the phenomenon of verse attributed to phantom writers - that is, authors actually reputed to be spirits of the deceased. This book should appeal to readers interested in Chinese studies, gender studies, comparative literature, performance studies, the history of religion, and of course, ghost stories and the occult

A doctor and a reformed bad-boy vampire struggle with danger and their desires in this New York Times–bestselling paranormal romantic suspense novel. Dr. Melanie Lipton is no stranger to the supernatural. She knows immortals better than they know themselves, right down to their stubborn little genes. So although a handsome rogue immortal seems suspicious to her colleagues, Sebastien Newcombe intrigues Melanie. His history is checkered, his scars are impressive, and his ideas are daring. But it's not his ideas that have Melanie fighting off surges of desire… Bastien is used to being the bad guy. In fact, he can't remember the last time he had an ally he could trust. But Melanie is different—and under her calm, professional exterior he senses a passion beyond anything in his centuries of experience. Giving in to temptation is out of the question—he can't put her in danger. But she isn't asking him… RT Book Reviews“With this excellent entry, rising star Duvall is fast proving to be a major player in paranormal romance!”— “With a deeply emotional love story, two beautiful, complex main characters, and a pulse-pounding adventure that won’t let up, this book was haunting and addictive.”—The Romance Reviews

Megan Carey was ready to embark on a trip to Europe, finally taking time to do something purely for herself, but when she finds her father on the brink of suicide, her plans go out the window. Her father is being blackmailed by a reclusive genius who’s demanded TK Carey show up to answer for his crimes. Panicked, Megan volunteers to go in his place. Ethan Winslowe is a brilliant, eccentric architect with a grudge. In his odd, rambling mansion, he waits for Megan’s father to enact his revenge, but when Megan comes in his stead, Ethan has a new prisoner to answer for the crimes. At first, Megan is afraid of the strange, dark man who tormented her father with threats of public ruin. Ethan is mysterious and deeply secretive, refusing to allow himself to be seen in the light of day. But soon, Megan’s fear is replaced by curiosity and a desire to see the man who haunts her dreams, and even as she’s kept prisoner she’s drawn to him, obsessed by him, on the edge of falling in love with a phantom. Is there any way she can learn to trust a creature of darkness before the outside forces of evil destroy them both?

Twin brothers discover their new home is also a portal--for an hour a day--to a parallel dimension in this spine-chilling middle-grade adventure, perfect for fans of The Mysterious Benedict Society Twelve-year-old twins Colm and Mal might look identical, but they’re different in just about every other way. The one thing they can agree on is that neither brother wants to move to Chicago for a fresh start with their mom two years after their dad’s death. The boys soon discover that their new apartment building, Brunhild Tower, is full of strange quirks: a mysterious Princess who warns them not to wander the building at midday, eerie sounds coming from the walls, and an elevator that’s missing a button for the thirteenth floor. Then one afternoon, that button appears, catapulting the brothers and their inquisitive new neighbor, Tamika, into a parallel dimension and a twin building stuck in time, where the spirits of all the former residents of Brunhild Tower live on, trapped by an ancient curse. Now, Colm, Mal, and Tamika must race against time to solve the mystery of the phantom tower—or risk spending an eternity as ghosts themselves.

For all the women who thought Christine should have stayed with the Phantom...this book is for you. "Erotically wicked! Spellbinding! A unique retelling of The Phantom of the Opera." —Bertrice Small One of the world's most infamous stories of dark passion...now retold in a novel of breathtaking historical erotica. An exquisite obsession... Christine Daaé has heard terrifying stories of the man known as The Phantom of the Opera. But, as the Paris Opera House’s youngest and most compelling star, Christine has learned the truth about the scarred man. In a lush hideaway beneath the Opera House, she craves the velvet timbre of his arousing voice, and quivers beneath the touch of his leather gloves. The Phantom is real. Her Musique d'Ange. Her liberator. And Christine is his inspiration. An erotic awakening... Condemned to the catacombs beneath the streets of Paris, Erik watches the beautiful, talented Christine from the shadows. He is careful to keep his identity and his secret in the dark, but he cannot resist her beauty and her talent. Her extraordinary loveliness haunts him like no other woman...and only he can pleasure her like no other man. But his sensual power comes with a price—and a risk to everyone who stands between them. For Christine too is succumbing to her most forbidden and dangerous desires...and as she gives everything for the Phantom, her world spirals into the darkest and most dangerous eroticism of all. "...A labyrinth of dark, extravagant eroticism...to the romance at the story's heart. Grandly conceived, wildly inventive in its smallest details...." --Molly Weatherfield, author of Carrie's Story

Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.