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Inspector Leroux had witnessed the execution of the Phantom of the Opera. Justice had been served. So he thinks, until letters in a feminine hand arrive, hinting at the curious coincidence of a masked composer, Erik Costanzi, thriving in an Italian opera house and married to the former Parisian Diva, Meg Giry. Driven by outrage and a desire for revenge, the inspector tracks the Phantom to his new home. But there is another ghost from Erik's past, one who dogs the Phantom's steps, who sabotages the production of his newest opera, and who threatens the peace he has found with Meg and his family. Book IV, Phantom Death, is the last in the Phoenix of the Opera series. It continues and closes the story begun in The Phoenix of the Opera, and continued in Out of the Darkness: The Phantom's Journey and The Phantom's Opera.

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"The Phantom Death, Etc" by William Clark Russell is a collection of stories that all center around life on the sea. Indeed, Russell is best known for his nautical writing, and this book is no different. Remarkably fresh in tone, these stories are full of adventure that engage readers from the moment they begin the first page and won't let them go until they're finished with the very last word.

Presenting a new collection of stories exploring the perennial themes of Miyamoto Teru's fiction, narrative sketches of the world-class world of the Osaka-Kobe region of his childhood employing memory to reveal a story in layered frames of time with consummate skill. His work examines the mutual proximity--or even the identity--of life and death, often touching on such grim topics with a touch of humor. Stories of personal triumph and hope are often set in situations involving death, illness, or loss, but what might be the stuff of tragedy in the hands of some writers turns into stepping stones for his characters to climb upward and onward. Miyamoto's considerable and devoted following in Japan has come increasingly to be mirrored in other Asian countries and parts of Europe as his fiction has been translated into various languages. With renditions of only three of his works currently available in English, however, Anglophone readers have for the most part been unaware of the "Teru" literary phenomenon. The present collection aims to fill part of this lack by offering a selection of some his finest short stories along with one of his most admired novellas--Phantom Lights--which was made into the internationally acclaimed 1995 movie Maborosi by Koreeda Hirokazu. The will to live, karma, and death are themes developed through the lives of Miyamoto's fictional characters, who struggle to achieve closure with their respective pasts and in their often difficult relations with others. The comments of Washington Times writer Anna Chambers in her review of Kinshu: Autumn Brocade aptly apply to the works presented here as well: ..".existential crisis after existential crisis force the characters to question whether one can shape one's own karma--rather than construct one's own soul, as a Western reader might have put it. And herein lies the Westerner's entree into the book as more than an observer of Japanese culture." And like Kinshu, the stories in the present collection provide "a satisfying taste of what it means to grapple with fate at the intersection of modernity and tradition." Miyamoto deftly weaves his tales using scenes and settings from his native Kansai region, and all are flavored with the language of western Japan. Like the depressed areas described in much of his fiction, his characters too are "left behind" by post-war Japan's rapid economic growth, by unexpected changes in their lives, or by the deaths of loved ones. His heroes are ordinary people who, as he puts it, "are trying to lift themselves up, who are struggling to live," and who achieve quiet triumphs.